Change and Identity in the Music Cultures of Lombok, Indonesia: Verhandelingen Van Het Koninklijk Instituut Voor Taal-, Land- En Volkenkunde, cartea 314
Autor David D. Harnishen Limba Engleză Hardback – 15 sep 2021
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Specificații
ISBN-13: 9789004472600
ISBN-10: 9004472606
Dimensiuni: 155 x 235 mm
Greutate: 0.68 kg
Editura: Brill
Colecția Brill
Seria Verhandelingen Van Het Koninklijk Instituut Voor Taal-, Land- En Volkenkunde
ISBN-10: 9004472606
Dimensiuni: 155 x 235 mm
Greutate: 0.68 kg
Editura: Brill
Colecția Brill
Seria Verhandelingen Van Het Koninklijk Instituut Voor Taal-, Land- En Volkenkunde
Cuprins
Acknowledgements
List of Figures and Tables
Notes on Orthography, Terms, and Names
Introduction
Setting the Scene
1 Histories and Religions
2 Musics of Lombok
3 People and Places
4 Fieldwork Histories
5 Organizing Music and Identity
1 Change, Religion, and Identity in Music Cultures
1 Religion, Religious Identities, and Interreligious Relationships
2 Constructing and Dismantling Pluralism and Tolerance
3 Modernity and Change
4 Politicizing Identities and Musics
5 Changing Islams and a Sasak Movement
6 Music and Identity
7 Sonic Identities and Situating ‘Tradition’
8 Exploring Change on Lombok
2 ‘Traditional’ Musics
Functions, Contestations, Interpretations
1 Gamelan-type Ensembles
2 Gamelan Gong Sasak/Gong Kebyar
3 Vocal Music
4 Sacred Forms
5 Other Dance and Theatre
6 Summary
3 The Phenomenon of Gendang Beleq
1 From Ritual to Stage
2 Transitions
3 Analysis of Chapter
4 Wayang Sasak
Shadowplay, Practices, Elements, and Narratives
1 Symbolism, Characters, and Identity
2 Accompaniment
3 Government Interventions
4 Situating Puppeteers and Processes
5 The Situation Today and Tomorrow
5 Music, Islam, and Islamization
1 Islam on Lombok
2 Issues of Music and Islam
3 Musik Islam
4 Zikrsamman
5 Marawis
6 Tongkek
7 Realizations of Burdah, Hadrah, and Rebana Burdah
8 Synthesis
6 Popular Musics and ‘Musik Rakyat’
1 Weddings
2 Musik Rakyat: Gambus, Cilokaq, Kecimol Asli, and Amaq Sadar
3 Musik Rakyat on the Street: Gula Gending and Selober
4 Popular Musics: Cultural and Gender Identities, and Erni Ayuningsih
5 Global Styles and Novi Bhavan
6 Synthesis: Intersections and Divergences of Folk and Popular Musics
7 Minority Musics of Lombok
1 Overview of Other Musics of Minority Populations
2 Sasak Buddhists, Rituals, and Musics
3 Lombok Balinese Music Culture
4 Summary of Chapter
8 Nexus of Sasak/Balinese Interaction
The Lingsar Festival
1 Reflective Takes on the Site, the Festival, and the Participants
2 Agamaization
3 Bridges to the Ancestors
4 Politicizing Lingsar: Contestation, Narratives, and the State
5 Tolerance of Ambiguity
6 A Long View
9 Performing Arts Education and Issues of Sustainability
1 Between Apathy and Sustainability
2 Indonesian Nation-building
3 Mochammad Yamin and lpsn
4 The Bidang Kesenian
5 Arts Education in the 21st Century
6 Contextualizing Benefits of Music Sustainability
7 Concluding Thoughts
10 Conclusion
Making Sense of All of This
1 Musics as Representation
2 Histories of Change
3 Ambivalence, Sociopolitical Identities, and the Arts
4 Final Thoughts on Musics and Identities
Bibliography
Index
List of Figures and Tables
Notes on Orthography, Terms, and Names
Introduction
Setting the Scene
