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Compact Disc: Object Lessons

Autor Robert Barry
en Limba Engleză Paperback – 18 mar 2020
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. The story of the compact disc is also the story of the end of physical media. It is the story of how the quest for perfection laid the grounds for the death of a great industry. For in the passage from analogue media, like records and tapes, to digital formats, like CDs, something changed in the nature of media and in the relationship we have with music. Music became code, a sequence of 1s and 0s, a flow of pure information. The material structure of the medium itself was always supposed to disappear. But the physical has proved to possess an uncanny knack for returning. Today the CD is a zombie medium, still popular amongst certain avant-garde record labels and Japanese consumers. Against all the odds, the spectre endures.Object Lessons is published in partnership with an essay series in The Atlantic.
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Specificații

ISBN-13: 9781501348518
ISBN-10: 1501348515
Pagini: 160
Dimensiuni: 121 x 165 x 26 mm
Greutate: 0.14 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Object Lessons

Locul publicării:New York, United States

Caracteristici

The Object Lessons series, published in association with The Atlantic, explores the hidden lives of ordinary things and uncovers the lessons they hold about ourselves and the modern world

Notă biografică

Robert Barry is Visual Arts Editor at The Quietus and a Faculty Member at the Institute of Contemporary Music Performance, UK. He is the author of The Music of the Future (2017) and co-editor, with Houman Barekat and David Winters, of The Digital Critic: Literary Culture Online (2017).

Cuprins

Introduction1 The Little Disc2 The Faithful Disc3 The Wounded Disc4 The Undead DiscPostscriptAcknowledgementsSelect BibliographyIndex

Recenzii

This thoughtful, elegantly written little book pays homage to that least loved of music formats, the compact disc. Filled with engaging anecdotes and philosophical observations, the book offers a concise cultural history of audio recording, describing the vicissitudes of the music industry and the dissolution of sonic objects into codes and clouds.
Robert Barry rekindles our wonder for the technology that 'put a laser in your living room.' Futuristic and confounding, the CD converted light into sound, philosophers into audio critics, and audio critics into philosophers. But this book is more than the story of a format whose perfection laid the groundwork for its own demise--it's also an intercultural history of light, the quest for technological perfection, and the art of critiquing that quest through glitches, skips, and stutters.