Big Star's Radio City: 33 1/3
Autor Bruce Eatonen Limba Engleză Paperback – 30 iun 2009
Din seria 33 1/3
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Specificații
ISBN-13: 9780826428981
ISBN-10: 0826428983
Pagini: 154
Dimensiuni: 119 x 163 x 10 mm
Greutate: 0.16 kg
Editura: Bloomsbury Publishing
Colecția Continuum
Seria 33 1/3
Locul publicării:New York, United States
ISBN-10: 0826428983
Pagini: 154
Dimensiuni: 119 x 163 x 10 mm
Greutate: 0.16 kg
Editura: Bloomsbury Publishing
Colecția Continuum
Seria 33 1/3
Locul publicării:New York, United States
Caracteristici
Big Star almost single-handedly invented several strains of indie-rock back in the early 70s, before imploding catastrophically during the making of their third and final album. This book will shed new light on the cult of Alex Chilton.
Recenzii
The 33 1/3 series is always a fun read for record obsessives, and Bruce Eaton's coverage of the greatest album of all time here is no exception...Much has been made of the drama and tragedy surrounding Big Star- but the focus here is music...Any fan of the album will find this a quick, worthwhile read.
What Eaton's book has going for it is a personal connection to Chilton that provides him with rare access to the somewhat reclusive icon and an insistence on focusing more on the music itself and the circumstances of its recording rather than the more familiar personality-based story of the band's brief initial life.
...[Eaton's] been able to interview Chilton in depth, plus other principal players in the LP's conception including Big Star members Jody Stephens and Andy Hummel and Ardent Records founder John Fry. The emphasis is on music so we learn about their influences...
Bruce Eaton's thorough investigation into the history of rock music's most influentially unrecognised acts of the '70s, Memphis, Tennessee's Big Star, and the recording of their second album Radio City, does much to clear up decades of misinformation and mythology, shedding light on session recordings, the artists present and how the album was pieced together. It's that kind of detailed musical reporting that the 33 1/3 series is known for. Eaton's own personal history of playing in a backing band with Alex Chilton (Big Star's vocalist/songwriter) adds a neat spin and the interviews contained with the band members and album producer, all casting their thoughts back a good 30 years to reflect on a busy time for the band, are flawless...recreating the scene after the fractious fall-out of the departure of original member Chris Bell and how they picked up the pieces to create Radio City is retold and relived, in studio and on-stage by the people who were there. It's about as an authoritative and informative an exposition as you could hope for...the 33 1/3 series are a fascinating and revealing collection of books. Written by music fans for music fans, this series will never grow old, never grow boring, and goes far into explaining the mysticism and appeal behind these priceless bodies of work, for your own personal pleasure or just in case you happen to know someone who just doesn't understand.
Un must have pour tous les maniaques de la grande etoile, et pour tous les autres aussi.
Page-turning celebration of Big Star's power-pop masterpiece...[Eaton] elicits fresh interviews with those who were in the room at the album's conception. That includes the recalcitrant Chilton and John Fry, the George Martin figure whose engineering expertise was a crucial part of the album's sound. Eaton has a gift for locating the album's slippery, unknowable essence in a tale whose epic sweep spans 17th century Canterbury and New York's Mudd Club in the early 1980's. Compacted with enthusiasm, this is a concise, effective primer in Big Star history.
Many writers manage to wrangle interviews with their subjects for these books, but few make as much of the opportunity as Bruce Eaton, who got unprecedented access to the 'individuals who were actually "in the room" and had a direct and tangible input into the sound and development' of Big Star's sophomore album. This direct insight from the band members and engineer John Fry steer the book away from the cult mythology that still clings to the Memphis group and creates something much more even-handed and humane. Eaton conducted the interviews in 2007 and 2008, and his book was published in 2009, just a year before frontman Alex Chilton and bassist Andy Hummel both died unexpectedly. Those immense losses, combined with Fry's passing in 2014, adds poignancy to a powerful story of thwarted dreams.
What Eaton's book has going for it is a personal connection to Chilton that provides him with rare access to the somewhat reclusive icon and an insistence on focusing more on the music itself and the circumstances of its recording rather than the more familiar personality-based story of the band's brief initial life.
...[Eaton's] been able to interview Chilton in depth, plus other principal players in the LP's conception including Big Star members Jody Stephens and Andy Hummel and Ardent Records founder John Fry. The emphasis is on music so we learn about their influences...
Bruce Eaton's thorough investigation into the history of rock music's most influentially unrecognised acts of the '70s, Memphis, Tennessee's Big Star, and the recording of their second album Radio City, does much to clear up decades of misinformation and mythology, shedding light on session recordings, the artists present and how the album was pieced together. It's that kind of detailed musical reporting that the 33 1/3 series is known for. Eaton's own personal history of playing in a backing band with Alex Chilton (Big Star's vocalist/songwriter) adds a neat spin and the interviews contained with the band members and album producer, all casting their thoughts back a good 30 years to reflect on a busy time for the band, are flawless...recreating the scene after the fractious fall-out of the departure of original member Chris Bell and how they picked up the pieces to create Radio City is retold and relived, in studio and on-stage by the people who were there. It's about as an authoritative and informative an exposition as you could hope for...the 33 1/3 series are a fascinating and revealing collection of books. Written by music fans for music fans, this series will never grow old, never grow boring, and goes far into explaining the mysticism and appeal behind these priceless bodies of work, for your own personal pleasure or just in case you happen to know someone who just doesn't understand.
Un must have pour tous les maniaques de la grande etoile, et pour tous les autres aussi.
Page-turning celebration of Big Star's power-pop masterpiece...[Eaton] elicits fresh interviews with those who were in the room at the album's conception. That includes the recalcitrant Chilton and John Fry, the George Martin figure whose engineering expertise was a crucial part of the album's sound. Eaton has a gift for locating the album's slippery, unknowable essence in a tale whose epic sweep spans 17th century Canterbury and New York's Mudd Club in the early 1980's. Compacted with enthusiasm, this is a concise, effective primer in Big Star history.
Many writers manage to wrangle interviews with their subjects for these books, but few make as much of the opportunity as Bruce Eaton, who got unprecedented access to the 'individuals who were actually "in the room" and had a direct and tangible input into the sound and development' of Big Star's sophomore album. This direct insight from the band members and engineer John Fry steer the book away from the cult mythology that still clings to the Memphis group and creates something much more even-handed and humane. Eaton conducted the interviews in 2007 and 2008, and his book was published in 2009, just a year before frontman Alex Chilton and bassist Andy Hummel both died unexpectedly. Those immense losses, combined with Fry's passing in 2014, adds poignancy to a powerful story of thwarted dreams.