Directing the Dance Legacy of Doris Humphrey: The Creative Impulse of Reconstruction: Studies in Dance History
Autor Lesley Mainen Limba Engleză Paperback – 3 iun 2012
Directing
the
Dance
Legacy
of
Doris
Humphreylooks
inside
four
of
Doris
Humphrey’s
major
choreographic
works—Water
Study(1928),The
Shakers(1931),With
My
Red
Fires(1936),
andPassacaglia(1938)—with
an
eye
to
how
directorial
strategies
applied
in
recent
contemporized
stagings
in
the
United
States
and
Europe
could
work
across
the
modern
and
contemporary
dance
genre.
Author
Lesley
Main,
a
seasoned
practitioner
of
Doris
Humphrey
choreography,
stresses
to
the
reader
the
need
to
balance
respect
for
classical
works
from
the
modern
dance
repertory
with
the
necessity
for
fresh
directorial
strategies,
to
balance
between
traditional
practices
and
a
creative
role
for
the
reconstructor.
Drawing upon her own dance experience, Main’s book addresses an area of dance research and practice that is becoming increasingly pertinent as the dancer-choreographers of the 20th century modern and contemporary dance are no longer alive to attend to the re-stagings of the body of their works. Insightful and thought-provoking,Directing the Dance Legacy of Doris Humphreycalls for the creation of new forms of directorial practice in dance beyond reconstruction. The radical new practices it proposes to replace the old are sure to spark debate and fresh thinking across the dance field.
Drawing upon her own dance experience, Main’s book addresses an area of dance research and practice that is becoming increasingly pertinent as the dancer-choreographers of the 20th century modern and contemporary dance are no longer alive to attend to the re-stagings of the body of their works. Insightful and thought-provoking,Directing the Dance Legacy of Doris Humphreycalls for the creation of new forms of directorial practice in dance beyond reconstruction. The radical new practices it proposes to replace the old are sure to spark debate and fresh thinking across the dance field.
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Specificații
ISBN-13: 9780299285845
ISBN-10: 0299285847
Pagini: 200
Ilustrații: 28 b-w illus.
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.27 kg
Ediția:1
Editura: University of Wisconsin Press
Colecția University of Wisconsin Press
Seria Studies in Dance History
ISBN-10: 0299285847
Pagini: 200
Ilustrații: 28 b-w illus.
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.27 kg
Ediția:1
Editura: University of Wisconsin Press
Colecția University of Wisconsin Press
Seria Studies in Dance History
Recenzii
“This
timely
record
of
practiced-based
approaches
to
restaging
modern
dance
works
contributes
in
valuable
ways
to
the
field
of
dance
studies.
Incorporating
the
theoretical,
the
methodological
and
the
practical,
this
study
highlights
the
corporeality
of
the
dance
in
relation
to
the
history
of
staging,
engagement
and
bodies
over
time.”—Dr.
Sarah
Davies
Cordova,
author
ofParis
Dances:
Textual
Choreographies
in
the
Nineteenth-Century
French
Novel
Notă biografică
Lesley Main is a leading European exponent of Doris Humphrey’s dance tradition, director of the Doris Humphrey Foundation UK, and principal lecturer on dance at Middlesex University.
Cuprins
List of Illustrations
Acknowledgments
Prologue: Negotiating a Living Past
Part One
Chasing the Ephemeral
Part Two
Exploring the Creative Impulse
Water Study
Passacaglia
With My Red Fires
The Shakers
Epilogue: Dancing the Past Tomorrow
Notes
Bibliography
Index
Acknowledgments
Prologue: Negotiating a Living Past
Part One
Chasing the Ephemeral
Part Two
Exploring the Creative Impulse
Water Study
Passacaglia
With My Red Fires
The Shakers
Epilogue: Dancing the Past Tomorrow
Notes
Bibliography
Index
Descriere
Directing the Dance Legacy of Doris Humphrey looks inside four of Doris Humphrey’s major choreographic works—Water Study (1928), The Shakers (1931), With My Red Fires (1936), and Passacaglia (1938)—with an eye to how directorial strategies applied in recent contemporized stagings in the United States and Europe could work across the modern and contemporary dance genre. Author Lesley Main, a seasoned practitioner of Doris Humphrey choreography, stresses to the reader the need to balance respect for classical works from the modern dance repertory with the necessity for fresh directorial strategies, to balance between traditional practices and a creative role for the reconstructor.
Drawing upon her own dance experience, Main’s book addresses an area of dance research and practice that is becoming increasingly pertinent as the dancer-choreographers of the 20th century modern and contemporary dance are no longer alive to attend to the re-stagings of the body of their works. Insightful and thought-provoking, Directing the Dance Legacy of Doris Humphrey calls for the creation of new forms of directorial practice in dance beyond reconstruction. The radical new practices it proposes to replace the old are sure to spark debate and fresh thinking across the dance field.
Drawing upon her own dance experience, Main’s book addresses an area of dance research and practice that is becoming increasingly pertinent as the dancer-choreographers of the 20th century modern and contemporary dance are no longer alive to attend to the re-stagings of the body of their works. Insightful and thought-provoking, Directing the Dance Legacy of Doris Humphrey calls for the creation of new forms of directorial practice in dance beyond reconstruction. The radical new practices it proposes to replace the old are sure to spark debate and fresh thinking across the dance field.