Contemporary Russian Cinema
Autor Vlad Strukoven Limba Engleză Paperback – aug 2017
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Specificații
ISBN-13: 9781474425957
ISBN-10: 147442595X
Pagini: 304
Dimensiuni: 157 x 231 x 20 mm
Greutate: 0.46 kg
Editura: EDINBURGH UNIVERSITY PRESS
ISBN-10: 147442595X
Pagini: 304
Dimensiuni: 157 x 231 x 20 mm
Greutate: 0.46 kg
Editura: EDINBURGH UNIVERSITY PRESS
Cuprins
Introduction
Chapter 1: Abstracted Subjectivity and Knowledge-Worlds: Aleksandr Sokurov's Taurus (2001)
Chapter 2: The Lacking Sense of Cinema: Aleksandr Proshkin's The Miracle (2009)
Chapter 3: Gatekeepers of (Non-)Knowledge: Aleksei Balabanov's Morphine (2008)
Chapter 4: Symbolic Folds and Flattened Discourse: Andrei Zviagintsev's Elena (2010)
Chapter 5: Non-Knowledge and the Symbolic Mode: Nikolai Khomeriki's A Tale About Darkness (2009)
Chapter 6: The World and the Event: Kirill Serebrennikov's St. George's Day (2008)
Chapter 7: A Plea for the Dead (Self): Renata Litvinova's Goddess: How I Fell in Love (2004)
Chapter 8: Body in Crisis and Posthumous Subjectivity: Igor' Voloshin's Nirvana (2008)
Chapter 9: The Difficulty of Being Dead: Aleksandr Veledinskii's Alive (2006)
Chapter 10: Intentionality and Modelled Subjectivities: Aleksei Fedorchenko's Silent Souls (2010)
Chapter 11: Abandoned Being: Mikhail Kalatozishvili's The Wild Field (2008)
Chapter 12: Conclusions: Amplifications of Subjectivity: Aleksandr Zel'dovich's The Target (2010)
Filmography
Bibliography
Index
Chapter 1: Abstracted Subjectivity and Knowledge-Worlds: Aleksandr Sokurov's Taurus (2001)
Chapter 2: The Lacking Sense of Cinema: Aleksandr Proshkin's The Miracle (2009)
Chapter 3: Gatekeepers of (Non-)Knowledge: Aleksei Balabanov's Morphine (2008)
Chapter 4: Symbolic Folds and Flattened Discourse: Andrei Zviagintsev's Elena (2010)
Chapter 5: Non-Knowledge and the Symbolic Mode: Nikolai Khomeriki's A Tale About Darkness (2009)
Chapter 6: The World and the Event: Kirill Serebrennikov's St. George's Day (2008)
Chapter 7: A Plea for the Dead (Self): Renata Litvinova's Goddess: How I Fell in Love (2004)
Chapter 8: Body in Crisis and Posthumous Subjectivity: Igor' Voloshin's Nirvana (2008)
Chapter 9: The Difficulty of Being Dead: Aleksandr Veledinskii's Alive (2006)
Chapter 10: Intentionality and Modelled Subjectivities: Aleksei Fedorchenko's Silent Souls (2010)
Chapter 11: Abandoned Being: Mikhail Kalatozishvili's The Wild Field (2008)
Chapter 12: Conclusions: Amplifications of Subjectivity: Aleksandr Zel'dovich's The Target (2010)
Filmography
Bibliography
Index
Notă biografică
Vlad Strukov is Associate Professor at the University of Leeds, specialising in world cinemas, digital media and cultural theory
Descriere
One of the first books to explore Russian cinema in the new millennium, this volume captures the emergence of a new cinematic sensibility and interprets it through the framework of the symbolic mode.