Documentary in a Changing State
Editat de Carol Mackeogh, D-G O'Connell, Diog O'Connellen Limba Engleză Hardback – 29 feb 2012
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Specificații
ISBN-13: 9781859184912
ISBN-10: 185918491X
Pagini: 200
Dimensiuni: 155 x 236 x 23 mm
Greutate: 0.48 kg
Ediția:New.
Editura: Cork University Press
ISBN-10: 185918491X
Pagini: 200
Dimensiuni: 155 x 236 x 23 mm
Greutate: 0.48 kg
Ediția:New.
Editura: Cork University Press
Notă biografică
Carol MacKeogh and Diog O'Connell work in the Department of Humanities, Art Design and Technology, Dun Laoghaire, Ireland
Cuprins
Introduction The Social backdrop by Carol MacKeogh & Diog O'Connell RTE in a changing state by Diog O'Connell & Carol MacKeogh Section 1 - Documentary and social change in Ireland since the 1980s Speaking out: The role of documentary by Harvey O'Brien The power of one: Dear Daughter and Stolen Lives by Louis Lentin The faith factor, skill and chance: Five years in Would You Believe by Julian Vignoles Case study: Home Truths: Documentary on nursing homes and Leas Cross by Maire Kearney. Section 2 Documentary form: exploring new voices Transnational scenographies of care: The performance of migrant identities in documentary film by Alan Grossman Unheard voices: Recording stories from the troubles by Jolene Mairs and Cahal McLaughlin Documentary film and history by Desmond Bell Section 3 - Policy and politics - documentary production since the 1980s 'An appointment to view' - the role of RTE's Independent Production Unit in documentary making in Ireland by Dr Kevin Rafter The life of an independent film-maker: Some tales from the trenches by Donald Taylor Black Claracha faisneise ar TG4/ documentary programmes on TG4 by Ruth Lysaght & Rachel Lysaght, Section 4 - Towards the Future: Interviews with key players Interview with Ken Wardrop, director of His and Hers (2010) Interview with Alan Maher, production executive, Irish Film Board Interview with Mary Raftery, director of States of Fear & Cardinal Secrets, Digital impacts on documentary in Ireland by Pat Brereton
Recenzii
This book gives a fascinating insight into the working life of documentary makers - it captures the passion that drives them, the commitment they make to their craft, and the issues they tackle in defining what constitutes documentary - indeed, what constitutes good documentary. This book will be read avidly not just by those in the business of creating and producing documentary but by a wide public who have learnt so much about their own society and culture through cutting-edge documentaries. Miriam O'Callaghan, RTE Broadcaster