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Byron: Reality, Fiction and Madness: Transatlantic Studies in British and North American Culture


en Limba Engleză Hardback – 4 mar 2020

This book explores the amorphous, fragmented and digressive world of George Gordon Byron's poetic works, which are pervaded by the themes of change, mutability, deformation and transgression, often presented or described as madness. The blurring of the border between fiction and reality is a matter of the author's decisions concerning both his life and his texts, and a conscious process of construction and self-fashioning. It is also a recurring epistemological theme in Byron's works, which make take the form of narrative dis-orientation and the dismantling of easy cultural pre-conceptions. The Authors study Byron's artistic quixotism and his pursuit of creative freedom which reveals itself in the Romantic irony, digressiveness and self-awareness of his writings.

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Specificații

ISBN-13: 9783631801895
ISBN-10: 3631801890
Pagini: 182
Dimensiuni: 148 x 210 mm
Greutate: 0.4 kg
Editura: Peter Lang Copyright AG
Seria Transatlantic Studies in British and North American Culture


Notă biografică

Maria Fengler lectures at the Institute of English and American Studies of the University of Gdansk, Poland. She specializes in modern British and Irish poetry.

Miroslawa Modrzewska teaches British literature and cultural studies at the University of Gdansk. She is President of the Polish Society for the Study of European Romanticism.

Cuprins

George Gordon Byron's poetic works - Fragmented fiction - Amorphous reality - Madness - Deformation - Transgression - Narrative dis-orientation - Narrative chaos - Dismantling of cultural pre-conceptions - Fiction and auto-biography - Authorial self-fashioning - Epistemological vistas - Subjectivity - Romantic irony


Descriere

This book is a study of the amorphous, fragmented and digressive world of G. G. Byron's poetic works, and the themes of mutability, deformation and transgression, referred to as madness. It analyses the author's conscious process of self-fashioning, narrative dis-orientation and the dismantling of cultural pre-conceptions.