Cymbeline: Arkangel Complete Shakespeare
Jack Shepherd, Sophie Thompson Autor William Shakespeareen Limba Engleză CD-Audio – 31 mar 2005
ACT I Scene 1. Imogen, daughter of King Cymbeline of Britain, has angered father by marrying Posthumus. Cymbeline himself reared the orphaned Posthumus, his own two sons having been abducted in infancy. The wicked queen (whose son Cloten was Cymbeline's preferred match for Imogen) pretends kindness to the young couple. Before Posthumus leaves for exile in Rome, Imogen gives him a ring, receiving in return a bracelet.Scene 2. Cloten's attendants ridicule him.Scene 3. Pisanio, Posthumus' servant, tells Imogen of his master's departure.Scene 4. Posthumus meets Iachimo in Rome. When Posthumus extols Imogen's virtue, Iachimo wagers him ten thousand ducats to his diamond ring that he can persuade her to commit adultery. Posthumus accepts the wager. Scene 5. The doctor, Cornelius, is suspicious when the queen gathers poisonous plants. He reveals privately that what she believes to be a fatal poison is in fact a sleeping draught. The queen tries unsuccessfully to turn Pisanio against Posthumus and gives him the poison, claiming that it is a life-saving remedy. Pisanio spurns the queen, disbelieving her.Scene 6. Iachimo comes to see Imogen, bringing a letter of introduction from Posthumus. Realizing that he can only win the wager by resorting to subterfuge, he claims that Posthumus has been unfaithful, suggesting that she avenge herself by becoming his lover. When she reacts with revulsion, he assures her that he was merely testing her devotion. She then agrees to his request to leave a trunk of valuables in her chamber overnight for safekeeping.
ACT IIScene 1. Cloten wants to meet Iachimo. Scene 2. While Imogen sleeps, Iachimo creeps from the trunk. He carefully notes details of her chamber and person and then eases Posthumus's bracelet from her arm. Scene 3. When Cloten tries to woo Imogen she dismisses him impatiently. She asks Pisanio to find her missing bracelet.Scene 4. Iachimo uses his observations of Imogen, and her bracelet, to convince Posthumus that he has slept with her. Posthumus vows revenge.
ACT IIIScene 1. Cymbeline refuses to pay a tribute to Caesar, and Rome declares war on Britain. We learn that Cymbeline had fond associations with Rome and Caesar in his youth. Scene 2. Posthumus writes to Pisanio ordering to kill Imogen. Pisanio refuses to believe her unfaithful. In order to help Pisanio in his task, Posthumus tells Imogen to meet him at Milford Haven. Scene 3. Belarius, unjustly banished by Cymbeline, abducted his sons Guiderius and Arviragus, and lives with them in a remote Welsh cave. The young men, unaware of their provenance, are frustrated by their isolated life.Scene 4. As Imogen and Pisanio approach Milford he shows her Posthumus' letter. She begs him "Do his bidding strike!" Pisanio convinces her that she should report her death to Posthumus; she meanwhile must dress as a man and seek the protection of Lucius, a noble Roman. Before they part, Pisanio gives Imogen the Queen's potion, as a remedy for sickness.Scene 5. Imogen is missing from the court. The Queen privately hopes that she is either dead or exiled and that "She being down, /I have the placing of the British crown." Believing Imogen well on her way to Rome, Pisanio tells Cloten that she has gone to Milford and gives him a suit of Posthumus' clothes. Cloten plots his revenge, intending to kill Posthumus and ravish Imogen. Scene 6. When Imogen arrives exhausted at Belarius's cave, she is welcomed with food and shelter. She calls herself Fidele.Scene 7. Romans discuss the war with Britain (War conference).
ACT IVScene 1. Cloten draws near to Milford, gloating about the horrible punishments he will deal out.Scene 2. Pleading sickness, Imogen remains in the cave whilst her hosts go hunting. She takes Pisanio's drug. Belarius sees Cloten and fears that they have been discovered. Guiderius beheads Cloten. The brothers find Imogen/Fidele apparently dead, and lay her tenderly in grave. When Imogen awakens, she sees Cloten's decapitated body in Posthumus's clothes and assumes her husband has been killed. Lucius comes upon Imogen/Fidele and takes her under his protection.Scene 3. Cymbeline wonders where Imogen and Cloten have gone, and questions Pisanio. Pisanio denies knowledge and swears loyalty to the king.Scene 4. Belarius wants to flee the area, but his adopted sons are eager to fight the Romans.
