Consent Practices in Performing Arts Education
Editat de Elaine DiFalco Daugherty, Heather Trommer-Beardsleeen Limba Engleză Paperback – 4 oct 2024
This book explores consent as a foundational principle to guide practices and policies in university-level performing arts education. It includes descriptions of the structural power dynamics present in educational spaces and provides tools for mitigating them. It adapts the consent protocols that are foundational to theatrical intimacy direction and applies them to classroom and rehearsal spaces across performing arts disciplines.
The book discusses consent, opening lines of communication, personal boundaries, and modeling behaviors that respect those boundaries. Additionally, contributors use experiential reflections to address the real-world challenges that teachers face as they work to reshape their teaching habits and processes to include consent practices.
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Specificații
ISBN-13: 9781789389739
ISBN-10: 1789389739
Pagini: 104
Dimensiuni: 170 x 244 x 12 mm
Greutate: 0.29 kg
Editura: Intellect Ltd
Colecția Intellect Ltd
ISBN-10: 1789389739
Pagini: 104
Dimensiuni: 170 x 244 x 12 mm
Greutate: 0.29 kg
Editura: Intellect Ltd
Colecția Intellect Ltd
Notă biografică
Elaine DiFalco Daugherty is assistant professor in the Department of Theatre and Dance at Central Michigan University. Heather Trommer-Beardslee is coordinator of dance studies and artistic director of the University Theatre Dance Company at Central Michigan University.
Cuprins
List of Figures
Acknowledgements
Introduction
1. Consent and Power Dynamics
2. Programmatic Policies
3. Classroom Facilitation
4. Production Facilitation
5. Activities and Strategies for Facilitating Consent Practices
6. Notes from the Field: The Good, the Bad, and the Ugly
Conclusion
Notes on Contributors
Index
Acknowledgements
Introduction
1. Consent and Power Dynamics
2. Programmatic Policies
3. Classroom Facilitation
4. Production Facilitation
5. Activities and Strategies for Facilitating Consent Practices
6. Notes from the Field: The Good, the Bad, and the Ugly
Conclusion
Notes on Contributors
Index