City That Never Sleeps: New York and the Filmic Imagination
Editat de Murray Pomerance Contribuţii de Wheeler Winston Dixon, Barry Keith Grant, Aaron Baker, Gwendolyn Audrey Foster, Paula J. Massood, Professor Steven Alan Carr, Professor Joe McElhaney, Professor William Rothman, David Sterritt, Professor David Gerstner, Professor Randy Thom, Professor Elizabeth Weis, Professor Scott Bukatman, Professor Pamela Grace, David Desser, William Luhr, Peter Lehmanen Limba Engleză Paperback – mai 2007
New York, more than any other city, has held a special fascination for filmmakers and viewers. In every decade of Hollywood filmmaking, artists of the screen have fixated upon this fascinating place for its tensions and promises, dazzling illumination and fearsome darkness.
The glittering skyscrapers of such films as On the Town have shadowed the characteristic seedy streets in which desperate, passionate stories have played out-as in Scandal Sheet and The Pawnbroker. In other films, the city is a cauldron of bright lights, technology, empire, egotism, fear, hunger, and change--the scenic epitome of America in the modern age.
From Street Scene and Breakfast at Tiffany's to Rosemary's Baby, The Warriors, and 25th Hour, the sixteen essays in this book explore the cinematic representation of New York as a city of experience, as a locus of ideographic characters and spaces, as a city of moves and traps, and as a site of allurement and danger. Contributors consider the work of Woody Allen, Blake Edwards, Alfred Hitchcock, Gregory La Cava, Spike Lee, Sidney Lumet, Vincente Minnelli, Roman Polanski, Martin Scorsese, Andy Warhol, and numerous others.
The glittering skyscrapers of such films as On the Town have shadowed the characteristic seedy streets in which desperate, passionate stories have played out-as in Scandal Sheet and The Pawnbroker. In other films, the city is a cauldron of bright lights, technology, empire, egotism, fear, hunger, and change--the scenic epitome of America in the modern age.
From Street Scene and Breakfast at Tiffany's to Rosemary's Baby, The Warriors, and 25th Hour, the sixteen essays in this book explore the cinematic representation of New York as a city of experience, as a locus of ideographic characters and spaces, as a city of moves and traps, and as a site of allurement and danger. Contributors consider the work of Woody Allen, Blake Edwards, Alfred Hitchcock, Gregory La Cava, Spike Lee, Sidney Lumet, Vincente Minnelli, Roman Polanski, Martin Scorsese, Andy Warhol, and numerous others.
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Specificații
ISBN-13: 9780813540320
ISBN-10: 0813540321
Pagini: 304
Ilustrații: 20
Dimensiuni: 152 x 229 x 20 mm
Greutate: 0.4 kg
Ediția:None
Editura: Rutgers University Press
Colecția Rutgers University Press
ISBN-10: 0813540321
Pagini: 304
Ilustrații: 20
Dimensiuni: 152 x 229 x 20 mm
Greutate: 0.4 kg
Ediția:None
Editura: Rutgers University Press
Colecția Rutgers University Press
Notă biografică
MURRAY POMERANCE is a professor in the sociology department at Ryerson University and the author and editor of numerous books, including Johnny Depp Starts Here.
Cuprins
Acknowledgments
Prelude: To Wake Up in the City That Never Sleeps
Memory All Alone in the Moonlight: City of Experience
There's a Place for Us: City of Characters and Spaces
Whispering Escapades Out on the D Train: City of Moves and Traps
Stayin' Alive: City of Danger and Adjustment
Works Cited and Consulted
Notes on Contributors
Index
Prelude: To Wake Up in the City That Never Sleeps
Memory All Alone in the Moonlight: City of Experience
There's a Place for Us: City of Characters and Spaces
Whispering Escapades Out on the D Train: City of Moves and Traps
Stayin' Alive: City of Danger and Adjustment
Works Cited and Consulted
Notes on Contributors
Index
Descriere
New York, more than any other city, has held a special fascination for filmmakers and viewers. In every decade of Hollywood filmmaking, artists of the screen have fixated upon this fascinating place for its tensions and promises, dazzling illumination and fearsome darkness. From Street Scene and Breakfast at Tiffany's to Rosemary's Baby, The Warriors, and 25th Hour, the sixteen essays in this book explore the cinematic representation of New York as a city of experience, as a locus of ideographic characters and spaces, as a city of moves and traps, and as a site of allurement and danger.