Beyond Ridiculous: Making Gay Theatre with Charles Busch in 1980s New York: Studies Theatre Hist & Culture
Autor Kenneth Elliotten Limba Engleză Paperback – 2 noi 2023 – vârsta ani
In Beyond Ridiculous, Elliott narrates in first-person the company’s Cinderella tale of fun, heartbreak, and dishy drama. At the center of the book is a young Charles Busch, an unforgettable personality fighting to be seen, be heard, and express his unique style as a writer-performer in plays such as Psycho Beach Party and The Lady in Question. The tragedy of AIDS among treasured friends in the company, the struggle for mainstream acceptance of LGBTQ+ theatre during the reign of President Ronald Reagan, and the exploration of new ways of being a gay theatre artist make the book a bittersweet and joyous ride.
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Specificații
ISBN-13: 9781609389192
ISBN-10: 1609389190
Pagini: 210
Ilustrații: 12 b&w photos, 2 b&w images
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.34 kg
Editura: University of Iowa Press
Colecția University Of Iowa Press
Seria Studies Theatre Hist & Culture
ISBN-10: 1609389190
Pagini: 210
Ilustrații: 12 b&w photos, 2 b&w images
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.34 kg
Editura: University of Iowa Press
Colecția University Of Iowa Press
Seria Studies Theatre Hist & Culture
Recenzii
“As ‘one who was there,’ Ken Elliott’s Beyond Ridiculous succeeds on multiple levels. It offers a comprehensive and entertaining analysis of playwright Charles Busch’s work and Theatre-in-Limbo, and also illuminates the economic and artistic landscape of New York City in the 1980s, a wildly creative but fraught decade that continues to resonate today. A must-read for anyone interested in the arts and especially the theatre.”—Julie Halston, actor and comedian, 2020 Isabelle Stevenson Tony Award winner
“Kenneth Elliott lovingly charts the history of not only Theatre-in-Limbo, one of the most groundbreaking companies of the 1980s, but he also chronicles a harrowing time for gay men, who were confronting the terror of AIDS and a shockingly indifferent government, and who found their deliverance in sequins, greasepaint, and wickedly subversive humor. This book is an invaluable record of our ability to transcend even the darkest times.”—Doug Wright, playwright, Pulitzer Prize and Tony Award winner
“Beyond Ridiculous engages a queer methodology to reflect upon a friendship and collaboration between the author and Charles Busch, revealing how central theatre was to kinship and survival for the gay community in 1980s New York. As a celebration of queer solidarity in theatre, it is erudite, provocative, heartwarming, and utterly enjoyable to read.”—Sean F. Edgecomb, author, The Taylor Mac Book: Ritual, Realness and Radical Performance
“Anyone interested in the art and business of theater will be fascinated by the specific details that Elliott provides, from finding backers for shows to even the technical specifics of the shape and size of theaters and how it affected audience reactions. Thorough in detail yet compact in structure, with several production photos, endnotes, a bibliography, and an index, Beyond Ridiculous is a must-have for any theater professional or fan of queer arts.”—Bay Area Reporter
“Beyond Ridiculous touches on things that many readers will be curious about. Anyone interested in the history of Off-Broadway and Off-Off Broadway theatre in the last half of the twentieth century will find value in it. Intended as both a well-documented history and a personal memoir. . . . Elliott has pulled it off, and nicely.”—Talking Broadway
“Kenneth Elliott lovingly charts the history of not only Theatre-in-Limbo, one of the most groundbreaking companies of the 1980s, but he also chronicles a harrowing time for gay men, who were confronting the terror of AIDS and a shockingly indifferent government, and who found their deliverance in sequins, greasepaint, and wickedly subversive humor. This book is an invaluable record of our ability to transcend even the darkest times.”—Doug Wright, playwright, Pulitzer Prize and Tony Award winner
“Beyond Ridiculous engages a queer methodology to reflect upon a friendship and collaboration between the author and Charles Busch, revealing how central theatre was to kinship and survival for the gay community in 1980s New York. As a celebration of queer solidarity in theatre, it is erudite, provocative, heartwarming, and utterly enjoyable to read.”—Sean F. Edgecomb, author, The Taylor Mac Book: Ritual, Realness and Radical Performance
“Anyone interested in the art and business of theater will be fascinated by the specific details that Elliott provides, from finding backers for shows to even the technical specifics of the shape and size of theaters and how it affected audience reactions. Thorough in detail yet compact in structure, with several production photos, endnotes, a bibliography, and an index, Beyond Ridiculous is a must-have for any theater professional or fan of queer arts.”—Bay Area Reporter
“Beyond Ridiculous touches on things that many readers will be curious about. Anyone interested in the history of Off-Broadway and Off-Off Broadway theatre in the last half of the twentieth century will find value in it. Intended as both a well-documented history and a personal memoir. . . . Elliott has pulled it off, and nicely.”—Talking Broadway
Notă biografică
Kenneth Elliott has directed off-Broadway plays and musicals at New York theatres such as the Public, Primary Stages, and Manhattan Theatre Club. He is associate professor of theatre at Rutgers University–Camden, and chair of the Department of Visual, Media, and Performing Arts. He lives in Collingswood, New Jersey.
Descriere
Beyond Ridiculous tells the story of Theatre-in-Limbo. Elliott narrates in first-person the company’s Cinderella tale of fun, heartbreak, and dishy drama. At the center of the book is a young Charles Busch, an unforgettable personality fighting to be seen, be heard, and express his unique style as a writer-performer. The tragedy of AIDS among treasured friends in the company, the struggle for mainstream acceptance of LGBTQ+ theatre during the reign of President Ronald Reagan, and the exploration of new ways of being a gay theatre artist make the book a bittersweet and joyous ride.