Beautiful large duotone photographs of theinterior and exterior of Antony GormleysROOM, a giant crouching figure on the faadeof Londons new Beaumont Hotel, are publishedalongside a selection of 25 of the artists darkdrawings 1980s to date and an in-depth essayby Professor Margaret Iversen that considersROOM in relation to Buddhist meditation,liminal states, caves and Brutalist architecture.Describing ROOM, Gormley states, My ambitionfor this work is that it should confront themonumental with the most personal,intimate experience.