Blood Brothers and Peace Pipes: Performing the Wild West in German Festivals: Folklore Studies in a Multicultural World
Autor A. Dana Weberen Limba Engleză Hardback – 28 oct 2019
This book, based on years of fieldwork observing and studying the festivals, plays, events, and groups that comprise this subculture, addresses a larger, timely issue: cultural transfer and appropriations. Are Germans dressing up in American Indian costumes paying tribute or offending the cultures they are representing? Avoiding simplistic answers, A. Dana Weber considers the complexity of cultural enactments as they relate both to the distinctly German phenomenon as well as to larger questions of cultural representations in American and European live performance traditions."
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Specificații
ISBN-13: 9780299323509
ISBN-10: 0299323501
Pagini: 424
Ilustrații: 1 map, 24 b-w photos
Dimensiuni: 152 x 229 x 28 mm
Greutate: 0.6 kg
Ediția:1
Editura: University of Wisconsin Press
Colecția University of Wisconsin Press
Seria Folklore Studies in a Multicultural World
ISBN-10: 0299323501
Pagini: 424
Ilustrații: 1 map, 24 b-w photos
Dimensiuni: 152 x 229 x 28 mm
Greutate: 0.6 kg
Ediția:1
Editura: University of Wisconsin Press
Colecția University of Wisconsin Press
Seria Folklore Studies in a Multicultural World
Notă biografică
A. Dana Weber is an assistant professor of German in the Department of Modern Languages and Linguistics at Florida State University.
Cuprins
Contents
List of Illustrations vii
Acknowledgments ix
Introduction 3
A History of Iconography and Cultural Transfer: The “Rocky Stage” of Rathen 39
The Foundational Narrative of Karl May Festivals: The “Chalk Mountain” Stage in Bad Segeberg 97
Lay Play and Festive Theater: The “Sun Hill” in Twisteden and the “Forest Stage” in Bischofswerda 144
Cultural Memory and Modern Discontents: The “Cinemascopic Stage” in Elspe 199
An Assemblage of Performances and Inner Tensions: The Karl May Festive Days in Radebeul 248
Conclusion: The Meaning of Karl May Festivals 292
Notes 315
References 359
Index 385
List of Illustrations vii
Acknowledgments ix
Introduction 3
A History of Iconography and Cultural Transfer: The “Rocky Stage” of Rathen 39
The Foundational Narrative of Karl May Festivals: The “Chalk Mountain” Stage in Bad Segeberg 97
Lay Play and Festive Theater: The “Sun Hill” in Twisteden and the “Forest Stage” in Bischofswerda 144
Cultural Memory and Modern Discontents: The “Cinemascopic Stage” in Elspe 199
An Assemblage of Performances and Inner Tensions: The Karl May Festive Days in Radebeul 248
Conclusion: The Meaning of Karl May Festivals 292
Notes 315
References 359
Index 385