1 Histories and Religions
2 Musics of Lombok
3 People and Places
4 Fieldwork Histories
5 Organizing Music and Identity
1 Change, Religion, and Identity in Music Cultures
1 Religion, Religious Identities, and Interreligious Relationships
2 Constructing and Dismantling Pluralism and Tolerance
3 Modernity and Change
4 Politicizing Identities and Musics
5 Changing Islams and a Sasak Movement
6 Music and Identity
7 Sonic Identities and Situating ‘Tradition’
8 Exploring Change on Lombok
2 ‘Traditional’ Musics
Functions, Contestations, Interpretations
1 Gamelan-type Ensembles
2 Gamelan Gong Sasak/Gong Kebyar
3 Vocal Music
4 Sacred Forms
5 Other Dance and Theatre
6 Summary
3 The Phenomenon of Gendang Beleq
1 From Ritual to Stage
2 Transitions
3 Analysis of Chapter
4 Wayang Sasak
Shadowplay, Practices, Elements, and Narratives
1 Symbolism, Characters, and Identity
2 Accompaniment
3 Government Interventions
4 Situating Puppeteers and Processes
5 The Situation Today and Tomorrow
5 Music, Islam, and Islamization
1 Islam on Lombok
2 Issues of Music and Islam
3 Musik Islam
4 Zikrsamman
5 Marawis
6 Tongkek
7 Realizations of Burdah, Hadrah, and Rebana Burdah
8 Synthesis
6 Popular Musics and ‘Musik Rakyat’
1 Weddings
2 Musik Rakyat: Gambus, Cilokaq, Kecimol Asli, and Amaq Sadar
3 Musik Rakyat on the Street: Gula Gending and Selober
4 Popular Musics: Cultural and Gender Identities, and Erni Ayuningsih
5 Global Styles and Novi Bhavan
6 Synthesis: Intersections and Divergences of Folk and Popular Musics
7 Minority Musics of Lombok
1 Overview of Other Musics of Minority Populations
2 Sasak Buddhists, Rituals, and Musics
3 Lombok Balinese Music Culture
4 Summary of Chapter
8 Nexus of Sasak/Balinese Interaction
The Lingsar Festival
1 Reflective Takes on the Site, the Festival, and the Participants
2 Agamaization
3 Bridges to the Ancestors
4 Politicizing Lingsar: Contestation, Narratives, and the State
5 Tolerance of Ambiguity
6 A Long View
9 Performing Arts Education and Issues of Sustainability
1 Between Apathy and Sustainability
2 Indonesian Nation-building
3 Mochammad Yamin and lpsn
4 The Bidang Kesenian
5 Arts Education in the 21st Century
6 Contextualizing Benefits of Music Sustainability
7 Concluding Thoughts
10 Conclusion
Making Sense of All of This
1 Musics as Representation
2 Histories of Change
3 Ambivalence, Sociopolitical Identities, and the Arts
4 Final Thoughts on Musics and Identities
Bibliography
Index
Notă biografică
David D. Harnish, PhD (1991), University of San Diego, is Professor and Chair of Music at USD. He has published book chapters, articles, and Bridges to the Ancestors: Music, Myth, and Cultural Politics at an Indonesian Festival (U-Hawaii Press, 2006).
Recenzii
"It is not every day that a book on Lombok sees the light and certainly not a book that looks at its subject from so many different angles and over such a long period of time. [...] This book is a must for those who wish to understand Lombok but also to understand Indonesian national phenomena seen from the relatively micro-environment of Lombok."
– Dick van der Meij, Digital Repository of Endangered and Affected Manuscripts in Southeast Asia (DREAMSEA), University of Hamburg
– Dick van der Meij, Digital Repository of Endangered and Affected Manuscripts in Southeast Asia (DREAMSEA), University of Hamburg