Comparative Textual Media: Transforming the Humanities in the Postprint Era: Electronic Mediations
Editat de N. Katherine Hayles, Jessica Pressmanen Limba Engleză Paperback – 30 noi 2013
For
the
past
few
hundred
years,
Western
cultures
have
relied
on
print.
When
writing
was
accomplished
by
a
quill
pen,
inkpot,
and
paper,
it
was
easy
to
imagine
that
writing
was
nothing
more
than
a
means
by
which
writers
could
transfer
their
thoughts
to
readers.
The
proliferation
of
technical
media
in
the
latter
half
of
the
twentieth
century
has
revealed
that
the
relationship
between
writer
and
reader
is
not
so
simple.
From
telegraphs
and
typewriters
to
wire
recorders
and
a
sweeping
array
of
digital
computing
devices,
the
complexities
of
communications
technology
have
made
mediality
a
central
concern
of
the
twenty-first
century.
Despite the attention given to the development of the media landscape, relatively little is being done in our academic institutions to adjust. InComparative Textual Media, editors N. Katherine Hayles and Jessica Pressman bring together an impressive range of essays from leading scholars to address the issue, among them Matthew Kirschenbaum on archiving in the digital era, Patricia Crain on the connection between a child’s formation of self and the possession of a book, and Mark Marino exploring how to read a digital text not for content but for traces of its underlying code.
Primarily arguing for seeing print as a medium along with the scroll, electronic literature, and computer games, this volume examines the potential transformations if academic departments embraced a media framework. Ultimately,Comparative Textual Mediaoffers new insights that allow us to understand more deeply the implications of the choices we, and our institutions, are making.
Contributors: Stephanie Boluk, Vassar College; Jessica Brantley, Yale U; Patricia Crain, NYU; Adriana de Souza e Silva, North Carolina State U; Johanna Drucker, UCLA; Thomas Fulton, Rutgers U; Lisa Gitelman, New York U; William A. Johnson, Duke U; Matthew G. Kirschenbaum, U of Maryland; Patrick LeMieux; Mark C. Marino, U of Southern California; Rita Raley, U of California, Santa Barbara; John David Zuern, U of Hawai‘i at Mānoa.
Despite the attention given to the development of the media landscape, relatively little is being done in our academic institutions to adjust. InComparative Textual Media, editors N. Katherine Hayles and Jessica Pressman bring together an impressive range of essays from leading scholars to address the issue, among them Matthew Kirschenbaum on archiving in the digital era, Patricia Crain on the connection between a child’s formation of self and the possession of a book, and Mark Marino exploring how to read a digital text not for content but for traces of its underlying code.
Primarily arguing for seeing print as a medium along with the scroll, electronic literature, and computer games, this volume examines the potential transformations if academic departments embraced a media framework. Ultimately,Comparative Textual Mediaoffers new insights that allow us to understand more deeply the implications of the choices we, and our institutions, are making.
Contributors: Stephanie Boluk, Vassar College; Jessica Brantley, Yale U; Patricia Crain, NYU; Adriana de Souza e Silva, North Carolina State U; Johanna Drucker, UCLA; Thomas Fulton, Rutgers U; Lisa Gitelman, New York U; William A. Johnson, Duke U; Matthew G. Kirschenbaum, U of Maryland; Patrick LeMieux; Mark C. Marino, U of Southern California; Rita Raley, U of California, Santa Barbara; John David Zuern, U of Hawai‘i at Mānoa.
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Specificații
ISBN-13: 9780816680047
ISBN-10: 0816680043
Pagini: 344
Ilustrații: 34
Dimensiuni: 140 x 216 x 25 mm
Greutate: 0.43 kg
Ediția:New.
Editura: University of Minnesota Press
Colecția Univ Of Minnesota Press
Seria Electronic Mediations
ISBN-10: 0816680043
Pagini: 344
Ilustrații: 34
Dimensiuni: 140 x 216 x 25 mm
Greutate: 0.43 kg
Ediția:New.
Editura: University of Minnesota Press
Colecția Univ Of Minnesota Press
Seria Electronic Mediations
Notă biografică
N. Katherine Hayles is professor of literature at Duke University. She is author of several books, including How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics and Electronic Literature: New Horizons for the Literary.
