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Cinepaternity – Fathers and Sons in Soviet and Post–Soviet Film de Helena Goscilo

Cinepaternity – Fathers and Sons in Soviet and Post–Soviet Film

Autor Helena Goscilo
en Limba Engleză Paperback – 29 mar 2010
This wide-ranging collection investigates the father/son dynamic in post-Stalinist Soviet cinema and its Russian successor. Contributors analyze complex patterns of identification, disavowal, and displacement in films by such diverse directors as Khutsiev, Motyl’, Tarkovsky, Balabanov, Sokurov, Todorovskii, Mashkov, and Bekmambetov. Several chapters focus on the difficulties of fulfilling the paternal function, while others show how vertical and horizontal male bonds are repeatedly strained by the pressure of redefining an embattled masculinity in a shifting political landscape.
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Specificații

ISBN-13: 9780253221872
ISBN-10: 0253221870
Pagini: 344
Ilustrații: 43 b&w illustrations
Dimensiuni: 196 x 227 x 24 mm
Greutate: 0.48 kg
Editura: MH – Indiana University Press

Cuprins

Preface; Introduction: Cinepaternity: The Psyche and Its Heritage; Part 1. Thaw, Stagnation, Perestroika; 1. The Myth of the "Great Family" in Marlen Khutsiev's Lenin's Guard and Mark Osep'ian's Three Days of Viktor Chernyshev / Alexander Prokhorov; 2. Mending the Rupture: The War Trope and the Return of the Imperial Father in 1970s Cinema / Elena Prokhorova; 3. Models of Male Kinship in Perestroika Cinema / Seth Graham; Part 2. War in the Post-Soviet Dialogue with Paternity; 4. The Fathers' War through Sons' Eyes / Tatiana Smorodinskaya; 5. War as the Family Value: Failing Fathers and Monstrous Sons in My Stepbrother Frankenstein / Mark Lipovetsky; 6. A Surplus of Surrogates: Mashkov's Fathers / Helena Goscilo; Part 3. Reconceiving Filial Bonds; 7. Resurrected Fathers and Resuscitated Sons: Homosocial Fantasies in The Return and Koktebel / Yana Hashamova; 8. The Forces of Kinship: Timur Bekmambetov's Night Watch Cinematic Trilogy / Vlad Strukov; 9. Fathers, Sons, and Brothers: Redeeming Patriarchal Authority in The Brigade / Brian James Baer; Part 4. Auteurs and the Psychological/Philosophical; 10. Fraught Filiation: Andrei Tarkovsky's Transformations of Personal Trauma / Helena Goscilo; 11. Vision and Blindness in Sokurov's Father and Son / José AlanizContributors; Index

Recenzii

"A solid contribution to the fields of Soviet and post-Soviet studies, bringing to light a new understanding of post-Stalinist cinema." Lilya Kaganovsky, University of Illinois, Urbana-Champaign

Cinepaternity"The eleven articles in this anthology provide insightful studies of the Oedipal dynamics dramatized in diverse films beginning in the immediate post-Stalin period." —Slavonic and East European Review


"A solid contribution to the fields of Soviet and post-Soviet studies, bringing to light a new understanding of post-Stalinist cinema." Lilya Kaganovsky, University of Illinois, Urbana-Champaign Cinepaternity"The eleven articles in this anthology provide insightful studies of the Oedipal dynamics dramatized in diverse films beginning in the immediate post-Stalin period." - Slavonic and East European Review

Notă biografică

Helena Goscilo is Professor and Chair of Slavic Languages and Literatures at The Ohio State University. She is editor (with Stephen Norris) of Preserving Petersburg: History, Memory, Nostalgia (IUP, 2008).
Yana Hashamova is Associate Professor and Director of the Center for Slavic and East European Languages and Literatures at The Ohio State University. She is author of Pride and Panic: Russian Imagination of the West in Post-Soviet Film.

Descriere

Russian cinema’s portrayal of the father/son dynamic