Dark Matter: Independent Filmmaking in the 21st Century
Autor Michael Winterbottomen Limba Engleză Paperback – 6 oct 2021
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Specificații
ISBN-13: 9781839023392
ISBN-10: 1839023392
Pagini: 208
Dimensiuni: 189 x 246 x 13 mm
Greutate: 0.57 kg
Editura: Bloomsbury Publishing
Colecția British Film Institute
Locul publicării:London, United Kingdom
ISBN-10: 1839023392
Pagini: 208
Dimensiuni: 189 x 246 x 13 mm
Greutate: 0.57 kg
Editura: Bloomsbury Publishing
Colecția British Film Institute
Locul publicării:London, United Kingdom
Caracteristici
A book by the prolific and high-profile director Michael Winterbottom, known for his hard-hitting features inspired by real-live events and conflict situations as well as for the more gentle foodie comedy series The Trip
Notă biografică
Michael Winterbottom is the director of award-winning films and TV series including Jude (1996); Welcome to Sarajevo (1997); Wonderland (1999); 24 Hour Party People (2002); The Road to Guantanamo (2006); The Trip (2010), The Trip to Italy (2013), The Trip to Spain (2017) and The Trip to Greece (2020), as well as the 2019 feature Greed (2019). He is currently working on a TV mini-series focusing on British Prime Minister Boris Johnson's handling of the Covid-19 crisis.
Cuprins
FOREWORDSDark MatterThe Starting PointMore is MoreINTERVIEWSPawel PawlikowskiDanny BoyleJoanna HoggAsif KapadiaJames MarshAndrew HaighCarol MorleyEdgar WrightSteve McQueenLynne RamsayStephen DaldryBen WheatleyPeter StricklandMike LeighKen Loach AFTER WORDSProduction Companies: A Protected SpaceSome NumbersMore NumbersBritish Cinema and Television A Note on the Author
Recenzii
Seeking to understand the obstacles that even notable names face trying to finance a British film these days, Winterbottom uses the first Covid lockdown to interview an enviable list of directors, including Steve McQueen, Lynne Ramsay and Mike Leigh. There's fascinating candour. Eye-opening and addictively readable.
The interviews' focus on the business side of film production is relatively unusual and all the more valuable for it. Possibly liberated by the uncertainty of the moment, Winterbottom's subjects are more frank about the industry than is customary. Their perspectives often converge, but the directors' reasons for not directing vary as widely as their circumstances.
A must-read for anyone interested in how films are made, and not made.
The interviews' focus on the business side of film production is relatively unusual and all the more valuable for it. Possibly liberated by the uncertainty of the moment, Winterbottom's subjects are more frank about the industry than is customary. Their perspectives often converge, but the directors' reasons for not directing vary as widely as their circumstances.
A must-read for anyone interested in how films are made, and not made.