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Cinema in the Cold War: Political Projections

Editat de Cyril Buffet
en Limba Engleză Paperback – 12 ian 2018
The film industry was an important propaganda element during the Cold War. As with other conflicts, the Cold War was fought not just with weapons, but with words and images. Throughout the conflict, cinema was a reflection of the societies, the ideologies, and the political climates in which the films were produced. On both sides, great stars, major companies, famous scriptwriters, and filmmakers were enlisted to help the propaganda effort.
It was not only propaganda that was created by the cinema of the Cold War – it also articulated criticism, and the movie industries were centres of the fabrication of modern myths. The cinema was undoubtedly a place of Cold War confrontation and rivalry, and yet there were aesthetic, technical, narrative exchanges between West and East. All genres of film contributed to the Cold War: thrillers, westerns, comedies, musicals, espionage films, documentaries, cartoons, science fiction, historical dramas, war films, and many more. These films shaped popular culture and national identities, creating vivid characters like James Bond, Alec Leamas, Harry Palmer, and Rambo. While the United States and the Soviet Union were the two main protagonists in this on-screen duel, other countries, such as Britain, Germany, Poland, Italy, and Czechoslovakia, also played crucially important parts, and their prominent cinematographic contributions to the Cold War are all covered in this volume. This book was originally published as a special issue of Cold War History.
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Specificații

ISBN-13: 9781138299894
ISBN-10: 1138299898
Pagini: 164
Dimensiuni: 174 x 246 x 16 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom

Public țintă

Postgraduate and Undergraduate

Cuprins

Preface  1. Meeting on the Elbe (Vstrecha na El’be): A visual representation of the incipient Cold War from a Soviet perspective  2. ‘Declaration of Love on Celluloid’: The depiction of the Berlin Wall in a GDR film, 1961-62  3. ‘The Maltz Affair’ revisited: How the American Communist Party relinquished its cultural influence at the dawn of the Cold War  4. ‘Don’t Mention the Soviets!’ An overview of the short films produced by the NATO Information Service between 1949 and 1969  5. The destruction of New York City: A recurrent nightmare of American Cold War cinema  6. Hollywood’s insidious charms: the impact of American cinema and television on the Soviet Union during the Cold War  7. The Cold War’s cultural ecosystem: angry young men in British and Soviet cinema, 1953-1968  8. The Search for Legitimacy in Post-Martial Law Poland: The Case of Claude Lanzmann’s

Descriere

This book looks at contributions to Cold War cinema from a wide range of countries and genres, and articulates how all participants in the Cold War utilised the film industry as a tool for propaganda, and how the Cold War itself shaped both the creative and the critical output of the period. It was published as a special issue of Cold War History.