Classics in Film and Fiction: Film/Fiction

Deborah Cartmell is a Principal Lecturer in English at De Montfort University I.Q. Hunter is a Senior Lecturer in Media Studies at De Montfort Heidi Kaye is a former Senior Lecturer in English and Women's Studies at De Montfort. All four are editors of the previous titles in the Film/Fiction series. Imelda Whelehan is a Principal Lecturer in English and Women's Studies at De Montfort.

Introduction: Classics across the film/literature divide by Heidi Kaye and Imelda Whelehan

1. ‘If Only You Could See What I’ve Seen with Your Eyes’: Bladerunner and Symphonie Pastorale by Nick Peim

2. Classic Shakespeare for All: Forbidden Planet and Prospero's Books, Two Screen Adaptations of The Tempest by Sara Martin

3. The Red and the Blue: Jane Eyre in the Nineties by Lisa Hopkins

4. Transcultural Aesthetics and the Film Adaptations of Henry James by Martin Halliwell

5. ‘Hystorical’ Puritanism: Contemporary Cinematic Adaptations of Nathaniel Hawthorne’s The Scarlet Letter and Arthur Miller’s The Crucible by Sergio Rizzo

6. Mrs Dalloway and Orlando: The Subject of Time and Generic Transactions by Lesley Higgins and Marie-Christine Leps

7. ‘Desire Projected Itself Visually’: Watching Death in Venice by Stuart Burrows

8. Leopold Bloom Walks and Jimmy Stewart Stares: On Motion, Genre, and the Classic by Kay Young

9. Trial and Error: Combinatory Fidelity in Two Versions of Franz Kafka's The Trial by Paul M. Malone

10. In Cold Blood: Yellow Birds, New Realism and Killer Culture by Paul Wells

11. Home by Tea-time: Fear of Imagination in Disney’s Alice in
Wonderland by Deborah Ross

Notes on Contributors
Index