Cinema's Illusions, Opera's Allure: The Operatic Impulse in Film: Film Studies: Bloomsbury Academic Collections
Autor David Schroederen Limba Engleză Hardback – 5 oct 2016
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Specificații
ISBN-13: 9781474291422
ISBN-10: 1474291422
Pagini: 400
Dimensiuni: 156 x 234 x 22 mm
Greutate: 0.74 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Film Studies: Bloomsbury Academic Collections
Locul publicării:London, United Kingdom
ISBN-10: 1474291422
Pagini: 400
Dimensiuni: 156 x 234 x 22 mm
Greutate: 0.74 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Film Studies: Bloomsbury Academic Collections
Locul publicării:London, United Kingdom
Caracteristici
The selection of titles is available as individual volumes or as set
Notă biografică
David Schroeder is Emeritus Professor at Dalhousie University, Canada.
Cuprins
PrefaceIntroductionPart I - Appropriation of Opera in Early Cinema1. Silent Opera: DeMille's Carmen2. D. W. Griffith as a Wagnerian3. Stage Fright: Phantom of the Opera4. A Life at the Opera5. Synesthesia: Alexander Nevsky as OperaPart II - The Film Score6. The Leitmotif7. Titles Music as Operatic OverturePart III - Cinema Gives Opera the Finger8. Casting Opera in our Teeth: Chaplin's Carmen9. Attack of the Anarchists: A Night at the Opera10. Deflated and Flat: Opera in Citizen Kane11. Bursting Out Into Opera: Fellini's E La Nave Va12. The Charming Opera Snob in Hannah and Her SistersPart IV - Wagner's Bastards13. Misreading Wagner: the Politics of Lang's Siegfried14. Cinema as Grand Opera: Politics, Religion and DeMille15. Bombarding the Senses: Apocalypse Now16. Wagnerian Images of Sound and Sensuality17. Wagner's Ring Cycle for Adolescents: Star Wars18. What's Opera, Doc?Part V - Cinema as Opera19. Dizzying Illusion: Vertigo20. Carmen Copies21. Operastruck22. Outing Opera in Philadelphia23. Opera Obsession24. Surrogate Voice: Maria Callas as Medea25. Orpheus ReincarnatedPart VI - Opera Returns as Cinema26. Finale: Directors' OperasNotesIndex