Designing One Nation: The Politics of Economic Culture and Trade in Divided Germany
Autor Katrin Schreiteren Limba Engleză Hardback – 4 ian 2021
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Specificații
ISBN-13: 9780190877279
ISBN-10: 0190877278
Pagini: 306
Ilustrații: 23 hts
Dimensiuni: 239 x 160 x 25 mm
Greutate: 0.59 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
ISBN-10: 0190877278
Pagini: 306
Ilustrații: 23 hts
Dimensiuni: 239 x 160 x 25 mm
Greutate: 0.59 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
Recenzii
Schreiter does an impressive job weaving together the East and West German strands of her multilayered narrative, seamlessly integrating material from various archives, published sources, and oral history interviews. She is at her best when dealing with economic and political history, about which she writes cogently and authoritatively.... Designing One Nation is an impressive and informative book. By offering exciting new perspectives with significant explanatory potential, it makes a valuable original contribution to the literature on Cold War German history.
Designing One Nation is an important book that, by using design as a lens, offers a fresh perspective on the German Question.
Katrin Schreiter offers a multifaceted analysis of the interconnected history of furniture design, production and consumption. She never glosses over differences or tries to smooth them over in favour of a coherent narrative. Instead, she shows how difficult and frustrating the relations could be. It becomes clear that a seemingly unpolitical area such as industrial design was highly politicized and ideologically charged during the Cold War
Simply put, this book is outstanding. With this first-rate monograph, Katrin Schreiter has established herself as a leading authority on the interconnectedness of the two Cold War Germanys.
Katrin Schreiter makes brilliant use of material culture and industrial design to help us understand the Cold War in a new way. Unlike most studies, her work points to the essential connectedness of West and East Germany. Her work is also a powerful argument for the centrality of material culture, consumption, and industrial design to politics and even foreign policy.
This is a landmark study in the history of postwar German material culture. Schreiter gives us a tangible, even tactile sense of how East and West Germany championed differing aesthetic values while collaborating surreptitiously in the manufacture of household goods. Design history and international relations intersect here in a thoroughly original and carefully researched analysis.
Through its new look at furniture design, this book contributes critically to a growing body of scholarship re-examining the Cold War Germanys as economically and culturally intertwined. Artfully moving between East and West German cases and embedding individual living rooms in the complex nexus of international trade, Schreiter has crafted an integrated history of aesthetic and institutional commonalities across the Iron Curtain. She offers significant insights into how diplomacy and politics of trade between the two Germanys influenced and were shaped by European integration, thereby suggesting Germany's halves converged culturally even before national reunification.
This book draws on a rich source base and presents Cold War production and consumption as a complex story of hostility, good will, and practical accommodation.
Designing One Nation is an important book that, by using design as a lens, offers a fresh perspective on the German Question.
Katrin Schreiter offers a multifaceted analysis of the interconnected history of furniture design, production and consumption. She never glosses over differences or tries to smooth them over in favour of a coherent narrative. Instead, she shows how difficult and frustrating the relations could be. It becomes clear that a seemingly unpolitical area such as industrial design was highly politicized and ideologically charged during the Cold War
Simply put, this book is outstanding. With this first-rate monograph, Katrin Schreiter has established herself as a leading authority on the interconnectedness of the two Cold War Germanys.
Katrin Schreiter makes brilliant use of material culture and industrial design to help us understand the Cold War in a new way. Unlike most studies, her work points to the essential connectedness of West and East Germany. Her work is also a powerful argument for the centrality of material culture, consumption, and industrial design to politics and even foreign policy.
This is a landmark study in the history of postwar German material culture. Schreiter gives us a tangible, even tactile sense of how East and West Germany championed differing aesthetic values while collaborating surreptitiously in the manufacture of household goods. Design history and international relations intersect here in a thoroughly original and carefully researched analysis.
Through its new look at furniture design, this book contributes critically to a growing body of scholarship re-examining the Cold War Germanys as economically and culturally intertwined. Artfully moving between East and West German cases and embedding individual living rooms in the complex nexus of international trade, Schreiter has crafted an integrated history of aesthetic and institutional commonalities across the Iron Curtain. She offers significant insights into how diplomacy and politics of trade between the two Germanys influenced and were shaped by European integration, thereby suggesting Germany's halves converged culturally even before national reunification.
This book draws on a rich source base and presents Cold War production and consumption as a complex story of hostility, good will, and practical accommodation.
Notă biografică
Katrin Schreiter is Lecturer in German and European Studies at King's College London.