Cuprins
Contents
Introduction. Making, Critique: A Media Framework
N. Katherine Hayles and Jessica Pressman
Part I. Theories
1. TXTual Practice
Rita Raley
2. Mobile Narratives: Reading and Writing Urban Space with Location-Based Technologies
Adriana de Souza e Silva
3. The .txtual Condition
Matthew G. Kirschenbaum
4. From A to Screen
Johanna Drucker
Part II. Practices
5. Bookrolls as Media
William A. Johnson
6. Dwarven Epitaphs: Procedural Histories in Dwarf Fortress
Stephanie Boluk and Patrick LeMieux
7. Reading Childishly?: A Codicology of the Modern Self
Patricia Crain
8. Print Culture (Other than Codex): Job Printing and Its Importance
Lisa Gitelman
Part III. Recursions
9. Medieval Remediations
Jessica Brantley
10. Gilded Monuments: Shakespeare’s Sonnets, Donne’s Letters, and the Mediated Text
Thomas Fulton
11. Reading Screens: Comparative Perspectives on Computational Poetics
John David Zuern
12. Reading exquisite_code: Critical Code Studies of Literature
Mark C. Marino
Contributors
Index
Introduction. Making, Critique: A Media Framework
N. Katherine Hayles and Jessica Pressman
Part I. Theories
1. TXTual Practice
Rita Raley
2. Mobile Narratives: Reading and Writing Urban Space with Location-Based Technologies
Adriana de Souza e Silva
3. The .txtual Condition
Matthew G. Kirschenbaum
4. From A to Screen
Johanna Drucker
Part II. Practices
5. Bookrolls as Media
William A. Johnson
6. Dwarven Epitaphs: Procedural Histories in Dwarf Fortress
Stephanie Boluk and Patrick LeMieux
7. Reading Childishly?: A Codicology of the Modern Self
Patricia Crain
8. Print Culture (Other than Codex): Job Printing and Its Importance
Lisa Gitelman
Part III. Recursions
9. Medieval Remediations
Jessica Brantley
10. Gilded Monuments: Shakespeare’s Sonnets, Donne’s Letters, and the Mediated Text
Thomas Fulton
11. Reading Screens: Comparative Perspectives on Computational Poetics
John David Zuern
12. Reading exquisite_code: Critical Code Studies of Literature
Mark C. Marino
Contributors
Index
Recenzii
"The
clear
theoretical,
methodological,
didactic,
and
institutional
program
of
this
book
and
the
electrifying
qualities
of
the
essays
that
illustrate
it
makeComparative
Textual
Medianot
only
a
landmark
publication,
but
a
sign
of
hope
for
textual
studies
in
general."—Image
(&)
Narrative
"Comparative Textual Mediamounts a successful argument for rethinking the way textual production is considered, and for situating printed matter among other media as an object of study itself."—Information & Culture
"Comparative Textual Mediais carefully arranged into three parts each containing four essays, which interact so beautifully with one another that readers will most benefit from reading each individual section in its entirety."—Journal of Modern Literature
"An intense body of work."—Neural
"Comparative Textual Mediamounts a successful argument for rethinking the way textual production is considered, and for situating printed matter among other media as an object of study itself."—Information & Culture
"Comparative Textual Mediais carefully arranged into three parts each containing four essays, which interact so beautifully with one another that readers will most benefit from reading each individual section in its entirety."—Journal of Modern Literature
"An intense body of work."—Neural
Descriere
For the past few hundred years, Western cultures have relied on print. When writing was accomplished by a quill pen, inkpot, and paper, it was easy to imagine that writing was nothing more than a means by which writers could transfer their thoughts to readers. The proliferation of technical media in the latter half of the twentieth century has revealed that the relationship between writer and reader is not so simple. From telegraphs and typewriters to wire recorders and a sweeping array of digital computing devices, the complexities of communications technology have made mediality a central concern of the twenty-first century.
Despite the attention given to the development of the media landscape, relatively little is being done in our academic institutions to adjust. In Comparative Textual Media, editors N. Katherine Hayles and Jessica Pressman bring together an impressive range of essays from leading scholars to address the issue, among them Matthew Kirschenbaum on archiving in the digital era, Patricia Crain on the connection between a child’s formation of self and the possession of a book, and Mark Marino exploring how to read a digital text not for content but for traces of its underlying code.
Primarily arguing for seeing print as a medium along with the scroll, electronic literature, and computer games, this volume examines the potential transformations if academic departments embraced a media framework. Ultimately, Comparative Textual Media offers new insights that allow us to understand more deeply the implications of the choices we, and our institutions, are making.
Contributors: Stephanie Boluk, Vassar College; Jessica Brantley, Yale U; Patricia Crain, NYU; Adriana de Souza e Silva, North Carolina State U; Johanna Drucker, UCLA; Thomas Fulton, Rutgers U; Lisa Gitelman, New York U; William A. Johnson, Duke U; Matthew G. Kirschenbaum, U of Maryland; Patrick LeMieux; Mark C. Marino, U of Southern California; Rita Raley, U of California, Santa Barbara; John David Zuern, U of Hawai‘i at Mānoa.
Despite the attention given to the development of the media landscape, relatively little is being done in our academic institutions to adjust. In Comparative Textual Media, editors N. Katherine Hayles and Jessica Pressman bring together an impressive range of essays from leading scholars to address the issue, among them Matthew Kirschenbaum on archiving in the digital era, Patricia Crain on the connection between a child’s formation of self and the possession of a book, and Mark Marino exploring how to read a digital text not for content but for traces of its underlying code.
Primarily arguing for seeing print as a medium along with the scroll, electronic literature, and computer games, this volume examines the potential transformations if academic departments embraced a media framework. Ultimately, Comparative Textual Media offers new insights that allow us to understand more deeply the implications of the choices we, and our institutions, are making.
Contributors: Stephanie Boluk, Vassar College; Jessica Brantley, Yale U; Patricia Crain, NYU; Adriana de Souza e Silva, North Carolina State U; Johanna Drucker, UCLA; Thomas Fulton, Rutgers U; Lisa Gitelman, New York U; William A. Johnson, Duke U; Matthew G. Kirschenbaum, U of Maryland; Patrick LeMieux; Mark C. Marino, U of Southern California; Rita Raley, U of California, Santa Barbara; John David Zuern, U of Hawai‘i at Mānoa.