Close to the Floor: Irish Dance from the Boreen to Broadway
Editat de Mick Moloney, J’aime Morrison, Colin Quigleyen Limba Engleză Paperback – 15 oct 2009
Close to the Floor brings together a distinguished and diverse cast of dance ethnographers, dancers, teachers, choreographers, and dance historians to discuss and reflect on a variety of topics in the world of Irish step dance and related percussive dance forms. This volume includes essays that originated at a symposium held at New York University in 2006 to commemorate the tenth anniversary of “Riverdance.” The contributor list is impressive and includes the most well-known names in both Irish dancing scholarship and performance.
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Specificații
ISBN-13: 9780981492445
ISBN-10: 0981492444
Pagini: 176
Dimensiuni: 152 x 229 x 10 mm
Greutate: 0.25 kg
Ediția:1
Editura: Macater Press
Colecția Macater Press
ISBN-10: 0981492444
Pagini: 176
Dimensiuni: 152 x 229 x 10 mm
Greutate: 0.25 kg
Ediția:1
Editura: Macater Press
Colecția Macater Press
Recenzii
“Irish music and dance, and indeed the broader questions of Irish identity in a global world, have recently experienced enormous flux and change. Close to the Floor is an invaluable collection of responses from those intimately connected to that process, either as practitioners or knowledgeable commentators. Their views will provide stimulation to the current reader and potent illumination for future inquiry.”—Bill Whelan, composer of “Riverdance”
Notă biografică
Mick Moloney is Global Distinguished Professor of Music and Irish Studies at New York University. J’aime Morrison is associate professor of performance at California State University, Northridge. Colin Quigley is senior lecturer in ethnomusicology at the University of Limerick.
Cuprins
Preface
Mick Moloney
Acknowledgements
They Danced
Gearóid Mac Lochlainn
Introduction: Riverdance Mania
Mick Moloney
Part 1. Percussive Gestures: Redifining Traditional Irish Dance
Irish Dance Music—For the Feet or for the Soul?
Orfhlaith Ní Bhriain
Drag-Slides and Toe Stands: Identity, Motivation, and Change in American Clogging
Gary Larsen
Step Dancing in Canada: From Shared Vernacular to Regional Styles
Percussive Relations: An Exploration of Percussive Dance at Tráth na gCos, 2002
Catherine E. Foley
"Sound-Dance": Mapping the Acoustic Spaces of Irish Dance
J'amie Morrison
ModERIN
Darrah Carr
Part 2. Investigations
The Impact of Riverdance on Irish Dance
Moderator: Mick Moloney
Discussants: Jean Butler, Donny Golden, Mark Howard, and Niall O'Leary
Changes in Irish Dance in New York over the Past Half-Century
Moderator: Mick Moloney and Orfhlaith Ní Bhriain
Discussants: Kathleen Barnard, Michael Bergin, Donny Golden, Patricia McLoughlin, and Peter Smith
The Irish Body: New Directions in Irish Dance
Moderator: Micheál Ó Súilleabháin
Discussants: Jean Butler, Darrah Carr, Mark Howard, J'amie Morrison, and Mary Nunan
Contributors
Mick Moloney
Acknowledgements
They Danced
Gearóid Mac Lochlainn
Introduction: Riverdance Mania
Mick Moloney
Part 1. Percussive Gestures: Redifining Traditional Irish Dance
Irish Dance Music—For the Feet or for the Soul?
Orfhlaith Ní Bhriain
Drag-Slides and Toe Stands: Identity, Motivation, and Change in American Clogging
Gary Larsen
Step Dancing in Canada: From Shared Vernacular to Regional Styles
Percussive Relations: An Exploration of Percussive Dance at Tráth na gCos, 2002
Catherine E. Foley
"Sound-Dance": Mapping the Acoustic Spaces of Irish Dance
J'amie Morrison
ModERIN
Darrah Carr
Part 2. Investigations
The Impact of Riverdance on Irish Dance
Moderator: Mick Moloney
Discussants: Jean Butler, Donny Golden, Mark Howard, and Niall O'Leary
Changes in Irish Dance in New York over the Past Half-Century
Moderator: Mick Moloney and Orfhlaith Ní Bhriain
Discussants: Kathleen Barnard, Michael Bergin, Donny Golden, Patricia McLoughlin, and Peter Smith
The Irish Body: New Directions in Irish Dance
Moderator: Micheál Ó Súilleabháin
Discussants: Jean Butler, Darrah Carr, Mark Howard, J'amie Morrison, and Mary Nunan
Contributors
Descriere
Close to the Floor brings together a distinguished and diverse cast of dance ethnographers, dancers, teachers, choreographers, and dance historians to discuss and reflect on a variety of topics in the world of Irish step dance and related percussive dance forms. This volume includes essays that originated at a symposium held at New York University in 2006 to commemorate the tenth anniversary of "Riverdance". The contributor list is impressive and includes the most well-known names in both Irish dancing scholarship and performance.