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D.H. Lawrence, Music and Modernism: Palgrave Studies in Music and Literature

Autor Susan Reid
en Limba Engleză Hardback – 25 feb 2019
This first book-length study of D. H. Lawrence’s lifelong engagement with music surveys his extensive musical interests and how these permeate his writing, while also situating Lawrence within a growing body of work on music and modernism. A twin focus considers the music that shaped Lawrence’s novels and poetry, as well as contemporary developments in music that parallel his quest for new forms of expression. Comparisons are made with the music of Debussy, Schoenberg, Stravinsky, Wagner, and British composers, including Bax, Holst and Vaughan Williams, and with the musical writings of Forster, Hardy, Hueffer (Ford), Nietzsche and Pound. Above all, by exploring Lawrence and music in historical context, this study aims to open up new areas for study and a place for Lawrence within the field of music and modernism.

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Specificații

ISBN-13: 9783030049980
ISBN-10: 3030049981
Pagini: 242
Ilustrații: XV, 243 p. 13 illus.
Dimensiuni: 148 x 210 mm
Greutate: 0.46 kg
Ediția:1st ed. 2019
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria Palgrave Studies in Music and Literature

Locul publicării:Cham, Switzerland

Cuprins

1. Introduction: “Words writ to the music".- 2. “The insidious mastery of song”: Cadence and decadence in the early poems.- 3. Lawrence’s case of Wagner: The White Peacock and The Trespasser.- 4. “Between heaven and earth”: Space, music and religion in The Rainbow.- 5. “Beyond the sound of words”: Harmony and polyphony in Women in Love.- 6. Music, noise and the First World War: “All of Us”, Bay and Aaron’s Rod.- 7. New world musicals: The Plumed Serpent and David.- 8. Conclusion: Aspiring to the condition of song.- 9. Afterword: Anthony Burgess’s D. H. Lawrence Suite.

Recenzii

“Susan Reid’s book is very useful in working on … the significance of music to D. H. Lawrence and his writing. Her book performs an excellent service in gathering together musical allusions in Lawrence’s various texts, noting possible musical influences on them, and in a valuable appendix itemizing settings of Lawrence’s works. … the study is definitive, and will stand as a sourcebook for any future research.” (Jeremy Tambling, Modern Language Review, Vol. 116 (4), October, 2021)
“D. H. Lawrence, Music and Modernism comes highly recommended: the diversity of material it brings together from across Lawrence’s career is impressive in its own right, and this range will make it an excellent springboard for future work on Lawrence and music.” (Robert Jackson, The Cambridge Quarterly, Vol. 48 (4), December, 2019)

Notă biografică

Susan Reid is the editor of the Journal of D. H. Lawrence Studies, co-editor of the Edinburgh Companion to D. H. Lawrence and the Arts (under contract, 2020) and Katherine Mansfield and Literary Modernism (2011), and author of numerous articles and book chapters on Lawrence and other modernist writers.


Textul de pe ultima copertă

This first book-length study of D. H. Lawrence’s lifelong engagement with music surveys his extensive musical interests and how these permeate his writing, while also situating Lawrence within a growing body of work on music and modernism. A twin focus considers the music that shaped Lawrence’s novels and poetry, as well as contemporary developments in music that parallel his quest for new forms of expression. Comparisons are made with the music of Debussy, Schoenberg, Stravinsky, Wagner, and British composers, including Bax, Holst and Vaughan Williams, and with the musical writings of Forster, Hardy, Hueffer (Ford), Nietzsche and Pound. Above all, by exploring Lawrence and music in historical context, this study aims to open up new areas for study and a place for Lawrence within the field of music and modernism.

Caracteristici

Connects Lawrence studies with studies of literary modernism and the arts Positions Lawrence among his modernist contemporaries who were influenced by music Explores both Lawrence’s musical interests and music in his writing