Bridget Jones: The Edge of Reason: Macmillan Readers
Autor Helen Fielding Editat de John Milneen Limba Engleză Paperback – 31 ian 2010
With another devastatingly hilarious, ridiculous, unnervingly accurate take on modern womanhood, Bridget Jones is back. (v.g.) Monday 27 January
"7:15 a.m. Hurrah! The wilderness years are over. For four weeks and five days now have been in functional relationship with adult male, thereby proving am not love pariah as recently feared."
Wednesday 5 March
"7:08 p.m. Am assured, receptive, responsive woman of substance. My sense of self comes not from other people but . . .from . . .myself? That can't be right."
Lurching from the cappuccino bars of Notting Hill to the blissed-out shores of Thailand, everyone's favorite Singleton Bridget Jones begins her search for The Truth in spite of pathetically unevolved men, insane dating theories, and Smug Married advice. She experiences a zeitgeist-esque Spiritual Epiphany somewhere between the pages of How to Find the Love You Want Without Seeking It (can self-help books really help self?), protective custody, and a lightly chilled Chardonnay.
"7:15 a.m. Hurrah! The wilderness years are over. For four weeks and five days now have been in functional relationship with adult male, thereby proving am not love pariah as recently feared."
Wednesday 5 March
"7:08 p.m. Am assured, receptive, responsive woman of substance. My sense of self comes not from other people but . . .from . . .myself? That can't be right."
Lurching from the cappuccino bars of Notting Hill to the blissed-out shores of Thailand, everyone's favorite Singleton Bridget Jones begins her search for The Truth in spite of pathetically unevolved men, insane dating theories, and Smug Married advice. She experiences a zeitgeist-esque Spiritual Epiphany somewhere between the pages of How to Find the Love You Want Without Seeking It (can self-help books really help self?), protective custody, and a lightly chilled Chardonnay.
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (4) | 48.90 lei 3-5 săpt. | +33.97 lei 7-13 zile |
| Pan Macmillan – 7 noi 2024 | 48.90 lei 3-5 săpt. | +33.97 lei 7-13 zile |
| Random House – 19 iun 2014 | 55.10 lei 23-34 zile | +22.61 lei 7-13 zile |
| Penguin Books – 31 ian 2001 | 90.31 lei 3-5 săpt. | |
| VINTAGE BOOKS – 2 iun 2014 | 99.94 lei 3-5 săpt. |
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Specificații
ISBN-13: 9783194429666
ISBN-10: 3194429663
Pagini: 112
Dimensiuni: 128 x 199 x 10 mm
Greutate: 0.13 kg
Editura: Hueber Verlag GmbH
Seria Macmillan Readers
ISBN-10: 3194429663
Pagini: 112
Dimensiuni: 128 x 199 x 10 mm
Greutate: 0.13 kg
Editura: Hueber Verlag GmbH
Seria Macmillan Readers
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Descriere
Descriere de la o altă ediție sau format:
Move over, Bridget Jones's diary: She's back, and this time she's texting and tweeting. . .
Fourteen years after landing Mark Darcy, Bridget's life has taken her places she never expected. But despite the new challenges of single parenting, online dating, wildly morphing dress sizes, and bafflingly complex remote controls, she is the same irrepressible and endearing soul we all remember--though her talent for embarrassing herself in hilarious ways has become dangerously amplified now that she has 752 Twitter followers. As Bridget navigates head lice epidemics, school-picnic humiliations, and cross-generational sex, she learns that life isn't over when you start needing reading glasses--and why one should never, ever text while drunk.
Studded with witty observations about the perils and absurdities of our times, "Mad About the Boy" is both outrageously comic and genuinely moving. As we watch her dealing with heartbreaking loss and rediscovering love and joy, Bridget invites us to fall for her all over again.
Move over, Bridget Jones's diary: She's back, and this time she's texting and tweeting. . .
