This fascinating book analyses the socialist past as represented in the national history museums of the majority of the former Yugoslav states. While traveling to Croatia, Bosnia and Herzegovina, Montenegro, Kosovo, and Macedonia, the study elucidates the strategies of constructing the national narratives that maintain and legitimise the particular vision of the common past. The cross-national comparison allows to extract the main tendencies in visual interpretation of the socialist past. The existence of the diverse opinions with the further possibility of displaying them in the public space has tremendous importance for the democratic development of the state and, consequently, the analysis of the exhibitions representing the socialist past in multi-paradigmatic ways is the promising tool for the identification of both the memory politics in the region and the extent to which political actors are interfering in the given field. This fascinating book analyses the socialist past as represented in the national history museums of the majority of the former Yugoslav states. While traveling to Croatia, Bosnia and Herzegovina, Montenegro, Kosovo, and Macedonia, the study elucidates the strategies of constructing the national narratives that maintain and legitimise the particular vision of the common past. The cross-national comparison allows to extract the main tendencies in visual interpretation of the socialist past. The existence of the diverse opinions with the further possibility of displaying them in the public space has tremendous importance for the democratic development of the state and, consequently, the analysis of the exhibitions representing the socialist past in multi-paradigmatic ways is the promising tool for the identification of both the memory politics in the region and the extent to which political actors are interfering in the given field.