This work examines global cities as a literary phenomenon, the "DiverCity," based on the reading of selected North American novels. By analyzing Dionne Brand's Toronto in What We All Long For, Chang-rae Lee's New York in Native Speaker, and Karen Tei Yamashita's Los Angeles in Tropic of Orange, Melanie U. Pooch provides the connecting link for exploring the triad of globalization and its effects, global cities as cultural nodal points, and cultural diversity in a globalizing age as a literary phenomenon.