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Dirty Real: Exile on Hollywood and Vine with the Gin Mill Cowboys

Autor Peter Stanfield
en Limba Engleză Hardback – 22 iul 2024
The story of how the movies assumed a gritty facade in the name of authenticity, with working actors transforming into artists, poets, painters, troubadours, and filmmakers—both on- and off-screen.
 
This is the tale of how Hollywood, inspired by the success of Easy Rider, sold a cycle of films as the new dirty real. Dennis Hopper, Peter Fonda, Monte Hellman, Jack Nicholson, Kris Kristofferson, and Sam Peckinpah, among others, parlayed a nostalgia for the gutter and donned bohemian personae, pulling on soiled shirts and scuffed boots to better counter the glamour and phoniness of Tinseltown. The result was a generation of movies, including The Hired Hand, Five Easy Pieces, Two-Lane Blacktop, The Last Picture Show, and Pat Garrett and Billy the Kid. With great care for the historical record and displaying a refined critical acuity, Peter Stanfield captures that pivotal moment when Hollywood tried to sell a begrimed vision of itself to the world.
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Specificații

ISBN-13: 9781789148626
ISBN-10: 1789148626
Pagini: 344
Ilustrații: 32 halftones
Dimensiuni: 138 x 216 x 30 mm
Greutate: 0.5 kg
Editura: REAKTION BOOKS
Colecția Reaktion Books

Notă biografică

Peter Stanfield is professor emeritus of film at the University of Kent. His books include A Band with Built-In Hate: The Who from Pop Art to Punk and Pin-Ups 1972: Third Generation Rock ’n’ Roll, both also published by Reaktion Books. He lives in Kent.

Cuprins

Introduction: Dirt for Dirt’s Own Sake
1 The Hired Hand: Circling Back to the End Again
2 The Last Movie: Dennis Hopper’s Three-Ring Circus
3 The Last Picture Show, Five Easy Pieces and Payday: Cowboy Rhythm on KTRN
4 The Shooting, Ride in the Whirlwind and Two-Lane Blacktop: Who’s Monte Hellman, You Ask?
5 Cisco Pike: Kris Kristofferson Has Got a Great Future behind Him
6 Dirty Little Billy: Scuffling on Madison Ave
7 McCabe and Mrs Miller: Pipe Dreams – Lows and Highs
8 Pat Garrett and Billy the Kid: Angels Descend and Graves Open
Conclusion: Bring Me the Head
Select Filmography
References
Select Bibliography
Photo Acknowledgements
Index

Recenzii

“Stanfield’s takes are entertaining, erudite without being abstruse, and often amusingly contrarian. They have the feel of an academic version of Quentin Tarantino riffing on the hidden themes of his favorite obscure movies, pausing from time to time to sample from critical opinion and toss in some behind-the-scenes gossip. . . . Stanfield is splendid in his exegeses.”

"A terrific new film book on a niche subject: Dirty Real, Stanfield's account of how a bunch of mostly middle-class (or rich) guys embraced hippie cowboy 'authenticity' and reinvented American cinema. . . . Stanfield works his way through the 60s and 70s concentrating on key works, such as Easy Rider, Dirty Little Billy, Cisco Pike, and films somewhat in opposition (like The Last Picture Show). Purely at a prose level it’s a groove and a gas to read."

"Filmmakers like Dennis Hopper, Sam Peckinpah, and Monte Hellman are among those profiled in Dirty Real: Exile on Hollywood and Vinewith the Gin Mill Cowboy by Stanfield. These are figures whose success was gained 'by hard-scrabble labour, from experience earned on the road, with sweat and dirt.' Stanfield astutely writes that Humphrey Bogart—whose 'characters did not seek favours, were not obsequious or resentful'—provided a link between old and new Hollywood."

"Stanfield . . . delivers a discerning deep dive into counterculture films of the late 1960s and early ’70s. According to Stanfield, such actors as Peter Fonda, Dennis Hopper, and Jack Nicholson played down the glamour that had previously characterized Hollywood stars in favor of grittier personas that reflected an emerging understanding that movies were no longer 'means of escape but a means of approaching a problem.' Astute analysis of key films of the era reveal how they tackled topical issues. . . . It’s a sharp study of the contradictions of post–flower power cinema."

"In a challenging cultural rhapsody about the gritty authenticity characterizing films following the hippie era of the 1960s, Stanfield posits that the 1970s presented problem-based rather than escapist entertainment vehicles."

"Stanfield is a perceptive and graceful writer; he imparts knowledge to the reader while never sounding like he is lecturing. . . . Stanfield’s expertise and depth of knowledge make it feel like this is something we’re seeing for the first time."

“Author Stanfield in ten chapters meticulously explores themes related to Hollywood, the film industry, and the cultural shifts in American cinema beginning in 1966 that were peculiarly focused on anti-heroes, counter-culture, and the myths surrounding cult films and actors of that era. . . . A great excursion into what most film buffs would call the best period of American auteur cinema.”

“So full of information, so culturally astute, and so beautifully written.”

"A few years ago, Stanfield slayed me with his book A Band with Built-In Hate: The Who from Pop Art to Punk—now he’s switched over to early ‘70s American cinema: Dennis Hopper, Peter Fonda, Monte Hellman, Jack Nicholson, Kris Kristofferson, Sam Peckinpah + Five Easy Pieces, Two-Lane Blacktop, Last Picture Show, Pat Garrett, The Last Movie. The author seems a bit more cynical than me on these actors/movies but he admires and KNOWS the topic and I learned a lot. If you loved books like Easy Riders, Raging Bulls, and the book about Midnight Cowboy, you’ll love this too!"