Cowboy Park: Wisconsin Poetry Series
Autor Eduardo Martínez-Leyvaen Limba Engleză Paperback – 12 noi 2024
The detainment and deportation of Martínez-Leyva’s brother grounds this exquisite collection in the all-too-common familial tragedy of political violence and discrimination. Martínez-Leyva honors the people, language, culture, and traditions that shaped him, revealing the indignities, large and small, experienced by a community that is too often misrepresented and maligned. “My voice was the only thing keeping us warm,” he writes, and the warmth from this striking debut collection is beautiful to behold.
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Specificații
ISBN-13: 9780299350840
ISBN-10: 0299350843
Pagini: 110
Ilustrații: 0 illus.
Dimensiuni: 152 x 229 x 13 mm
Greutate: 1.45 kg
Editura: University of Wisconsin Press
Colecția University of Wisconsin Press
Seria Wisconsin Poetry Series
ISBN-10: 0299350843
Pagini: 110
Ilustrații: 0 illus.
Dimensiuni: 152 x 229 x 13 mm
Greutate: 1.45 kg
Editura: University of Wisconsin Press
Colecția University of Wisconsin Press
Seria Wisconsin Poetry Series
Notă biografică
Eduardo Martínez-Leyva was born in El Paso, Texas, to Mexican immigrants and earned his MFA from Columbia University. His work has appeared in Poetry, Boston Review, The Adroit Journal, Best New Poets, and elsewhere. He teaches and resides in New York City.
Extras
“In Spanish, the act of coring an apple
is called ‘descorazonar,’ to dishearten.
All these years, I've kept my hands away
from everyone’s heart, including my own.
I’d always love the things that bruised so easily.”
—Excerpt from “Scenes from the Bone Orchard”
is called ‘descorazonar,’ to dishearten.
All these years, I've kept my hands away
from everyone’s heart, including my own.
I’d always love the things that bruised so easily.”
—Excerpt from “Scenes from the Bone Orchard”
Cuprins
I.
Learning the Language
Colorete
ESL Lesson
The Boy inside the Gun
I Never Wanted to Speak
Grief Workshop
Lone Star
Portrait of My Mother in Her Youth
Son of a Gun
Tormenta
Composite Sketch
I Was Only a Boy
Portrait of Aging Father
With Jesus in Our Mouths
Portrait of My Mother Studying for Her Citizenship Exam
Angelo
Sin Documentos
Don’t Look Back, Little Halo
Still Life with Post-traumatic Stress Disorder
Portrait of Angelo with his Possessions
Confirmation
Almost-Grief
II.
Scenes from the Bone Orchard
Portrait of a Boy on the Other Side of a Glory Hole
Small Vices
Cowboy Park
Vaquero
Show Pony
And God Punished Him for Being Disobedient
God May Squeeze but Won’t Strangle You
Torero
Mud Song
Estrellita
God Made Dirt, and Dirt Don’t Hurt
Tease
Adultery
God Gave You Hands, So Use Them
Horseshoe
Now You’re Talking
Ode to a Leather Harness
Bracero with a Tattoo of the Virgin Mother
Negation Litany for a Fallen God
There is Little Left to Say About Harm
Nostalgia Cruising
III.
When I Spoke the Language of Donkeys
After the Shooting, You Have a Panic Attack In the Supermarket
Portrait of an Absent Brother
Mordida
What’s Above Us Is Either Dead or Still Dying
Angelo Is Probably Dead
A Protagonist Once Said
Letters from a Younger Brother, Mourning
Recuperado
Portrait of Speaker inside a Burning House
Broomtail Ballad
The Simple Hour
Cowboy Park
Mustang
Purgatory
Portrait of the Speaker Riding a Greyhound Bus
Notes
Acknowledgments
Learning the Language
Colorete
ESL Lesson
The Boy inside the Gun
I Never Wanted to Speak
Grief Workshop
Lone Star
Portrait of My Mother in Her Youth
Son of a Gun
Tormenta
Composite Sketch
I Was Only a Boy
Portrait of Aging Father
With Jesus in Our Mouths
Portrait of My Mother Studying for Her Citizenship Exam
Angelo
Sin Documentos
Don’t Look Back, Little Halo
Still Life with Post-traumatic Stress Disorder
Portrait of Angelo with his Possessions
Confirmation
Almost-Grief
II.
Scenes from the Bone Orchard
Portrait of a Boy on the Other Side of a Glory Hole
Small Vices
Cowboy Park
Vaquero
Show Pony
And God Punished Him for Being Disobedient
God May Squeeze but Won’t Strangle You
Torero
Mud Song
Estrellita
God Made Dirt, and Dirt Don’t Hurt
Tease
Adultery
God Gave You Hands, So Use Them
Horseshoe
Now You’re Talking
Ode to a Leather Harness
Bracero with a Tattoo of the Virgin Mother
Negation Litany for a Fallen God
There is Little Left to Say About Harm
Nostalgia Cruising
III.
When I Spoke the Language of Donkeys
After the Shooting, You Have a Panic Attack In the Supermarket
Portrait of an Absent Brother
Mordida
What’s Above Us Is Either Dead or Still Dying
Angelo Is Probably Dead
A Protagonist Once Said
Letters from a Younger Brother, Mourning
Recuperado
Portrait of Speaker inside a Burning House
Broomtail Ballad
The Simple Hour
Cowboy Park
Mustang
Purgatory
Portrait of the Speaker Riding a Greyhound Bus
Notes
Acknowledgments
Recenzii
“[An] exciting first book with cadence and verve. . . . The winner of the Felix Pollak Prize brings forth music in a book that catalogs aftermath through desire and mistranslation.”
“A remarkable collection. These poems are a form of compulsive repetition, and what they repeat is the desire for escape, through a language capable of doing so. Poetry as sublimation, poetry as a way out.”
“I am absolutely wowed by this book; each word, line, and stanza are invigoratingly precise. Martínez-Leyva is a poet who has done the painstaking work of craft, and he knows its power to deliver the reader to an often difficult, often spectacular reflection on survival. A beautiful, exacting, and triumphant collection.”
“The power of this book rests in an aesthetic swirl of cigarette smoke, cheap liquor, dust, salt, and sweat. Martínez-Leyva is unflinching, leaning into bitterness and beauty. Sometimes, a poet dares us to not look away.”
“In this deeply felt, erotically charged debut, Eduardo Martínez-Leyva leads readers through a poet’s carefully built interior world in which he braids together tenderness and violence, action and passivity, the unsayable with the sung. A rewarding, memorable book from an important new voice in American poetry.”