By Means of Performance de Richard Schechner

By Means of Performance: Intercultural Studies of Theatre and Ritual

Richard Schechner

Willa Appel

en Limba Engleză Paperback – 24 mai 1990

The field of performance studies embraces performance behaviour of all kinds and in all contexts, from everyday life to high ceremony. This volume investigates a wide range of performance behaviour - dance, ritual, conflict situation, sports, storytelling and display behaviour - in a variety of circumstances and cultures. It considers such issues as the relationship between training and the finished performance; whether performance behaviour is universal or culturally specific; and the relationships between ritual aesthetics, popular entertainment and religion, and sports and theatre and dance. The volume brings together essays from leading anthropologists, artists and performance theorists to provide a definitive introduction to the burgeoning field of performance studies. It will be of value to scholars, teachers and students of anthropology, theatre, folklore, semiotics and performance studies.

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Cuprins

List of figures; Notes of contributors; Introduction; 1. Are there universals of performance in myth, ritual, and drama?; 2. Magnitudes of performance; 3. Liminality: a synthesis of subjective and objective experience; 4. The Yaqui deer dance at Pascua Pueblo, Arizona; 5. The Yaqui point of view: on Yaqui ceremonies and anthropologies; 6. Performance of precepts/precepts of performance: Hasidic celebrations of Purim in Brooklyn; 7. The significance of performance for its audience: an analysis of three Sri Lankan rituals; 8. What does it mean to 'become the character': power, presence, and transcendence in Asian in-body disciplines of practice; 9. Korean shamans: role playing through trance possession; 10. The practice of noh theatre; 11. The profanation of the sacred in circus clown performances; 12. Ethnographic notes on sacred and profane performance; 13. The spatial sense of the sacred in Spanish America and the American South and its tie with performance; 14. Space and context; 15. The transformation of consciousness in ritual performances: some thoughts and questions; 16. Universals of performance; or amortising play; Appendix; Bibliography; Index.