Deleuze and Contemporary Art: Deleuze Connections (Paperback)
Editat de Simon O'Sullivan, Stephen Zepkeen Limba Engleză Paperback – 26 mai 2010 – vârsta de la 22 ani
Chapters include an overview of deconstruction as a critical practice today, discussions of the secret, postcolonialism, ethics, literary criticism, jargon, fiction, and photography, and responses to the theoretical writing of Emmanuel Levinas, Roland Barthes, and J. Hillis Miller. Also included is a discussion of the recent reading of Derrida's philosophy as 'radical atheism', and the book ends with a conversation on deconstruction and place with the theorist and critic Jean-Michel Rabate.
Running throughout is a concern with the question of responsibility, as exemplified in Derrida's own readings of literary and philosophical texts: responsibility to the work being read, responsibility to the protocols of rational argument, and responsibility to the reader.
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Specificații
ISBN-13: 9780748638383
ISBN-10: 0748638385
Pagini: 324
Ilustrații: 39 black & white illustrations
Dimensiuni: 155 x 231 x 18 mm
Greutate: 0.48 kg
Editura: EDINBURGH UNIVERSITY PRESS
Seria Deleuze Connections (Paperback)
ISBN-10: 0748638385
Pagini: 324
Ilustrații: 39 black & white illustrations
Dimensiuni: 155 x 231 x 18 mm
Greutate: 0.48 kg
Editura: EDINBURGH UNIVERSITY PRESS
Seria Deleuze Connections (Paperback)
Notă biografică
Stephen Zepke is an independent researcher living in Vienna. He has published numerous essays on philosophy, art and cinema, the book Art as Abstract Machine, Ontology and Aesthetics in Deleuze and Guattari (Routledge, 2005), and is co-editor (with Simon O'Sullivan) of Deleuze, Guattari and the Production of the New (Continuum, 2008). Simon O'Sullivan is a lecturer in the Department of Visual Cultures at Goldsmiths, University of London. He is the author of Art Encounters Deleuze and Guattari: Thought Beyond Representation (Palgrave, 2005) and co-editor (with Simon O'Sullivan) of Deleuze, Guattari and the Production of the New (Continuum, 2008).
Cuprins
Acknowledgements; List of Illustrations; Deleuze and Guattari and Contemporary Art: An Introduction, Simon O'Sullivan and Stephen Zepke; I - Politics; 1. The Politics of the Scream in a Threnody, Gustavo Chirolla Ospina; 2. A Shift Towards the Unnameable, Suely Rolnik; 3. The Heterogenesis of Fleeing, Gerald Raunig; 4. Anita Fricek: Contemporary Painting as Institutional Critique, Stephen Zepke; II - The Aesthetic Paradigm; 5. Capitalism and Schizophrenia and Consensus. Of Relational Aesthetics, Eric Alliez; 6. The Practice and Anti-dialectical Thought of an 'Anartist', Maurizio Lazzarato; 7. Ethologies of Software Art: What Can a Digital Body of Code Do?, Jussi Parikka, 8. Fractal Philosophy (and the small matter of learning how to listen): Attunement as the Task of Art, Johnny Golding; III - Scenes and Encounters; 9. An Art Scene as Big as the Ritz: the Logic of Scenes, David Burrows; 10. Abstract Humour, Humorous Abstraction, Robert Garnett; 11. From Aesthetics to the Abstract Machine: Deleuze, Guattari, and Contemporary Art Practice, Simon O'Sullivan; 12. Traps Against Capture, Edgar Schmitz; IV - Technologies; 13. Sign and Information: on Anestis Logothetis' Graphical Notations, Claudia Mongini; 14. Anti-Electra: Totemism and Schizogamy, Elisabeth von Samsonow; 15. Unimaginable Happenings: Material Movements in the Plane of Composition, Barbara Bolt; 16. BLOODCRYSTALPOLLENSTAR, Neil Chapman and Ola Stahl; Notes on Contributors; Index.