Deconstructing Imperial Representation: Tacitus, Cassius Dio, and Suetonius on Nero and Domitian: Mnemosyne, Supplements, cartea 427
Autor Verena Schulzen Limba Engleză Hardback – 10 iul 2019
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Specificații
ISBN-13: 9789004407213
ISBN-10: 9004407219
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Mnemosyne, Supplements
ISBN-10: 9004407219
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Mnemosyne, Supplements
Notă biografică
Verena Schulz is a Classical Philologist at the Ludwig-Maximilians-Universität München. She has published a monograph (Die Stimme in der antiken Rhetorik, 2014), an edited volume, and many articles on Roman historiography and ancient rhetoric.
Recenzii
''S[chultz] sets out to show that a full understanding of Imperial obloquy entails a due appreciation of its relationship to Imperial praise. In this enterprise, she is successful. Students of all three authors, and both emperors, will find her analyses illuminating.'' - Luke Pitcher, in: Gnomon 94.2 (2022), pp. 119-122
“Zusammenfassend lässt sich konstatieren, dass Schulz vor allem durch die klare Darlegung ihrer Methodik ein inspirierendes Buch vorgelegt hat, das für Philologen und Historiker wertvoll sein dürfte. Doch ihr Beitrag beschränkt sich nicht allein auf methodische Ausdifferenzierungen, sondern auch inhaltlich hat sie einen Beitrag zum besseren Verständnis der Zeit von Nero bis Cassius Dio, seinem größten Kritiker, geleistet.” - Frank Ursin, in: Frankfurter elektronische Rundschau zur Altertumskunde 39 (2019)
''so hat Schulz mit ihrer Monographie etwas erreicht, was noch lange nicht jeder wissenschaftlichen Studie beschieden ist. Besonders überzeugen dabei die Passagen ihrer Untersuchung, in denen sie die unterschiedlichen Dekonstruktionsverfahren des Tacitus, Cassius Dio und Sueton anhand einzelner Episoden, die bei allen dreien überliefert sind, zueinander in Bezug setzt und dabei die Spezifika der jeweiligen Autoren herausarbeiten kann. Gerade dieser unmittelbare Vergleich zeigt eindrücklich den Wert einer narratologischen Betrachtung historiographischer Texte.'' - Isabelle Künzer, in: Plekos vol. 24 (2022), pp. 79-118
“Zusammenfassend lässt sich konstatieren, dass Schulz vor allem durch die klare Darlegung ihrer Methodik ein inspirierendes Buch vorgelegt hat, das für Philologen und Historiker wertvoll sein dürfte. Doch ihr Beitrag beschränkt sich nicht allein auf methodische Ausdifferenzierungen, sondern auch inhaltlich hat sie einen Beitrag zum besseren Verständnis der Zeit von Nero bis Cassius Dio, seinem größten Kritiker, geleistet.” - Frank Ursin, in: Frankfurter elektronische Rundschau zur Altertumskunde 39 (2019)
''so hat Schulz mit ihrer Monographie etwas erreicht, was noch lange nicht jeder wissenschaftlichen Studie beschieden ist. Besonders überzeugen dabei die Passagen ihrer Untersuchung, in denen sie die unterschiedlichen Dekonstruktionsverfahren des Tacitus, Cassius Dio und Sueton anhand einzelner Episoden, die bei allen dreien überliefert sind, zueinander in Bezug setzt und dabei die Spezifika der jeweiligen Autoren herausarbeiten kann. Gerade dieser unmittelbare Vergleich zeigt eindrücklich den Wert einer narratologischen Betrachtung historiographischer Texte.'' - Isabelle Künzer, in: Plekos vol. 24 (2022), pp. 79-118
Cuprins
Preface
Introduction: Content and Purpose of This Study
1 Texts and Stories: on ‘Dinners with the Emperor’1An Example: Constructing Imperial Dinners2Ingredients for a Good Imperial Dinner3Critical Texts: Digesting Bad Dinners4Conclusions Drawn from This Case Study
2 Theory and History1Imperial Representation: Nero and Domitian2Discourse and Deconstruction3Literature and Persuasiveness
Introduction
3 Imperial Representation and Topics of Deconstruction1Military Actions: from Peace to Inactivity, from Victory to Hypocrisy2Building Endeavours: from Construction to Destruction3Public Entertainment: from Popular to Eccentric Performances4Nero’s Speeches: Gaining Rhetorical Power5Divinity: from God-Like to Unhuman6Atmosphere: From Golden Age to the Dynamics of Bad Times
