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Cultural History in France: Local Debates, Global Perspectives: Studies for the International Society for Cultural History

Editat de Evelyne Cohen, Anaïs Fléchet, Pascale Gœtschel, Laurent Martin, Pascal Ory
en Limba Engleză Paperback – 30 iun 2021
This volume, which gathers contributions presented at the annual conferences of l'Association pour le développement de l'histoire culturelle (ADHC), questions the subjects and boundaries of cultural history in France – with regard to neighboring approaches such as cultural studies, media studies, and gender studies – to elaborate a "social history of representations." Historians, philosophers and sociologists address a large variety of topics and methodological proposals. Definitions, objects and actors, memories and cultural transfers: this book depicts the major questions that underlie the historical debate at the beginning of the 21st century.
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Specificații

ISBN-13: 9781032091846
ISBN-10: 1032091843
Pagini: 344
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.53 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Studies for the International Society for Cultural History

Locul publicării:Oxford, United Kingdom

Public țintă

Postgraduate and Undergraduate

Cuprins

Part I: Definitions and Frontiers  1. Introduction to Part I  2. Cultural History: A Domain, a Perspective, and an Interface  3. What Is Mediology?  4. Literary History/Cultural History: Material for a Dialogue  5. The Cultural Dimension of Social History  6. The History of Knowledge: Social or Cultural History?  7. Borders (and Their Porosity) Between Cultural History and Media History  8. Myths and Truths of French Legal Culture, 19th-20th Centuries  9. Debate on the Sociology of Culture  Part II: Subjects  10. Introduction to Part II  11. Inner Senses and Their Old Markers  12. Towards a History of Colors: Possibilities and Limits  13. For a History of the Sensitivity to the Weather  14. From the Reading of 18th-Century Police Archives to the Construction of Objects of Historical Study  15. History: The Masculine Hypothesis  16. A Romantic House: George Sand’s Nohant  17. Television and Mass Culture  18. Cultural History and Music  19. A Contribution to a Historical Approach to the Audiovisual Landscapes of Radio and Television  20. "Popular Culture", "Mass Culture": A Definition or a Prerequisite?  Part III: Memory and History  21. Introduction to Part III  22. Italian Sites of Memory  23. Historiographical Conflicts and Memory-Based Heritage: On the Luoghi della memoria and LItalie par elle-même, Edited by Mario Isnenghi  24. Sites of Memory, Erinnerungsorte  25. "A Cry of Horror from the Abyss": Passers-On of the Indescribable: Lemkin, Fry, Karski, 1941-1944  26. Israeli National Memory: Formation, Variations, and Objections  Part IV: Perspectives and Transfers  27. Introduction to Part IV  28: Can We Write a European History of Culture in the Contemporary Period?  29. Disciplinary Smuggling  30. The Paris-London Line of Cultural Studies: A One-Way Track?  31. British Perspectives on French Cultural History  32. Is There History Under Colonial Culture?  33. Colonial History Today: A Cultural History?  34. Appraisal and Ideas for a Global Cultural History  35. Some Remarks on the Teaching of Cultural History in Eastern European Universities  36. Cultural History Facing the "Transnational Turn"  37. General Conclusion

Notă biografică

Evelyne Cohen is Professor Emeritus of Contemporary Cultural History at École nationale supérieure des sciences de l’information et des bibliothèques (ENSSIB-Lyon University).


Anaïs Fléchet is Associate Professor of History at Université de Versailles Saint-Quentin-en-Yvelines.


Pascale Goetschel is Professor of Social and Political History of Culture at the University of Paris 1 Panthéon-Sorbonne.


Laurent Martin is Professor of Contemporary History at the University of Paris 3 Sorbonne-Nouvelle.


Pascal Ory is Professor Emeritus of History at Paris 1 Panthéon-Sorbonne University.

Descriere

This book questions the subjects and boundaries of cultural history in France – with regard to neighboring approaches such as cultural, media and gender studies – to elaborate a "social history of representations" and depict the major questions underlying the historical debate in the 21st century.