Culture Work: Folklore for the Public Good
Editat de Tim Frandy, B. Marcus Cederströmen Limba Engleză Hardback – 25 iul 2022
Thematically arranged chapters embody the interconnected aspects of culture work, from amplifying local voices to galvanizing community from within, from preservation of cultural knowledge to its creative repurposing for a desired future. These inventive projects provide concrete examples and accessible theory grounded in practice, encourage readers to embark on their own public culture work, and create new forward-looking inspiration for community leaders and scholars in the field.
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Specificații
ISBN-13: 9780299338206
ISBN-10: 0299338207
Pagini: 440
Ilustrații: 34 b-w illus.
Dimensiuni: 178 x 254 x 28 mm
Greutate: 0.93 kg
Ediția:First Edition
Editura: University of Wisconsin Press
Colecția University of Wisconsin Press
ISBN-10: 0299338207
Pagini: 440
Ilustrații: 34 b-w illus.
Dimensiuni: 178 x 254 x 28 mm
Greutate: 0.93 kg
Ediția:First Edition
Editura: University of Wisconsin Press
Colecția University of Wisconsin Press
Recenzii
“A timely and much-needed resource for those inside and outside academia, Culture Work provides a powerful overview of the value of public folklore and humanities across private and institutional sectors while raising issues associated with cultural work in a politically and socially stratified country.”—Lisa Gilman, George Mason University
“A seminal work of impressively informative scholarship.”—Midwest Book Review
“An admirable set of case studies of contemporary public folklore work in and outside the academy. . . . As time goes on and the field continues to develop, Culture Work will come to be a valuable portrait and assessment of the state of the field at this moment. . . . [It] makes an articulate contribution to the ongoing project of evidencing, in emphatic and broadly understandable terms, what the humanities and humanistic social sciences are (good) for.”—Journal of Folklore Research Reviews
“Filled with stories of individuals, communities, and cultural workers dedicated to sustaining the traditional songs, stories, material culture, and knowledge of the region, and insights into how those expressions cultivate and enhance community. . . . Culture Work will be an engaging read for anyone interested in the power that lies within the practices of sustaining, reimagining, or creating new cultural traditions.”—Wisconsin People & Ideas
“A seminal work of impressively informative scholarship.”—Midwest Book Review
“An admirable set of case studies of contemporary public folklore work in and outside the academy. . . . As time goes on and the field continues to develop, Culture Work will come to be a valuable portrait and assessment of the state of the field at this moment. . . . [It] makes an articulate contribution to the ongoing project of evidencing, in emphatic and broadly understandable terms, what the humanities and humanistic social sciences are (good) for.”—Journal of Folklore Research Reviews
“Filled with stories of individuals, communities, and cultural workers dedicated to sustaining the traditional songs, stories, material culture, and knowledge of the region, and insights into how those expressions cultivate and enhance community. . . . Culture Work will be an engaging read for anyone interested in the power that lies within the practices of sustaining, reimagining, or creating new cultural traditions.”—Wisconsin People & Ideas
Notă biografică
Tim Frandy is an assistant professor of folk studies at Western Kentucky University and the editor and translator of Inari Sámi Folklore: Stories from Aanaar.
B. Marcus Cederström is the community curator of Nordic-American folklore in the department of German, Nordic, and Slavic at the University of Wisconsin–Madison. He is the coeditor and translator, with Thomas A. DuBois, of Songs of the Finnish Migration: A Bilingual Anthology.
B. Marcus Cederström is the community curator of Nordic-American folklore in the department of German, Nordic, and Slavic at the University of Wisconsin–Madison. He is the coeditor and translator, with Thomas A. DuBois, of Songs of the Finnish Migration: A Bilingual Anthology.