4 Strategies of Deconstruction in Tacitus1Overview: How to Deconstruct Imperial Representation2Negative Connotations: ‘Facts’, Additions, and Foils3Causation and Character4New Forms of Logic
5 Creating Uncertainty1Tacitus and Theories of Uncertainty2Playing with Variants3Playing with Oppositions4Uncertainty and Interpretation
Conclusion
Introduction
6 Writing Historiography under the Severans1The Roman History and the Early Third Century2Imperial Representation in the Roman History
7 Strategies of Deconstruction in Cassius Dio1Negative Connotations2Persuasive Characters3The Rhetoric of Combination4Selection and Focus5Spoiling the Atmosphere
8 Deconstruction and the Construction of Memory1Typologies of Bad Emperors2Hot Memory: Why Nero and Domitian?3Genealogies versus Typologies
Conclusion
Introduction
9 Biography and Eccentric Representation1Structure and Criticism: Current Debates on Suetonius2Rubrics and Representation: Fragmentation and Re-Contextualization
10 Strategies of Deconstruction in Suetonius1Historiographical Techniques in Imperial Biographies2Suetonian Techniques: the Effect of Rubrics3Ambivalent Techniques and a Weaker Form of Deconstruction
11 Deconstructed Elements and Miscellanism1Beyond Tacitus and Cassius Dio: Suetonian Deconstruction and the Historiographical Discourse2Between Pliny the Elder and Aulus Gellius: Suetonian Deconstruction and the Non-Historiographical Discourse
Conclusion
Conclusion: Three Modes of Deconstruction
Appendix: Deconstruction and Rhetorical StrategiesBibliographyIndex
Introduction: Content and Purpose of This Study
Part 1 Constructing the Emperor in Historiography and Panegyric
1 Texts and Stories: on ‘Dinners with the Emperor’1An Example: Constructing Imperial Dinners2Ingredients for a Good Imperial Dinner3Critical Texts: Digesting Bad Dinners4Conclusions Drawn from This Case Study
2 Theory and History1Imperial Representation: Nero and Domitian2Discourse and Deconstruction3Literature and Persuasiveness
Part 2 Tacitus: Deconstruction and Uncertainty
Introduction
3 Imperial Representation and Topics of Deconstruction1Military Actions: from Peace to Inactivity, from Victory to Hypocrisy2Building Endeavours: from Construction to Destruction3Public Entertainment: from Popular to Eccentric Performances4Nero’s Speeches: Gaining Rhetorical Power5Divinity: from God-Like to Unhuman6Atmosphere: From Golden Age to the Dynamics of Bad Times
4 Strategies of Deconstruction in Tacitus1Overview: How to Deconstruct Imperial Representation2Negative Connotations: ‘Facts’, Additions, and Foils3Causation and Character4New Forms of Logic
5 Creating Uncertainty1Tacitus and Theories of Uncertainty2Playing with Variants3Playing with Oppositions4Uncertainty and Interpretation
Conclusion
Part 3 Cassius Dio: Deconstruction and Typologies
Introduction
6 Writing Historiography under the Severans1The Roman History and the Early Third Century2Imperial Representation in the Roman History
7 Strategies of Deconstruction in Cassius Dio1Negative Connotations2Persuasive Characters3The Rhetoric of Combination4Selection and Focus5Spoiling the Atmosphere
8 Deconstruction and the Construction of Memory1Typologies of Bad Emperors2Hot Memory: Why Nero and Domitian?3Genealogies versus Typologies
Conclusion
Part 4 Suetonius: Deconstruction and Entertainment
Introduction
9 Biography and Eccentric Representation1Structure and Criticism: Current Debates on Suetonius2Rubrics and Representation: Fragmentation and Re-Contextualization
10 Strategies of Deconstruction in Suetonius1Historiographical Techniques in Imperial Biographies2Suetonian Techniques: the Effect of Rubrics3Ambivalent Techniques and a Weaker Form of Deconstruction
11 Deconstructed Elements and Miscellanism1Beyond Tacitus and Cassius Dio: Suetonian Deconstruction and the Historiographical Discourse2Between Pliny the Elder and Aulus Gellius: Suetonian Deconstruction and the Non-Historiographical Discourse
Conclusion
Part 5 Conclusion
Conclusion: Three Modes of Deconstruction
Appendix: Deconstruction and Rhetorical StrategiesBibliographyIndex