Bodies and Maps: Early Modern Personifications of the Continents de Maryanne Cline Horowitz

Bodies and Maps: Early Modern Personifications of the Continents: Intersections, cartea 73

Editat de Maryanne Cline Horowitz, Louise Arizzoli

en Limba Engleză Hardback – 9 dec 2020

Since antiquity, artists have visualized the known world through the female (sometimes male) body. In the age of exploration, America was added to figures of Europe, Asia, and Africa who would come to inhabit the borders of geographical visual imagery. In the abundance of personifications in print, painting, ceramics, tapestry, and sculpture, do portrayals vary between hierarchy and global human dignity? Are we witnessing the emergence of ethnography or of racism? Yet, as this volume shows, depictions of bodies as places betray the complexity of human claims and desires. Bodies and Maps: Early Modern Personifications of the Continents opens up questions about early modern politics, travel literature, sexualities, gender, processes of making, and the mobility of forms and motifs.

Contributors are: Louise Arizzoli, Elisa Daniele, Hilary Haakenson, Elizabeth Horodowich, Maryanne Cline Horowitz, Ann Rosalind Jones, Paul H. D. Kaplan, Marion Romberg, Mark Rosen, Benjamin Schmidt, Chet Van Duzer, Bronwen Wilson, and Michael Wintle.

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Specificații

ISBN-13: 9789004387904
ISBN-10: 9004387900
Dimensiuni: 155 x 235 mm
Greutate: 1.02 kg
Editura: Brill
Colecția Brill
Seria Intersections

Cuprins

Acknowledgements
List of Illustrations
Notes on the Editors
Notes on the Contributors

1 Introduction (1): Rival Interpretations of Continent Personifications
Maryanne Cline Horowitz

2 Introduction (2): Allegories of the Four Continents Today: Assessing Contemporary Contributions
Louise Arizzoli

Part 1: Personifications of the Continents and Issues of Race and Gender

3 Gender and Race in the Personification of the Continents in the Early Modern Period: Building Eurocentrism
Michael Wintle

4 Exotic Female (and Male) Continents: Early Modern Fourfold Division of Humanity
Maryanne Cline Horowitz

Part 2: Cartographical Origins of Early Continent Personification

5 The Pre-History of the Personification of Continents on Maps: Earth, Ocean, and the Sons of Noah
Chet Van Duzer

6 Magi, Winds, Continents: Dark Skin and Global Allegory in Early Modern Images
Paul H.D. Kaplan

Part 3: Personifications of the World in Italian Frescoes

7 Casting the Continents: Sacred History and Spiritual Odyssey in the Camposanto of Pisa
Hilary Anne Haakenson

8 Portraits of the World – The Four Continents at Palazzo Farnese in Caprarola: The Figurative Code, Sources and Comparisons
Elisa Antonietta Daniele

Part 4: Continent Personifications in Maps and Book Illustration

9 Why were there no Continental Allegories in Renaissance Venice? The Amerasian Personifications of Giuseppe Rosaccio
Elizabeth Horodowich

10 Worlds Apart: The Four Continents and the Civitates Orbis Terrarum
Mark Rosen

11 When Allegory Met History: Allegories of the Continents on Costume-Book Title Pages in the Late Sixteenth Century
Ann Rosalind Jones

Part 5: Popularization of Continent Personifications in the Eighteenth Century

12 The Visible Church – The Discourse on an Ecclesia Triumphans and the Four Continents in Parish Churches of Baroque Southern Germany
Marion Romberg

13 The Rearing Horse and the Kneeling Camel: Continental Ceramics and Europe’s Race to Modernity
Benjamin Schmidt

14 Collecting the Four Continents: James Hazen Hyde (1876–1959), an American in Paris
Louise Arizzoli

15 Afterword: Ornament and the Fabrication of Early Modern Worlds
Bronwen Wilson

Index Nominum

Notă biografică

Maryanne Cline Horowitz, Ph.D. (1970), is Professor of History, Occidental College, and Associate, Center for Medieval and Renaissance Studies, University of California, Los Angeles. She won the Jacques Barzun Prize in Cultural History of the American Philosophical Society for her Seeds of Virtue and Knowledge (Princeton, 1998), and served as Editor-in-Chief of the New Dictionary of the History of Ideas (Charles Scribner's Sons, 2005).

Louise Arizzoli, Ph.D. (2013) is an Instructional Assistant Professor of Art History at the University of Mississippi. She has published on the iconography of the Four Continents in the arts and on the history of collections and the art market, including “James Hazen Hyde and the Allegory of the Four Continents: A Research Collection for an Amateur Art Historian” (The Journal for the History of Collections, 2013).