Fourteen years after landing Mark Darcy, Bridget's life has taken her places she never expected. But despite the new challenges of single parenting, online dating, wildly morphing dress sizes, and bafflingly complex remote controls, she is the same irrepressible and endearing soul we all remember--though her talent for embarrassing herself in hilarious ways has become dangerously amplified now that she has 752 Twitter followers. As Bridget navigates head lice epidemics, school-picnic humiliations, and cross-generational sex, she learns that life isn't over when you start needing reading glasses--and why one should never, ever text while drunk.
Studded with witty observations about the perils and absurdities of our times, "Mad About the Boy" is both outrageously comic and genuinely moving. As we watch her dealing with heartbreaking loss and rediscovering love and joy, Bridget invites us to fall for her all over again.
Recenzii
"Praise for Bridget Jones: Mad About the Boy"
Today Show's second Book Club Selection!
""Mad About the Boy" is not only sharp and humorous, despite its heroine's aged circumstances, but also snappily written, observationally astute and at times genuinely moving. Fielding has somehow pulled off the neat trick of holding to her initial premise - single woman looks for romance - while allowing her heroine to grow up into someone funnier and more interesting that she was before. Who knew middle age could be so eventful? . . . Fielding beautifully conveys the constant seesaw of emotions a parent feels toward the young and demanding: one minute overwhelming love, the next minute overwhelming desire to lock oneself in the bathroom with a bottle of gin . . . We get some good long narration, but large chunks of the book come in diary form, introduced by select statistics of the day, hilariously expanded to reflect grown-up Bridget's concerns.... Its big heart, incisive observations and zippy pace . . . make the prospect of middle age not so bad at all. It is possible I cried a little at the end, but then, as Bridget might say: am sucker for happy endings."
--Sarah Lyall, "The New York Times Book Review"
" "
"With "Bridget Jones's Diary, "Helen Fielding created a new female archetype. Now she's brought Bridget back to conquer the 21st century. (Rule No. 1: No texting while drunk) . . . Texting and Twitter play an outsize role in the new novel, which finds Bridget solo-parenting two young children and seeking romance after a decade under Mark Darcy's chivalric guard . . . The diary form itself pays homage to Austen, lifting Fielding's work above many pale imitations. Austen's heroines aren't writers, but Fielding's is . . . Austen's plots are marriage plots, and ultimately so are "Bridget"'s. But Fielding's novels (like Austen's, and like "Sex and the City "and "Girls") also revolve around friendship--something at which Bridget excels. Nor is the char
"Sharp and humorous. . . . Snappily written, observationally astute. . . . Genuinely moving." --"The New York Times Book Review"
"Bridget's back! And as irrepressible as ever. . . . Sweet, clever, and funny." --"People"
"A clever mashup of texts, emails, tweets, and diary entries from Bridget, a bighearted person who brings hearty humor to the ordinary vicissitudes of life. . . . Fielding's wit is generous and forgiving." --"Chicago Tribune"
"Fielding's comic gifts . . . are once again on shimmering exhibit." --"Elle"
"Tender and comic." --"The New Yorker"
"Feels like visiting with your funniest friend." --"Entertainment Weekly"
"Delightful. . . . Bridget Jones was a character made for the Internet, from her confessional tone to her casual creation of memes." --"Los Angeles Times"
"Sweet and satisfying. . . . Bridget still has her posse of funny friends and her shelf of self-help books." --"USA Today"
"Helen has always had a sharp eye for the obsessions and neuroses of our times, a talent much in evidence here--her [Bridget's] liability rests very much on her believability." --Anna Wintour, editor in chief of "Vogue"
"Very funny." --"The Boston Globe
"
"Sweet, clever and funny. Yay Bridget!" --"People "(five stars)
"Fielding has somehow pulled off the neat trick of holding to her initial premise--single woman looks for romance--while allowing her heroine to grow up into someone funnier and more interesting than she was before. . . . Mad About the Boy, is not only sharp and humorous . . . but also snappily written, obser-vationally astute and at times genuinely moving. . . . Bridget-the-parent is like a character in a Russian novel, lurching constantly from ecstasy to despair, sometimes in the course of a single paragraph. . . . Its big heart, incisive observations, nice sentences, vivid characters and zippy pace make it a book you could happily spend the night with. It is possib
Today Show's second Book Club Selection!
