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Classical Influences on European Culture, A.D. 1500–1700

Editat de R. R. Bolgar
en Limba Engleză Paperback – 17 mar 2010
These studies illustrate the different ways in which the Renaissance made use of its classical heritage, and how a variety of techniques were employed to transform the material that could be derived from the ancient classics so that it could serve the social and cultural purposes of Renaissance man. The scope of the volume covers discussions of catalogues and editions of humanist works; the humanist contribution to the art of discourse; humanism and religion; humanism and political thought; and finally the contribution of the humanists to the useful and fine arts. This volume consists of papers delivered at the second conference on Classical Influences held at King's College, Cambridge, in 1974. This book should be of interest to specialists in classical studies, Renaissance studies and the history of literature and ideas, and specialists in French, German and Italian studies. The last three articles will also interest art historians.
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Specificații

ISBN-13: 9780521133708
ISBN-10: 052113370X
Pagini: 420
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.61 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Locul publicării:Cambridge, United Kingdom

Cuprins

Preface L. P. Wilkinson; Editor's note; List of plates; Contributors; Introduction R. R. Bolgar; Part I. Catalogues and Editions of Humanist Works: 1. 1500–1700: the bibliographical problem. A continental S. T. C.? Denys Hay; 2. Neo-Latin satire: sermo and satyra menippea J. Ijsewijn; 3. A anthology of Renaissance Latin verse: problems confronting the editor and compiler J. Sparrow; Part II. The Humanists in the Renaissance: 4. La première querelle des 'anciens' et des 'modernes' aux origines de las Renaissance C. Vasoli; Section 1. The Humanist Contribution to the Arts of Discourse: 5. Reflections on Ravisius Textor's Specimen Epithetorum I. D. McFarlane; 6. Commonplace rhapsody: Ravisius Textor, Zwinger and Shakespeare Walter J. Ong; 7. Commonplace of law, proverbial wisdom and philosophy: their importance in Renaissance scholarship (Rabelais, Joachim du Bellay, Montaigne) M. A. Screech; 8. Montaigne's 'Sur des vers de Virgile': taboo subject, taboo author D. Coleman; 9.Humanism and dialectic in sixteenth-century Cambridge: a preliminary investigation L. Jardine; 10. Poetics, rhetoric, and logic in Renaissance criticism W. S. Howell; 11. Lucan in der Kritik des 16. und 17. Jahrunderts H. Dörrie; 12. Petrus Lotichius Secundus and the Roman elegists: prolegomena to a study of Neo-Latin elegy W. Ludwig; 13. From the Ciceronianus to Montaigne M. Mann Phillips; Section 2. Humanism and Religion: 14. The humanist idea of Christian antiquity and the impact of Greek patristic work on sixteenth-century thought E. F. Rice Jr; 15. John Colet, his manuscripts and the ps. - Dionysius J. B. Trapp; 16. Erasmus, the early Jesuits and the classics A. H. T. Levi; 17. Juan Vivès and the Somnium Scipionis Dominic Baker-Smith; 18. Vivès, lecteur et critique de Platon et d'Aristote J.-C. Margolin; 19. Zur Rolle der Mythologie in der Literatur des Siglo de Oro F. Schalk; 20. The development of religious scepticism and the influence of Isaac La Peyrère's pre-Adamism and Bible criticism R. H. Popkin; Section 3. Humanism and Political Thought: 21. Livy>Tacitus J. H. Whitfield; 22. Vivere sotto i tiranni: un tema tacitiano da Guiccardini a Diderot A. La Penna; 23. Utilisation et critique de La Politique d'Aristote dans La Republicque de Jean Bodin H. Weber; Section 4. The Contribution of the Humanists to the Useful and the Fine Arts: 24. Die antike Literatur als Vorbild der praktischen Wissenschaften im 16. und 17. Jahrhundert G. Oestriech; 25. Les Loges de Raphaël: répertoire à l'antique, Bible et mythologie N. Dacos; 26. Criticism of ancient architecture in the sixteenth and seventeenth centuries T. Buddensieg; 27. Baroque architecture and classical antiquity Anthony Blunt; Index.

Descriere

The papers illustrate the different ways in which the Renaissance made use of its classical heritage.