Crimes of the Art World
Autor Thomas D. Bazley Ph.D.en Limba Engleză Hardback – 25 feb 2010 – vârsta până la 17 ani
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Specificații
ISBN-13: 9780313360473
ISBN-10: 0313360472
Pagini: 244
Dimensiuni: 156 x 235 x 28 mm
Greutate: 0.52 kg
Editura: Bloomsbury Publishing
Colecția Praeger
Locul publicării:New York, United States
ISBN-10: 0313360472
Pagini: 244
Dimensiuni: 156 x 235 x 28 mm
Greutate: 0.52 kg
Editura: Bloomsbury Publishing
Colecția Praeger
Locul publicării:New York, United States
Caracteristici
An index of important words and terms emphasizes works of art and artists covered in the book, along with terms unique to art and art crime
Notă biografică
Thomas D. Bazley, PhD, is adjunct teacher at the University of South Florida, where he also received his degree in criminology.
Cuprins
Boxes, Figures, and TablesPreface1 Art and Crime?Two Intersecting Perspectives: Art and CriminologyArt: Why Is It Important? Why Is It Valuable?Art CrimesCase StudiesArt and Crime: In Summary2 Art TheftTheft Offenses Generally: Larceny, Burglary, and RobberyLarceny, Burglary, and Robbery of Art: What Do We Know about These Crimes?Art Theft: The OffendersAfter the Theft: What Becomes of Stolen Art?Art Theft: In Summary3 Art Theft Continued: Selected Cases1911: Theft of the World's Most Famous Painting1967-1986: The Most Stolen Painting1969: Church of San Lorenzo, Palermo, Italy1972: Montreal Museum of Fine Arts1972: Musée de Bagnols-sur-Cèze, Gard, France1974-2002: Russborough House, Ireland1983: Burglars in Budapest1983-1989: Thefts by Argentine Police Officers1987: Nine Paintings Reported Missing from Dutch Gallery1988: Daytime Theft in Berlin1988: Van Goghs Stolen in Holland1991: Van Gogh Museum Robbed1993: Swedish Museum Theft1994: Picassos Stolen in Switzerland1995: Titian Stolen from English Estate1998: Corot Painting Stolen at the Louvre1998: Modern Art Stolen in Rome2000: New Year's Burglary in Britain2000: Fake Monet Delays Theft Report2000: Armed Robbery at the National Museum in Stockholm2001: $65 Million in Artworks Stolen from Home of Spanish Billionaire in Madrid2002: Fake Sculpture Delays Theft Report2002: Major Thefts in the Netherlands: Van Gogh and Hals Museums2003: Vienna Museum Burglarized by Burglar Alarm Technician2003: Da Vinci Stolen from Scottish Castle2004: Valuable Paintings Stolen from a Hospital in Rome2005: Museum Burglary Nets Paintings and Silver in Holland2006: A Robbery in Rio during Carnival2007: Picasso's Paintings Stolen from His Granddaughter2007: Masked Gunmen Steal Four Paintings from a Museum in France2007: Valuable Picasso Stolen in Museum Burglary in Brazil2008: A Week of Major Thefts in Switzerland2008: Armed Robbery of Sao Paulo Museum2008: Daytime Residential Burglary in California Nets Millions2008: Priceless Work by Goya Stolen in Colombia2009: Church Burglary in Norway Nets Cranach Painting2009: Theft at Picasso National Museum in Paris4 Art Forgeries and FakesTheft versus FraudForgery, Fakery, and Art ValuesForgery and Fakery: AntiquitiesForgery and Fakery: From the Renaissance to Modern DayHow Do They Do It? An Overview of Art Forgery TechniquesDistribution Networks: Marketing Forgeries and FakesArt Forgery and Fakery-In Summary5 Art Theft and Destruction: The Perils of Wars and Civil/Religious UnrestWorld War II: The Nazi Plunder of ArtWorld War II (Continued): Repatriating the Nazi PlunderArt Plunder in Times of War and Civil/Religious Unrest: The Dawn of the 21st Century6 Stealing the Past: The Looting of Cultural-Heritage ObjectsThe Theft of Cultural-Heritage Objects: The Scope of the ProblemLooting and Smuggling NetworksThe Market for Looted Cultural-Heritage Objects: Museums and CollectorsControlling the Looting of the World's Cultural Heritage: Issues and Policies7 White-Collar Crime in the Art WorldWhite-Collar Crime: What Is It?White-Collar Crime in the Art World: How Big of a Problem?8 Vandalism and Malicious DestructionDestructive/Malicious BehaviorArt Vandalism/Destruction as a Form of Protest or Social StatementDestroying Art for ProfitVandalism/Malicious Destruction of Art: Disheartening, Disturbing, and Senseless9 Responding to Art CrimeInternational Law Enforcement Coordination: The Roles of the United Nations, Interpol, and Other Worldwide OrganizationsArt-Crime Enforcement in the United StatesArt-Crime Enforcement Beyond the United StatesArt-Crime Enforcement: Private-Sector Contributions10 Security and Prevention: The Best Response to Art CrimeProtecting Art from Theft, Looting, and VandalismForgeries, Fakes, and Counterfeits: Preventing Victimization and Deterring These PracticesAppendix A. Common Art-Object Categories: DefinitionsAppendix B. Selected Art-Loss DatabasesSelected BibliographyNotesIndex