Compact Disc: Object Lessons
Autor Robert Barryen Limba Engleză Paperback – 18 mar 2020
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Specificații
ISBN-13: 9781501348518
ISBN-10: 1501348515
Pagini: 160
Dimensiuni: 121 x 165 x 26 mm
Greutate: 0.14 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Object Lessons
Locul publicării:New York, United States
ISBN-10: 1501348515
Pagini: 160
Dimensiuni: 121 x 165 x 26 mm
Greutate: 0.14 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Object Lessons
Locul publicării:New York, United States
Caracteristici
The Object Lessons series, published in association with The Atlantic, explores the hidden lives of ordinary things and uncovers the lessons they hold about ourselves and the modern world
Notă biografică
Robert Barry is Visual Arts Editor at The Quietus and a Faculty Member at the Institute of Contemporary Music Performance, UK. He is the author of The Music of the Future (2017) and co-editor, with Houman Barekat and David Winters, of The Digital Critic: Literary Culture Online (2017).
Cuprins
Introduction1 The Little Disc2 The Faithful Disc3 The Wounded Disc4 The Undead DiscPostscriptAcknowledgementsSelect BibliographyIndex
Recenzii
This thoughtful, elegantly written little book pays homage to that least loved of music formats, the compact disc. Filled with engaging anecdotes and philosophical observations, the book offers a concise cultural history of audio recording, describing the vicissitudes of the music industry and the dissolution of sonic objects into codes and clouds.
Robert Barry rekindles our wonder for the technology that 'put a laser in your living room.' Futuristic and confounding, the CD converted light into sound, philosophers into audio critics, and audio critics into philosophers. But this book is more than the story of a format whose perfection laid the groundwork for its own demise--it's also an intercultural history of light, the quest for technological perfection, and the art of critiquing that quest through glitches, skips, and stutters.
Robert Barry rekindles our wonder for the technology that 'put a laser in your living room.' Futuristic and confounding, the CD converted light into sound, philosophers into audio critics, and audio critics into philosophers. But this book is more than the story of a format whose perfection laid the groundwork for its own demise--it's also an intercultural history of light, the quest for technological perfection, and the art of critiquing that quest through glitches, skips, and stutters.