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Cather Studies, Volume 7: Willa Cather as Cultural Icon: Cather Studies

Autor Cather Studies Editat de Guy J. Reynolds
en Limba Engleză Paperback – 31 oct 2007
Volume 7 of the Cather Studies series explores Willa Cather’s iconic status and its problems within popular and literary culture. Not only are Cather’s own life and work subject to enshrinement, but as a writer, she herself often returned to the motifs of canonization and to the complex relationship between the onlooker and the idealized object. Through textual study of her published novels and her behind-the-scenes campaign and publicity writing in service of her novels, the reader comes to understand the extent to which, despite her legendary claims and commitment to privacy, Willa Cather helped to orchestrate her own iconic status.
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Specificații

ISBN-13: 9780803260115
ISBN-10: 0803260113
Pagini: 366
Ilustrații: 2 photographs, index
Dimensiuni: 140 x 229 x 15 mm
Greutate: 0.45 kg
Editura: Nebraska Paperback
Colecția University of Nebraska Press
Seria Cather Studies

Locul publicării:United States

Notă biografică

Guy Reynolds is the director of the Cather Project at the University of Nebraska–Lincoln. He is the author of Willa Cather in Context: Progress, Race, Empire and Twentieth-Century American Women’s Fiction.

Cuprins

Editorial Policy
Introduction: Willa Cather as Icon
      Guy Reynolds
A Commentary on An Explanation of America
      Robert Pinsky
What Happens to Criticism When the Artist Becomes an Icon?
      Elsa Nettels
Advertising Cather during the Transition Years (1914-1922)
      Erika Hamilton
Willa Cather and Her Public in 1922
      Janis P. Stout
A Portrait of an Artist as a Cultural Icon: Edward Steichen, Vanity Fair, and Willa Cather
      Michael Schueth
Willa Cather and the Book-of-the-Month Club
      Mark J. Madigan
"Two or Three Human Stories": O Pioneers! and the Old Testament
      Jessica G. Rabin
Barbusse's L'enfer: A Source for "Coming, Aphrodite!" and "The Novel Démeublé"
      Richard C. Harris
Recollecting Emotion in Tranquility: Wordsworth and Byron in Cather's My Ántonia and Lucy Gayheart
      Jonathan D. Gross
"Have I Changed So Much?": Jim Burden, Intertextuality, and the Ending of My Ántonia
      Timothy C. Blackburn
Shadows on the Rock: Against Interpretation
      Richard H. Millington
Cather's Shadows: Solid Rock and Sacred Canopy
      John J. Murphy
Cather's Secular Humanism: Writing Anacoluthon and Shooting Out into the Eternities
      Joseph R. Urgo
Subsequent Reflections on Shadows on the Rock
      Richard H. Millington, John J. Murphy, and Joseph R. Urgo
Cather, Freudianism, and Freud
      John N. Swift
Cather's Medical Icon: Euclide Auclair, Healing Art, and the Cultivated Physician     
      Joshua Dolezal
The Dialectics of Seeing in Cather's Pittsburgh: "Double Birthday" and Urban Allegory
      Joseph C. Murphy
Antithetical Icons? Willa Cather, Ernest Hemingway, and the First World War
      Steven Trout
Icons and Willa Cather
      Merrill Maguire Skaggs
"A Critic Who Was Worthy of Her": The Writing of Willa Cather: A Critical Biography
      Robert Thacker
Contributors
Index