ACT VScene 1. Posthumus, having returned to Britain with the Romans is devastated to learn from Pisanio of Imogen's death. He dresses as a peasant and resolves to fight for his country.Scene 2. Iachimo reveals his guilt at having wronged Imogen.Scene 3. Posthumus describes how three men (Belarius, Guiderius, and Arvirigus) heroically saved the flagging Briton Army. Posthumus, again disguised as a Roman, is arrested.Scene 4. Posthumus willingly embraces imprisonment. He awakens from a vision to find a written prophecy that both his and Britain's miseries will end.Scene 5. Cymbeline knights Belarius, Arvirigus, and Guiderius, but regrets the disappearance of an outstandingly valiant unknown soldier (who is in fact Posthumus). The queen has died, confessing her misdeeds. The prisoners Fidele/Imogen, Posthumus, Lucius, and Iachimo, are brought to Cymbeline. Lucius begs clemency for Fidele/Imogen and Cymbeline agrees. Fidele/Imogen demands that Iachimo explain where he found the diamond ring he wears; this he does. Heartbroken, Posthumus steps forward, thrusting the disguised Imogen away when she tries to intervene. Pisanio comes to her aid and she accuses him of poisoning her. Cornelius, however, interposes in his defense. Thus, Belarius, Guiderius, and Arvirigus, who are amazed at Fidele's apparent return from the dead, understand all. Guiderius admits to the slaying of Cloten and is arrested by Cymbeline. Belarius then reveals both his own and his adoptive son's true identities. Posthumus forgives Iachimo freely. Amidst the general rejoicing, Cymbeline announces that he will pay tribute to Caesar, thus restoring peace between Britain and Rome.
CASTCymbeline: Jack Shepherd / Imogen: Sophie Thompson / Posthumus: Ben Porter / Belarius: Stephen Moore / Iachimo: Ron Cook / Cloten: Stephen Mangan / Queen: Suzanne Bertish / Arviragus: Ian Hughes / Guiderius: Will Keen / Pisanio: James Greene / Philario: Charlie Woods / Soothsayer: Max Bonamy / Senator: Rupert Mason / Lady: Annabel Capper / Messenger: James Reynard / Jailer: Julius Barnett
Director: Clive Brill / Composer: Dominique Le Gendre / Production coordinators: Polly Coles and Charlotte Harvey / Sound Engineer: Wilfredo Acosta / Producers: Bill Shepherd and Tom Treadwell
TRACK LISTDisc 1Track 1: Act I, Scene iTrack 2: Act I, Scene iiTrack 3: Act I, Scene iiiTrack 4: Act I, Scene ivTrack 5: Act I, Scene vTrack 6: Act I, Scene viTrack 7: Act II, Scene iTrack 8: Act II, Scene iiTrack 9: Act II, Scene iiiTrack 10: Act II, Scene iv
Disc 2Track 1: Act II, Scene vTrack 2: Act III, Scene iTrack 3: Act III, Scene iiTrack 4: Act III, Scene iiiTrack 5: Act III, Scene ivTrack 6: Act III, Scene vTrack 7: Act III, Scene viTrack 8: Act III, Scene viiTrack 9: Act IV, Scene iTrack 10: Act IV, Scene ii
Disc 3Track 1: Act IV, Scene iiiTrack 2: Act IV, Scene ivTrack 3: Act V, Scene iTrack 4: Act V, Scene iiTrack 5: Act V, Scene iiiTrack 6: Act V, Scene ivTrack 7: Act V, Scene v
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Specificații
ISBN-10: 1932219072
Dimensiuni: 143 x 161 x 25 mm
Greutate: 0.15 kg
Ediția:Completă
Editura: Audiogo
Seria Arkangel Complete Shakespeare
Notă biografică
William Shakespeare (1564-1616), English poet and dramatist of the Elizabethan and early Jacobean period, is the most widely known author in all of English literature and often considered the greatest. He was an active member of a theater company for at least twenty years, during which time he wrote many great plays. Plays were not prized as literature at the time, and Shakespeare was not widely read until the middle of the eighteenth century, when a great upsurge of interest in his works began that continues today.
Descriere
This is the first full-scale edition of Cymbeline for 37 years. During that time, there has been considerable interest in Shakespeare's late work in the theatre, and several notable productions have demonstrated the powerful impact of Cymbeline. Based firmly on Roger Warren's extensive experience of the play in rehearsal and performance, this edition shows how Shakespeare draws upon a wide range of sources to create a self-sufficient dramatic universe, combining virtuoso theatrical and poetic means to present a story of a marriage imperilled by mistrust and painfully rebuilt through the physical and spiritual journeys undertaken by the heroine and hero, set in a context of international conflict. A full and detailed commentary pays close attention to the play's complex, evocative language. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.