D.H. Lawrence and Italian Futurism: A Study of Influence: Textxet: Studies in Comparative Literature, cartea 42
Autor Andrew Harrisonen Limba Engleză Paperback – 31 dec 2002
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Specificații
ISBN-13: 9789042011953
ISBN-10: 9042011955
Dimensiuni: 155 x 235 mm
Greutate: 0.47 kg
Editura: Brill
Colecția Brill
Seria Textxet: Studies in Comparative Literature
ISBN-10: 9042011955
Dimensiuni: 155 x 235 mm
Greutate: 0.47 kg
Editura: Brill
Colecția Brill
Seria Textxet: Studies in Comparative Literature
Cuprins
Acknowledgements
Abbreviations (Primary Sources)
List of Illustrations
Introduction
Chapter One Lawrence and the “Edwardian Novelists”
Chapter Two “Something Of What I Am After”: Lawrence, Marinetti and Zola’s Naturalism
Chapter Three The Emergence of a New Vision: From the “Burns Novel” Fragments to The Rainbow
Chapter Four Futurist Articulacy and the Narrative of Fate in Women in Love
Chapter Five “Futurist Long Before Futurism Found Paint”: The Allusions to Italian Futurism in Studies in Classic American Literature
Conclusion
Select Bibliography
Index
Abbreviations (Primary Sources)
List of Illustrations
Introduction
Chapter One Lawrence and the “Edwardian Novelists”
Chapter Two “Something Of What I Am After”: Lawrence, Marinetti and Zola’s Naturalism
Chapter Three The Emergence of a New Vision: From the “Burns Novel” Fragments to The Rainbow
Chapter Four Futurist Articulacy and the Narrative of Fate in Women in Love
Chapter Five “Futurist Long Before Futurism Found Paint”: The Allusions to Italian Futurism in Studies in Classic American Literature
Conclusion
Select Bibliography
Index
Recenzii
“The intellectual and artistic history of D.H. Lawrence’s work remains sadly uncharted. Our current maps reveal the largely unexplored peninsular of Freud, the misty headland of Nietzsche, the extensive archipelago of Whitman. But what is the nature of the country’s interior? Andrew Harrison has written just the kind of contextualizing study which is vital if we are ever to recover Lawrence as a fully-historicized figure; he brilliantly uncovers a portion of the historical landscape.” – John Worthen, Professor of D. H. Lawrence Studies, University of Nottingham