""Mad About the Boy" is not only sharp and humorous, despite its heroine's aged circumstances, but also snappily written, observationally astute and at times genuinely moving. Fielding has somehow pulled off the neat trick of holding to her initial premise - single woman looks for romance - while allowing her heroine to grow up into someone funnier and more interesting that she was before. Who knew middle age could be so eventful? . . . Fielding beautifully conveys the constant seesaw of emotions a parent feels toward the young and demanding: one minute overwhelming love, the next minute overwhelming desire to lock oneself in the bathroom with a bottle of gin . . . We get some good long narration, but large chunks of the book come in diary form, introduced by select statistics of the day, hilariously expanded to reflect grown-up Bridget's concerns.... Its big heart, incisive observations and zippy pace . . . make the prospect of middle age not so bad at all. It is possible I cried a little at the end, but then, as Bridget might say: am sucker for happy endings."
--Sarah Lyall, "The New York Times Book Review"
" "
"With "Bridget Jones's Diary, "Helen Fielding created a new female archetype. Now she's brought Bridget back to conquer the 21st century. (Rule No. 1: No texting while drunk) . . . Texting and Twitter play an outsize role in the new novel, which finds Bridget solo-parenting two young children and seeking romance after a decade under Mark Darcy's chivalric guard . . . The diary form itself pays homage to Austen, lifting Fielding's work above many pale imitations. Austen's heroines aren't writers, but Fielding's is . . . Austen's plots are marriage plots, and ultimately so are "Bridget"'s. But Fielding's novels (like Austen's, and like "Sex and the City "and "Girls") also revolve around friendship--something at which Bridget excels. Nor is the char
"Sharp and humorous. . . . Snappily written, observationally astute. . . . Genuinely moving." --"The New York Times Book Review"
"Bridget's back! And as irrepressible as ever. . . . Sweet, clever, and funny." --"People"
"A clever mashup of texts, emails, tweets, and diary entries from Bridget, a bighearted person who brings hearty humor to the ordinary vicissitudes of life. . . . Fielding's wit is generous and forgiving." --"Chicago Tribune"
"Fielding's comic gifts . . . are once again on shimmering exhibit." --"Elle"
"Tender and comic." --"The New Yorker"
"Feels like visiting with your funniest friend." --"Entertainment Weekly"
"Delightful. . . . Bridget Jones was a character made for the Internet, from her confessional tone to her casual creation of memes." --"Los Angeles Times"
"Sweet and satisfying. . . . Bridget still has her posse of funny friends and her shelf of self-help books." --"USA Today"
"Helen has always had a sharp eye for the obsessions and neuroses of our times, a talent much in evidence here--her [Bridget's] liability rests very much on her believability." --Anna Wintour, editor in chief of "Vogue"
"Very funny." --"The Boston Globe
"
"Sweet, clever and funny. Yay Bridget!" --"People "(five stars)
"Fielding has somehow pulled off the neat trick of holding to her initial premise--single woman looks for romance--while allowing her heroine to grow up into someone funnier and more interesting than she was before. . . . Mad About the Boy, is not only sharp and humorous . . . but also snappily written, obser-vationally astute and at times genuinely moving. . . . Bridget-the-parent is like a character in a Russian novel, lurching constantly from ecstasy to despair, sometimes in the course of a single paragraph. . . . Its big heart, incisive observations, nice sentences, vivid characters and zippy pace make it a book you could happily spend the night with. It is possib
Notă biografică
Helen Fielding, a journalist and a novelist, is the author of three previous novels, Bridget Jones’s Diary, Bridget Jones: The Edge of Reason, and Cause Celeb. She also co-wrote the screenplays for the movie of Bridget Jones’s Diary and the forthcoming sequel based on Bridget Jones: The Edge of Reason.