Contemporary Photography in France: Lieven Gevaert Series
Autor Olga Smithen Limba Engleză Paperback – 21 oct 2022
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Specificații
ISBN-13: 9789462703445
ISBN-10: 9462703442
Pagini: 200
Ilustrații: 32 pp. full colour
Dimensiuni: 230 x 170 x 16 mm
Greutate: 0.64 kg
Editura: Leuven University Press
Seria Lieven Gevaert Series
ISBN-10: 9462703442
Pagini: 200
Ilustrații: 32 pp. full colour
Dimensiuni: 230 x 170 x 16 mm
Greutate: 0.64 kg
Editura: Leuven University Press
Seria Lieven Gevaert Series
Notă biografică
Olga Smith is a Marie Sk¿odowska-Curie Fellow at the University of Vienna.
Cuprins
List of Figures List of Plates Acknowledgements Introduction
Chapter 1. 1970s: Engagement and Subjectivity Roland Barthes and the Science of Subjectivity From The Family of Man to Families in France: Documentary and Professional Photography Mythologies of the Self: Photography in Artistic Practices
Chapter 2. 1980s: Objectivity in a Dematerialized World Jean Baudrillard: The Era of the Object A Quest for Legitimacy as Art Staged Photography and the Culture of Simulacra ¿The Form Tableaü: Photograph as Object and Picture
Chapter 3. 1990s¿2000s: The Future of The Photographic Image Jacques Rancière: Photography as Milieu Forms of Resistance and Participation After Photography
Conclusion: The Landscapes of France
Landscape and the National Imaginary The DATAR Photographic Mission: Picturing ¿le territoire des Français¿ The Anthropogenic Landscape: The Environmental Perspective A Sense of Belonging: Territory, Borders, Identity Towards a Non-Nationalist History of Photography
Plates Bibliography Index
Chapter 1. 1970s: Engagement and Subjectivity Roland Barthes and the Science of Subjectivity From The Family of Man to Families in France: Documentary and Professional Photography Mythologies of the Self: Photography in Artistic Practices
Chapter 2. 1980s: Objectivity in a Dematerialized World Jean Baudrillard: The Era of the Object A Quest for Legitimacy as Art Staged Photography and the Culture of Simulacra ¿The Form Tableaü: Photograph as Object and Picture
Chapter 3. 1990s¿2000s: The Future of The Photographic Image Jacques Rancière: Photography as Milieu Forms of Resistance and Participation After Photography
Conclusion: The Landscapes of France
Landscape and the National Imaginary The DATAR Photographic Mission: Picturing ¿le territoire des Français¿ The Anthropogenic Landscape: The Environmental Perspective A Sense of Belonging: Territory, Borders, Identity Towards a Non-Nationalist History of Photography
Plates Bibliography Index