Cuprins
Contents
Acknowledgments
Introduction
Public Folklore, Cultural Equity, and the Wisconsin Idea of Folklore
From a Potato Hole, Part 2: Collaboration, Repatriation, and Cultural Equity
Beyond Preservation and Conservation
Securing a Future for the Nation’s Folklore Documentation Heyday
Amplifying Local Voices
Songs of the Finnish Migration: Amplification and Revitalization
Creating Community
Stacking Brooms: Curling Camaraderie and Folklore in a Time of Transition
Engaging with the Past
“The Wisconsin Historical Society Gave Me Your Name”: Doing Out-(and In-)reach on Campus, in Wisconsin, and Beyond
Creating the Future Out of the Past
“I Need to Make a Dollar”: On the Road with Working-Class Protest Songs
Works Cited
Contributors
Index
Acknowledgments
Introduction
Tim Frandy and B. Marcus Cederström
Public Folklore, Cultural Equity, and the Wisconsin Idea of Folklore
From a Potato Hole, Part 2: Collaboration, Repatriation, and Cultural Equity
James P. Leary
The National Endowment for the Arts National Heritage Fellowships: A Reflection on the Roots and Impact of a National Cultural Heritage Honorific ProgramCheryl T. Schiele
The Lion’s Side: DiscoverME/RecoverME and the Utilization of Storytelling for Emotional TransformationDavid Olawuyi Fakunle
Notes from the Field: Activism, Folklore Research, and Human Rights on the South Carolina Sea Islands in the 1960sMary Arnold Twining
Prison Landscapes and the Wisconsin Idea: Shaping the Study of a Public Occupational CultureClaire Schmidt
Revitalizing Franco-American SongCarmen Bombardier, Kim Chase, Robert Desrosiers, Andy Kolovos, Lisa Ornstein
Beyond Preservation and Conservation
Securing a Future for the Nation’s Folklore Documentation Heyday
Nicole Saylor
Collections: Opportunities and ResponsibilitiesTerri Van Orman
“We Have All Been Neighbors Here”: Preservation, Access, and Engagement with the Arnold Munkel CollectionNathan D. Gibson and Anna Rue
Running the Show: Documenting and Exhibiting Wisconsin Folk ArtRobert T. Teske
The Bobbing Boat: Lasting Impressions, Rejuvenated Memories, and Intriguing ProspectsJanet C. Gilmore
The Smithsonian Folklife Festival Model as Transferable Technology for Cultural Heritage Craft Tourism in Local MuseumsDiana Baird N’Diaye
Amplifying Local Voices
Songs of the Finnish Migration: Amplification and Revitalization
Thomas A. DuBois and B. Marcus Cederström
The Down Home Dairyland StoryRichard March
Then and Now: Public Folklore and the Folklorist in MissouriLisa L. Higgins
Applying Ethnicity: The Case of Olga Edseth’s Hot Pink Rosemaled Pumps in Mount Horeb, WisconsinJared L. Schmidt
“Let the Blood Roses Grow”: Workers’ Worldviews in the Music of Oren TikkanenHilary-Joy Virtanen
Creating Community
Stacking Brooms: Curling Camaraderie and Folklore in a Time of Transition
Anne Pryor
“We Wanted to Save Something While There Was Still Something Left”: Restoration and Cultural Maintenance at The Oulu Cultural and Heritage CenterMirva Johnson
“A Growing Art”: Traditional Arts and Heritage Rediscovery in Northern Minnesota Scandinavian CommunitiesSallie Anna Steiner
The Art of Survival on the Iron Range: Economic Strategies after the Iron Is GoneRhonda R. Dass
A Fish Sandwich for AllYvonne R. Lockwood
Grocery Stores as Sites for the Study of Material Communication: Ethnographic GuidelinesAyako Yoshimura
Engaging with the Past
“The Wisconsin Historical Society Gave Me Your Name”: Doing Out-(and In-)reach on Campus, in Wisconsin, and Beyond
Troy Reeves
Shoemaker, Frey, and Yoder and the Pennsylvania Dutch IdeaMark L. Louden
Finding Tradition in the Archives: Craft as Research and Research as CraftRebecca J. Keyel
Hoaxes, History, Legends, and the Circulation of Stories: The Wisconsin Historical Society and Wisconsin’s Petrified French ExplorerJennifer Gipson
Re-animating the Past: Traveling through Michigan with Alan Lomax’s 1938 FilmsGuha Shankar
Translating Context with Digital Media in Medieval Icelandic Literature: Hrafnkels saga and the eSaga ProjectColin Gioia Connors
Creating the Future Out of the Past
“I Need to Make a Dollar”: On the Road with Working-Class Protest Songs
Bucky Halker
A Business Model for Folklore: Profitable, Wholehearted, and CinematicJamie Yuenger
“Did Ole Really Say That?” Linguistics, Folklore, and Heritage LanguagesJoseph Salmons
“Este Lugar Tiene Muchas Historias”: Alternative Forms of Archiving and Community Engagement in Oaxaca, MexicoHilary Morgan V. Leathem
Haunting Acknowledgment: Archiving Women’s March Folklore and the Political Potential of Care EthicsChristine Garlough
Works Cited
Contributors
Index
Descriere
The work folklorists do on the ground and in communities can make a concrete difference in quality of life. While the field is not immune to extractive, racist, colonial, heteronormative, and misogynistic practices, it can counter and combat these same forces in society. Culture Work presents case studies of public-oriented work that define the Wisconsin Idea of folklore in all its complexities, challenges, and potentialities. Thematically arranged chapters represent interconnected aspects of culture work, from amplifying local voices to galvanizing community from within to reflecting on how we might use folklore to build the world we want to live in.