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Culturcide and Non-Identity Across American Culture

Autor Daniel S. Traber
en Limba Engleză Hardback – 28 iun 2017
It goes without saying that identity has long been a recurrent topic in studies of American culture. The struggle between group sameness and individual uniqueness is a common issue in understanding diversity in the United States on several levels--including how our differences have not always resulted in national celebration. Terms such as "hybridity," "performativity," "transnationalism," and "border zones" are part of the current theoretical vocabulary and, for some, deploy a fresh language of possibility, one promising to undermine the conformist values of monocultural perspectives. To that end, Culturcide and Non-Identity across American Culture explores theories and practices of identity from a broad perspective to grasp how varied, diffuse, and distorted they can be, especially when that identity seems boringly familiar. The subjects range from hip-hop parodies to punk preppies to pachuco-ska, thus crossing the lines of genre, medium, and discipline to blur the borderline dividing the kinds of texts to which these theories can "legitimately" be applied.
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Specificații

ISBN-13: 9781498554770
ISBN-10: 1498554776
Pagini: 296
Dimensiuni: 152 x 229 x 27 mm
Greutate: 1.38 kg
Editura: Rowman & Littlefield

Cuprins

Introduction: Kill Yr. Culture Chapter 1: Paradigm Shift: The BMW Enthusiast's Discourse Chapter 2: The Sound That Binds: Negotiating Community in No Wave, Garage Rock and Ska Chapter 3: Genre as Race, Race as Genre Chapter 4: Got Hybridity?: A Mixed Reevaluation of Mumbo Jumbo and Ceremony Chapter 5: Locating the Punk Preppy (A Speculative Theory) Conclusion

Notă biografică

Daniel S. Traber is associate professor of English at Texas A&M University at Galveston.

Descriere

This book is an examination of theories and practices of non-identity in American culture, one interested in seeing identity as varied, diffuse and distorted through subjects ranging from hip hop parodies to punk preppies to pachuco-ska; thus, the work itself crosses the lines of genre, medium and discipline.