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Chosen Few

Autor Mitja Velikonja
en Limba Engleză Paperback – 27 oct 2021
  • Useful for the academic, the discerning graffiti artist, the student of visual culture, artists, journalists, and the wider world of people who are passionate about soccer or any competitive team sport.
  • Allows readers to experience unexpected visual richness and variety of twenty-years' worth of European football fan graffiti culture through extracts from the author's archive of several thousand images.
  • Presents a vicarious but analytical experience of sports mania's immersive reality, distinguishing this book from the many other Ultras books told as "war journalism" or celebrity books.
  • The extreme fandom of the Ultras holds visceral fascination for many people, but some will want to go deeper into its ideological underpinnings, and this book's clear examples give background for critical, sociological study of this landscape.
  • Readers gain an expert's eye view on graffiti and street art trends. The author leads graffiti "tours" and teaches the study of graffiti to his university classes at home and abroad (Yale and NYU in the United States, the Netherlands, Russia, Croatia etc.).
  • Provides an analytical framework for visual analysis of ideological markers, both common and uncommon, so readers come away from the book enthused to see their own cultural landscapes in new ways.
  • The author encourages a new generation of subcultural visual anthropologists and cultural studies enthusiasts to seriously study every manner of expression and decoration that connotes "belongingness" to a subcultural group.
  • Readers learn of the importance of graffiti and street art as cultural activities of dissensus and protest within functional democracies.
  • The author argues that factions created by "us vs them" mentalities harness division for pleasure in the culture of sport, and that this is a rich source of human connection. However, in times of political instability and within certain contexts, we come to understand the dangers of symbologies used to differentiate factions if they (as some Ultras do) associate their "turf" with current or past nationalisms in real political terms.
  • Provides a window and complex way to understand the nature of factions and fans, and at the same time, is a critical look at claims by fans (and by extension, other people) who use "jokes" and memes to make extreme views seem less harmless.
  • Provides interesting and vital facts about extremist groups and militants in Europe recruiting from football fan terraces.
  • The author writes with passion and engagement. He is from Slovenia and lived close to the 1990s' wars in the Balkans, so when he writes about political divisions from this time and place, he is speaking from having seen in his region the factional violence and its devastation on culture. It is by no means a detached analysis.
  • The author has frequently been commended for his critical research and approach, has received several awards, including the Fulbright's, and has been invited to lecture at universities around the world.
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Specificații

ISBN-13: 9781954600027
ISBN-10: 195460002X
Pagini: 176
Dimensiuni: 139 x 203 x 20 mm
Greutate: 0.27 kg
Editura: DoppelHouse Press

Notă biografică

Dr. Mitja Velikonja is a Professor for Cultural Studies and head of Center for Cultural and Religious Studies at University of Ljubljana, Slovenia. Main areas of his research include contemporary Central-European and Balkan political ideologies, subcultures and graffiti culture, collective memory and post-socialist nostalgia. His monographs include Rock'n'Retro - New Yugoslavism in Contemporary Slovenian Music (Sophia, 2013), Titostalgia – A Study of Nostalgia for Josip Broz (Peace Institute, Ljubljana, 2008), Eurosis – A Critique of the New Eurocentrism (Peace Institute, Ljubljana, 2005) and Religious Separation and Political Intolerance in Bosnia-Herzegovina (TAMU Press, 2003). He is co-author of the book Celestial Yugoslavia: Interaction of Political Mythologies and Popular Culture (XX vek, 2012), and co-editor and co-author of books Post-Yugoslavia - New Cultural and Political Perspectives (Palgrave, 2014) and Yugoslavia From A Historical Perspective (HCHR, 2017). He was a full-time visiting professor at Jagiellonian University in Krakow (2002 and 2003), at Columbia University in New York (2009 and 2014), at University of Rijeka (2015), at New York Institute in St. Petersburg (2015 and 2016), at Yale University (2020), Fulbright visiting researcher in Philadelphia (2004/2005), and visiting researcher at The Netherlands Institute of Advanced Studies (2012) and at the Remarque Institute of the New York University (2018). For his achievements he received four national and one international award (Erasmus EuroMedia Award by European Society for Education and Communication, 2008). His last monograph Post-Socialist Political Graffiti in the Balkans and Central Europe (Routledge, 2020) was awarded as one of the most important scientific achievements of University of Ljubljana for the year 2020.