Chapel in the Sky: Knox College's Old Main and Its Masonic Architect
Autor R. Lance Factoren Limba Engleză Hardback – 14 dec 2009
Knox College’s Old Main—a national landmark and the only extant building that was a site of the Lincoln-Douglas debates—is a campus treasure with a secret. Built in 1857, Old Main was designed by Charles Ulricson, a Swedish-born immigrant who was trained by Freemasons. In Chapel in the Sky, Knox faculty member Lance Factor decodes the symbols of this beloved building and explores how an ardently Anti-Mason administration came to hire Ulricson. The mysterious Masonic architect left his legacy on both Knox’s Old Main and the Augustana Lutheran Church in Andover, Illinois.
Ulricson (1816–1887), born to an elite family in Stockholm, emigrated to the United States in 1835, arriving in New York City with empty pockets. Ulricson found work as a draftsman in the firm of Ithiel Town and Alexander Jackson Davis, America’s premier antebellum architects and the leaders of the Greek, Gothic, and Tuscan revivals. From Davis, Ulricson learned that architects belonged to a “sacred priesthood.” From Town, Ulricson learned the secret doctrines of “alchemical” architecture, its search for geometric philosopher’s stones, and its techniques for drafting with a Masonic cubit and for transforming buildings into talismans, which they believed carried the protective energy of the Divine Architect and Geometer of the Universe.
These lessons found expression in Ulricson’s hidden codes for Old Main and Augustana Church. Ulricson’s unique designs, rigorous geometry, elaborate windows, and interior decorations all contain tell-tale signs of Freemasonry. Ulricson essentially hid his symbols in plain sight of clients—vehement Anti-Masons who condemned all secret societies as “ungodly” and viewed all forms of alchemical architecture as “geomancy” or black magic. Chapel in the Sky explains how a dispossessed immigrant Masonic architect came to be the architect for the Anti-Masons, and how the meanings of his designs change our understanding of the architectural and ethnic history of Illinois. Factor’s story will interest Knox alumni, architects, Freemasons, Swedish Americans, and those who love a tale of irony.
Ulricson (1816–1887), born to an elite family in Stockholm, emigrated to the United States in 1835, arriving in New York City with empty pockets. Ulricson found work as a draftsman in the firm of Ithiel Town and Alexander Jackson Davis, America’s premier antebellum architects and the leaders of the Greek, Gothic, and Tuscan revivals. From Davis, Ulricson learned that architects belonged to a “sacred priesthood.” From Town, Ulricson learned the secret doctrines of “alchemical” architecture, its search for geometric philosopher’s stones, and its techniques for drafting with a Masonic cubit and for transforming buildings into talismans, which they believed carried the protective energy of the Divine Architect and Geometer of the Universe.
These lessons found expression in Ulricson’s hidden codes for Old Main and Augustana Church. Ulricson’s unique designs, rigorous geometry, elaborate windows, and interior decorations all contain tell-tale signs of Freemasonry. Ulricson essentially hid his symbols in plain sight of clients—vehement Anti-Masons who condemned all secret societies as “ungodly” and viewed all forms of alchemical architecture as “geomancy” or black magic. Chapel in the Sky explains how a dispossessed immigrant Masonic architect came to be the architect for the Anti-Masons, and how the meanings of his designs change our understanding of the architectural and ethnic history of Illinois. Factor’s story will interest Knox alumni, architects, Freemasons, Swedish Americans, and those who love a tale of irony.
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Specificații
ISBN-13: 9780875804156
ISBN-10: 0875804152
Pagini: 180
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.43 kg
Ediția:1
Editura: Northern Illinois University Press
Colecția Northern Illinois University Press
ISBN-10: 0875804152
Pagini: 180
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.43 kg
Ediția:1
Editura: Northern Illinois University Press
Colecția Northern Illinois University Press
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Recenzii
“Original and very informative. Factor’s analysis is persuasive, well researched, and contains many new insights. I was very impressed with his ability to deconstruct Old Main’s design and offer an entirely new way of examining and appreciating the building.”—Matthew Norman, Gettysburg College
“This well-illustrated study establishes clearly the architectural philosophy and Masonic values Ulricson applied to what became prominent Illinois National Historical Landmark structures.”—John Norton, 1958 Knox College graduate, former president of the Knox Alumni Association, and former vice-president of the board of the Bishop Hill Heritage Association
Notă biografică
R. Lance Factor is the G. A. Lawrence Distinguished Service Professor of Philosophy, chair of the department of philosophy, and director of the religious studies program at Knox College.
