Brecht On Theatre
Autor Bertolt Brecht Editat de Marc Silberman, Prof. Steve Giles, Tom Kuhnen Limba Engleză Hardback – 19 noi 2014
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Specificații
ISBN-13: 9781472558619
ISBN-10: 1472558618
Pagini: 344
Ilustrații: 32 pages of B&W photos
Dimensiuni: 138 x 216 x 30 mm
Greutate: 0.61 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Locul publicării:London, United Kingdom
ISBN-10: 1472558618
Pagini: 344
Ilustrații: 32 pages of B&W photos
Dimensiuni: 138 x 216 x 30 mm
Greutate: 0.61 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Locul publicării:London, United Kingdom
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Caracteristici
Besides over 40 new texts, almost half of the material has been newly translated since the first edition was published in 1964
Notă biografică
Bertolt Bertolt (1898-1956) was the most influential German dramatist and theoretician of the theater in the 20th century. Also a poet of formidable gifts and considerable output, Brecht first attracted attention in the Berlin of the 1920s as the author of provocative plays that challenged the tenets of traditional theater. Forced to flee Germany in 1933 because of his leftist political beliefs and opposition to the Nazi regime of Adolf Hitler, Brecht and his family spent 14 years in exile in Scandinavia and the United States. Although he tried hard to become established in the United States, Brecht failed to make a breakthrough either as a scriptwriter in Hollywood, California, or as a playwright on Broadway. Two years later he moved to East Berlin and remained there until his death. In the 1950s he became an internationally acclaimed playwright and director through productions of his plays by the Berliner Ensemble, a company based in East Berlin and headed by his wife, actor Helene Weigel.
John Willett (1917-2002) was a noted scholar, author and translator. From the outset he was the prime editor and translator (with Ralph Manheim and others) behind Brecht in English. He was involved in the planning and translation of the programme book for the Berliner Ensemble's celebrated first visit to London in 1956 (the year of Brecht's own death); in 1959 he published the first general study in any language, The Theatre of Bertolt Brecht; he translated, edited and introduced the enormously influential Brecht on Theatre (1964); and he was a founding member of the International Brecht Society and sometime editor of its Yearbook.
John Willett (1917-2002) was a noted scholar, author and translator. From the outset he was the prime editor and translator (with Ralph Manheim and others) behind Brecht in English. He was involved in the planning and translation of the programme book for the Berliner Ensemble's celebrated first visit to London in 1956 (the year of Brecht's own death); in 1959 he published the first general study in any language, The Theatre of Bertolt Brecht; he translated, edited and introduced the enormously influential Brecht on Theatre (1964); and he was a founding member of the International Brecht Society and sometime editor of its Yearbook.
Cuprins
List of IllustrationsGeneral Introduction and AcknowledgementsPart One - A New TheatreIntroduction to Part OneFrank Wedekind (1918)Me in the Theatre (1920)Theatre as Sport (1920)A Reckoning (1920)On the Aesthetics of Drama (1920)On the 'Downfall of the Theatre' (1925)More Good Sport (1926)Three Cheers for Shaw (1926)Prologue to Drums (1926)Shouldn't We Liquidate Aesthetics? (1927)Epic Theatre and Its Difficulties (1927)On New Dramatic Writing (1928)Latest Stage: Oedipus (1929)Dialogue about Acting (1929)On Subject-Matter and Form (1929)On Rehearsing (c. 1930)Dialectical Dramatic Writing (1930/31)Notes on the Opera Rise and Fall of the City of Mahagonny (1930)Notes on the Threepenny Opera (1931)Notes on the Comedy Man Equals Man (1931/38)Notes on The Mother (1933/38)Part Two - Exile YearsIntroduction to Part TwoOLD VS. NEW THEATRETheatre for Pleasure or Theatre for Instruction (1935)On Experiments in Epic Theatre (1935)The German Drama: pre-Hitler (1935)On the Use of Music in an Epic Theatre (1935)Short List of the Most Frequent, Common and Boring Misconceptions about Epic Theatre (1937)The Progressiveness of the Stanislavsky System (1937)On Experimental Theatre (1939)A Short Private Lecture for My Friend Max Gorelik (1944)ON CHINESE THEATRE, VERFREMDUNG AND GESTUSOn the Art of Spectatorship (1935)Maintaining Gestures over Multiple Generations (1935)Verfremdung Effects in Chinese Acting (1936)Three Notes on Verfremdung and the Elder Breughel (1937)Verfremdung Techniques in the Narrative Pictures of the Elder BrueghelOn the V-effect of the Elder Breughel V-effects in Some Pictures of the Elder Breughel On Determining the Zero Point (1936/37)The Zero Point (1936/37)Notes on Pointed Heads and Round Heads (1936)On the Production of the V-effect (1938)On Gestic Music (1937)On Rhymeless Verse with Irregular Rhythms (1938)The Street Scene (1938)Short Description of a New Technique of Acting that Produces a Verfremdung Effect (1940)Athletic Training (1940)On Epic Dramatic Art: Change (1940)On the Gradual Approach to the Study and Construction of the Figure (1941) REALISM AND THE PROLETARIATThe Popular and the Realistic (1938)Two Essay Fragments on Non-professional (1939)The Attitude of the Rehearsal Director (in the Inductive Process) (1939)Notes on the Folk Play (1940)Part Three - Return to GermanyIntroduction to Part Three SHORT ORGANONShort Organon for the Theatre (1948)Appendices to the Short Organon (1954)THEATRE WORKFriedrich Wolf - Bert Brecht: Formal Problems Arising from the Theatre's New Content.A Dialogue (1949)From a Letter to an Actor (1951)What Makes an Actor (1951)Gesture (1951)Two Notes about Urfaust (1952)About Our StagingsThe Story Kurt Palm (1952)Classical Status as an Intimidating Factor (1954) ON STANISLAVSKYSome of the Things That Can Be Learnt from Stanislavsky (1951)On Stanislavsky (1953)Stanislavsky Studies [3] (1953) A Few Thoughts on the Stanislavsky Conference (1953)DIALECTICAL THEATREFrom Epic to Dialectical Theatre 2 (1954)Dialectics in the Theatre Study of the First Scene of Shakespeare's 'Coriolanus' (1953/55)Relative Haste (1955)A Detour (The Caucasian Chalk Circle) (1955)Another Case of Applied Dialectic (1953)Letter to the Actor Playing Young Hörder in Winter Battle (1954)Mother Courage Played in Two Ways (1951)Example of a Scenic Innovation Through the Observation of a Mistake (1953)Something about Representing Character (1953)Conversation about Coerced Empathy (1953)MISCELLANEOUSCultural Policy and Academy of Arts (1953)Socialist Realism in the Theatre (1954)Can the Present-day World Be Reproduced by Means of Theatre? (1955)Our London Season (1956)Select BibliographyIndex
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This important volume offers a major selection of Bertolt Brecht's groundbreaking critical writing.