Cold War Legacies: Technicities
Editat de John Beck, Ryan Bishopen Limba Engleză Paperback – 21 feb 2018
Key Features
- Makes connections between Cold War material and conceptual technologies, as they relate to the arts, society and culture
- Draws on theorists such as Paul Virilio, Jacques Derrida, Luce Irigaray, Friedrich Kittler, Jean Baudrillard, Michel Foucault, Michel Serres, Bernard Stiegler, Peter Sloterdijk and Carl Schmitt
- The contributors include leading humanities and critical military studies scholars, and practising artists, writers, curators and broadcasters
Ryan Bishop is Professor of Global Arts and Politics, Director of Research and Co-Director of the Winchester Centre for Global Futures in Art Design & Media at the Winchester School of Art, University of Southampton.
Ele Carpenter is a curator and writer, and senior lecturer in MFA Curating and convenor of the Nuclear Culture Research Group at Goldsmiths, University of London.
Fabienne Collignon is Lecturer in Contemporary Literature at the University of Sheffield.
Mark Cot is Lecturer in Digital Culture and Society at King's College London.
Daniel Grausam is Lecturer in the Department of English at Durham University.
Ken Hollings is a writer and broadcaster, visiting tutor at the Royal College of Art and Associate Lecturer at Central Saint Martins School of Art and Design.
Adrian Mackenzie is Professor of Technological Cultures at Lancaster University.
Jussi Parikka is a media theorist and writer, and Professor of Technological Culture and Aesthetics at Winchester School of Art, University of Southampton.
John W. P. Phillips is Associate Professor in the Department of English at the National University of Singapore.
Adam Piette is Professor of English at the University of Sheffield.
James Purdon is Lecturer in Modern and Contemporary Literature at the University of St Andrews.
Aura Satz is an artist and Moving Image Tutor at the Royal College of Art.
Neal White is an artist and Professor of Media Art at the Faculty of Media and Communication, Bournemouth University.
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Specificații
ISBN-13: 9781474432245
ISBN-10: 1474432247
Pagini: 320
Ilustrații: 20 colour illustrations
Dimensiuni: 156 x 233 x 25 mm
Greutate: 0.59 kg
Editura: EDINBURGH UNIVERSITY PRESS
Seria Technicities
ISBN-10: 1474432247
Pagini: 320
Ilustrații: 20 colour illustrations
Dimensiuni: 156 x 233 x 25 mm
Greutate: 0.59 kg
Editura: EDINBURGH UNIVERSITY PRESS
Seria Technicities
Cuprins
Acknowledgements; List of Illustrations; Notes on contributors; Introduction; I. Pattern Recognition: 1. The Future: RAND, Brand and Dangerous to Know; 2. Simulate, Optimise, Partition: Algorithmic Diagrams of Pattern Recognition from 1953 Onwards; 3. Impulsive Synchronisation: A Conversation on Military Technologies and Audiovisual Arts; II The Persistence of the Nuclear: 4. The Meaning of Monte Bello; 5. Deep Geological Disposal and Radioactive Time: Beckett, Bowen, Nirex and Onkalo; 6. Shifting the Nuclear Imaginary: Art and the Flight from Nuclear Modernity; 7. Alchemical Transformations?: Fictions of the Nuclear State after 1989; III. Ubiquitous Surveillance: 8. 'The Very Form of Perverse Artificial Societies': The Unstable Emergence of the Network Family From its Cold War Nuclear Bunker; 9. The Signal Haunted Cold War: Persistence of the SIGINT Ontology; 10. 'Bulk Surveillance' or, the Elegant Technicities of Metadata; IV. Pervasive Mediations: 11. Notes from the Underground: Microwaves, Backbones, Party Lines and the Post Office Tower; 12. Insect Technics: War Vision Machines; 13. Overt Research; 14. Smart Dust and Remote Sensing: The Political Subject in Autonomous Systems; Index.
Notă biografică
John Beck is Professor of Modern Literature and Director of the Institute for Modern and Contemporary Culture at the University of Westminster, London. He is the author of Writing the Radical Center: William Carlos Williams John Dewey, and American Cultural Politics (SUNY, 2001) and Dirty Wars: Landscape, Power, and Waste in Western American Literature (University of Nebraska Press, 2009) co-editor of American Visual Cultures (Continuum, 2005).
Ryan Bishop is Professor of Global Arts and Politics and Co-director of the research group Archaeologies of Media and Technology at the Winchester School of Art, University of Southampton, United Kingdom. He co-edits the journal Cultural Politics (Duke UP), and is a series editor for Technicities (Edinburgh University Press) and Cultural Politics (Duke UP).
Ryan Bishop is Professor of Global Arts and Politics and Co-director of the research group Archaeologies of Media and Technology at the Winchester School of Art, University of Southampton, United Kingdom. He co-edits the journal Cultural Politics (Duke UP), and is a series editor for Technicities (Edinburgh University Press) and Cultural Politics (Duke UP).
Descriere
Drawing on theorists such as Jean Baudrillard, Jacques Derrida, Michel Foucault, Luce Irigaray, Friedrich Kittler, Michel Serres, Peter Sloterdijk, Carl Schmitt, Bernard Stiegler and Paul Virilio this collection makes connections between Cold War material and conceptual technologies, as they relate to the arts, society and culture.