Dark Traffic: Poems: Pitt Poetry Series
Autor Joan Naviyuk Kaneen Limba Engleză Paperback – 13 sep 2021
Dark Traffic creates landmarks through language, by which its speakers begin to describe traumas in order to survive and move through them. With fine detail and observation, these poems work in some way like poetic weirs: readers of Kane’s work will see the artic and subarctic, but also, more broadly, America, and the exigencies of motherhood, indigenous experience, feminism, and climate crises alongside the near-necropastoral of misogyny, violence, and systemic failures. These contexts catch the voice of the poems’ speakers, and we perceive the currents they create.
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Specificații
ISBN-13: 9780822966623
ISBN-10: 082296662X
Pagini: 88
Dimensiuni: 152 x 203 x 10 mm
Greutate: 0.14 kg
Ediția:1
Editura: University of Pittsburgh Press
Colecția University of Pittsburgh Press
Seria Pitt Poetry Series
ISBN-10: 082296662X
Pagini: 88
Dimensiuni: 152 x 203 x 10 mm
Greutate: 0.14 kg
Ediția:1
Editura: University of Pittsburgh Press
Colecția University of Pittsburgh Press
Seria Pitt Poetry Series
Recenzii
“Dark Traffic mourns the disruption and erasure of the Indigenous people and culture of the North. . . . Their history was overrun by ours, and in our history books, largely erased and replaced by ours. . . . This is the landscape that the Inupiaq poet Joan Naviyuk Kane explores in her newest collection.” —Anchorage Daily News
"Through both her poetry and her prose, Kane writes of and through myth and storytelling, offering a landscape built on narrative itself, a landscape that is still learning how to continue to thrive, or even sustain, despite and through such outside interference, including the ongoing and destructive bludgeon and erasures of American imperialism." —Rob McLennan, author of The Uncertainty Principle
“Dark Traffic is masterfully imagined on the page . . . Kane clearly has subject matter within this book, but she’s presenting it in a way that doesn’t spoon-feed the white gaze. . . . [She] is subverting traditional notions of suffering and voyeurism.” —Dean Rader and Victoria Chang, Los Angeles Review of Books
"This book’s scattered, honest communications are lyric and concrete and rooted in place, in the body, in violence, in reckoning, and in truth." —Orion
“A brutal and beautiful book whose poems strain the lyric through concrete and confessional modes, translation, and unforgettable evocations of land and people burdened with—but not defined by—the legacies of colonial atrocity. The speaker/s of Kane’s poems know the power and limitation of the human body tested, the mercy of a relentless wind, and the familiar agonies of desire both thwarted and realized—how much can be sacrificed in the name of precious nothing. Dark Traffic is a ravishing achievement—one of our best poets, at the height of her powers." —Melissa Febos, author of Girlhood
“Whether by intellect shot through with feeling, or feeling sharp with intellect, Joan Naviyuk Kane’s Dark Traffic is a vigorous account of [Cold War] communication systems, complicity, and [self] inquiry. Rich with experimentation and a clear ethic of attentiveness, Dark Traffic is an indomitable, resonant book.” —Shara Lessley, author of The Explosive Expert’s Wife
“Oscillating between presence and absence, mother, daughter, woman, inhabiting the ‘rift into language and grit,’ Kane reveals the ways we are made and unmade and made again. Dark Traffic is the poet at her most vulnerable—and most powerful.” —Abigail Chabitnoy, author of How to Dress a Fish
"Through both her poetry and her prose, Kane writes of and through myth and storytelling, offering a landscape built on narrative itself, a landscape that is still learning how to continue to thrive, or even sustain, despite and through such outside interference, including the ongoing and destructive bludgeon and erasures of American imperialism." —Rob McLennan, author of The Uncertainty Principle
“Dark Traffic is masterfully imagined on the page . . . Kane clearly has subject matter within this book, but she’s presenting it in a way that doesn’t spoon-feed the white gaze. . . . [She] is subverting traditional notions of suffering and voyeurism.” —Dean Rader and Victoria Chang, Los Angeles Review of Books
"This book’s scattered, honest communications are lyric and concrete and rooted in place, in the body, in violence, in reckoning, and in truth." —Orion
“A brutal and beautiful book whose poems strain the lyric through concrete and confessional modes, translation, and unforgettable evocations of land and people burdened with—but not defined by—the legacies of colonial atrocity. The speaker/s of Kane’s poems know the power and limitation of the human body tested, the mercy of a relentless wind, and the familiar agonies of desire both thwarted and realized—how much can be sacrificed in the name of precious nothing. Dark Traffic is a ravishing achievement—one of our best poets, at the height of her powers." —Melissa Febos, author of Girlhood
“Whether by intellect shot through with feeling, or feeling sharp with intellect, Joan Naviyuk Kane’s Dark Traffic is a vigorous account of [Cold War] communication systems, complicity, and [self] inquiry. Rich with experimentation and a clear ethic of attentiveness, Dark Traffic is an indomitable, resonant book.” —Shara Lessley, author of The Explosive Expert’s Wife
“Oscillating between presence and absence, mother, daughter, woman, inhabiting the ‘rift into language and grit,’ Kane reveals the ways we are made and unmade and made again. Dark Traffic is the poet at her most vulnerable—and most powerful.” —Abigail Chabitnoy, author of How to Dress a Fish
Notă biografică
Joan Naviyuk Kane is Inupiaq, with family from King Island (Ugiuvak) and Mary’s Igloo, Alaska. She is the author of The Cormorant Hunter’s Wife, Hyperboreal, and Milk Black Carbon. In addition to serving as the 2021 Mary Routt Chair of Creative Writing and Journalism at Scripps College, she teaches poetry and creative nonfiction in the Department of English at Harvard University, is a lecturer in the Department of Studies in Race, Colonialism, and Diaspora at Tufts University, and is faculty in the graduate creative writing program at the Institute of American Indian Arts.
Extras
EXCERPT FROM “DARK TRAFFIC”
Consolation may turn out to be a guttural
practice, after all, the small gesture
of sound lodged deep before it glides
without warning downward.
There is nothing but the wind, a howl
and dive where water is thrown
over water and sown into it.
Consolation may turn out to be a guttural
practice, after all, the small gesture
of sound lodged deep before it glides
without warning downward.
There is nothing but the wind, a howl
and dive where water is thrown
over water and sown into it.