Cuprins
Table of Contents
Foreword
1. A Surprising Irony
2. The Urbane Mr. Ulricson
3. Freemasons and Anti-Masons
4. Man of the Hour
5. The Philosopher’s Stone
6. The Sacred Geometry
7. A Question of Style
8. The Light in June
Notes
Bibliography
Index
1. A Surprising Irony
2. The Urbane Mr. Ulricson
3. Freemasons and Anti-Masons
4. Man of the Hour
5. The Philosopher’s Stone
6. The Sacred Geometry
7. A Question of Style
8. The Light in June
Notes
Bibliography
Index
Descriere
Knox College’s Old Main—a national landmark and the only extant building that was a site of the Lincoln-Douglas debates—is a campus treasure with a secret. Built in 1857, Old Main was designed by Charles Ulricson, a Swedish-born immigrant who was trained by Freemasons. In Chapel in the Sky, Knox faculty member Lance Factor decodes the symbols of this beloved building and explores how an ardently Anti-Mason administration came to hire Ulricson. The mysterious Masonic architect left his legacy on both Knox’s Old Main and the Augustana Lutheran Church in Andover, Illinois.
Ulricson (1816–1887), born to an elite family in Stockholm, emigrated to the United States in 1835, arriving in New York City with empty pockets. Ulricson found work as a draftsman in the firm of Ithiel Town and Alexander Jackson Davis, America’s premier antebellum architects and the leaders of the Greek, Gothic, and Tuscan revivals. From Davis, Ulricson learned that architects belonged to a “sacred priesthood.” From Town, Ulricson learned the secret doctrines of “alchemical” architecture, its search for geometric philosopher’s stones, and its techniques for drafting with a Masonic cubit and for transforming buildings into talismans, which they believed carried the protective energy of the Divine Architect and Geometer of the Universe.
These lessons found expression in Ulricson’s hidden codes for Old Main and Augustana Church. Ulricson’s unique designs, rigorous geometry, elaborate windows, and interior decorations all contain tell-tale signs of Freemasonry. Ulricson essentially hid his symbols in plain sight of clients—vehement Anti-Masons who condemned all secret societies as “ungodly” and viewed all forms of alchemical architecture as “geomancy” or black magic. Chapel in the Sky explains how a dispossessed immigrant Masonic architect came to be the architect for the Anti-Masons, and how the meanings of his designs change our understanding of the architectural and ethnic history of Illinois. Factor’s story will interest Knox alumni, architects, Freemasons, Swedish Americans, and those who love a tale of irony.
Ulricson (1816–1887), born to an elite family in Stockholm, emigrated to the United States in 1835, arriving in New York City with empty pockets. Ulricson found work as a draftsman in the firm of Ithiel Town and Alexander Jackson Davis, America’s premier antebellum architects and the leaders of the Greek, Gothic, and Tuscan revivals. From Davis, Ulricson learned that architects belonged to a “sacred priesthood.” From Town, Ulricson learned the secret doctrines of “alchemical” architecture, its search for geometric philosopher’s stones, and its techniques for drafting with a Masonic cubit and for transforming buildings into talismans, which they believed carried the protective energy of the Divine Architect and Geometer of the Universe.
These lessons found expression in Ulricson’s hidden codes for Old Main and Augustana Church. Ulricson’s unique designs, rigorous geometry, elaborate windows, and interior decorations all contain tell-tale signs of Freemasonry. Ulricson essentially hid his symbols in plain sight of clients—vehement Anti-Masons who condemned all secret societies as “ungodly” and viewed all forms of alchemical architecture as “geomancy” or black magic. Chapel in the Sky explains how a dispossessed immigrant Masonic architect came to be the architect for the Anti-Masons, and how the meanings of his designs change our understanding of the architectural and ethnic history of Illinois. Factor’s story will interest Knox alumni, architects, Freemasons, Swedish Americans, and those who love a tale of irony.