David Lewin's Morgengruß: Text, Context, Commentary
Editat de David Bard-Schwarz, Richard Cohnen Limba Engleză Hardback – 7 oct 2015
Preț: 370.84 lei
Preț vechi: 486.91 lei
-24% Nou
Puncte Express: 556
Preț estimativ în valută:
70.97€ • 74.87$ • 59.15£
70.97€ • 74.87$ • 59.15£
Carte tipărită la comandă
Livrare economică 23-28 decembrie
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9780199844784
ISBN-10: 019984478X
Pagini: 224
Ilustrații: 262 music examples and 4 tables
Dimensiuni: 236 x 160 x 25 mm
Greutate: 0.61 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
ISBN-10: 019984478X
Pagini: 224
Ilustrații: 262 music examples and 4 tables
Dimensiuni: 236 x 160 x 25 mm
Greutate: 0.61 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
Notă biografică
David Bard-Schwarz is Associate Professor of Music Theory at the University of North Texas College of Music. He has written three single-authored books: Listening Subjects: Music, Psychoanalysis, Culture; Listening Awry: Music and Alterity in German Culture; and An Introduction to Electronic Art through the Teachings of Jacques Lacan: Strangest Thing. His specialties include music theory and music and cultural studies with an emphasis on semiotics and Post-Lacanian psychoanalysis. He is active in the iARTA research cluster bringing together work in music, engineering, computer science, and the arts at UNT and is editor-in-chief of MOEBIUS, a new journal publishing criticism in cultural studies and interactive media.Richard Cohn is Battell Professor of Music Theory at Yale University. He is author of Audacious Euphony: Chromaticism and the Triad's Second Nature (Oxford University Press, 2012). Two of his scholarly articles have earned the Society of Music Theory's Outstanding Publication Award. Cohn was founding editor of Oxford University Press's Studies in Music Theory, and served as Executive Editor of the Journal of Music Theory. His current research models metric states and syntaxes in classical and world-music repertories.