Cantitate/Preț
Produs

Big Day Coming: Yo La Tengo and the Rise of Indie Rock

Autor Jesse Jarnow
en Limba Engleză Paperback – 31 mai 2012 – vârsta de la 18 ani
The first biography of Yo La Tengo, the massively influential band who all but defined indie music.

Yo La Tengo has lit up the indie scene for three decades, part of an underground revolution that defied corporate music conglomerates, eschewed pop radio, and found a third way. Going behind the scenes of one of the most remarkable eras in American music history, Big Day Coming traces the patient rise of husband-and-wife team Ira Kaplan and Georgia Hubley, who—over three decades—helped forge a spandex-and-hairspray-free path to the global stage, selling millions of records along the way and influencing countless bands.
Using the continuously vital Yo La Tengo as a springboard, Big Day Coming uncovers the history of the legendary clubs, bands, zines, labels, record stores, college radio stations, fans, and pivotal figures that built the infrastructure of the now-prevalent indie rock world. Journalist and freeform radio DJ Jesse Jarnow draws on all-access interviews and archives for mesmerizing trip through contemporary music history told through one of its most creative and singular acts.

Citește tot Restrânge

Preț: 13919 lei

Nou

Puncte Express: 209

Preț estimativ în valută:
2663 2802$ 2211£

Carte disponibilă

Livrare economică 26 decembrie 24 - 09 ianuarie 25

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9781592407156
ISBN-10: 1592407153
Pagini: 362
Dimensiuni: 152 x 226 x 25 mm
Greutate: 0.45 kg
Editura: GOTHAM BOOKS

Notă biografică

Jesse Jarnow is a music journalist and the host of The Frow Show on WFMU, an independent radio station based in Jersey City. His work has appeared in The London Times, Rolling Stone, Spin, and other publications. He lives in Brooklyn, where he is in the band Sloppy Heads.

Descriere

The first biography of Yo La Tengo, the massively influential band who all but defined indie music. They have lit up the indie scene for three decades, part of an underground revolution that defied corporate music conglomerates, eschewed radio-friendly hits, and found a third way.