Cantitate/Preț
Produs

Dreaming the Great Brahmin: Tibetan Traditions of the Buddhist Poet-Saint Saraha

Autor Kurtis R. Schaeffer
en Limba Engleză Hardback – 22 iun 2005
Dreaming the Great Brahmin explores the creation and recreation of Buddhist saints through narratives, poetry, art, ritual, and even dream visions. The first comprehensive cultural and literary history of the well-known Indian Buddhist poet saint Saraha, known as the Great Brahmin, this book argues that we should view Saraha not as the founder of a tradition, but rather as its product. Kurtis Schaeffer shows how images, tales, and teachings of Saraha were transmitted, transformed, and created by members of diverse Buddhist traditions in Tibet, India, Nepal, and Mongolia. The result is that there is not one Great Brahmin, but many. More broadly, Schaeffer argues that the immense importance of saints for Buddhism is best understood by looking at the creative adaptations of such figures that perpetuated their fame, for it is there that these saints come to life.
Citește tot Restrânge

Preț: 59433 lei

Preț vechi: 81577 lei
-27% Nou

Puncte Express: 891

Preț estimativ în valută:
11375 11856$ 9469£

Carte tipărită la comandă

Livrare economică 26 decembrie 24 - 01 ianuarie 25

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9780195173734
ISBN-10: 0195173732
Pagini: 240
Dimensiuni: 236 x 166 x 19 mm
Greutate: 0.49 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States

Recenzii

This is a splendid contribution to the growing body of materials about Saraha and his famed treasury of tantric songs with a special focus on the Tibetan creation, and recreation, of both over the centuries. Schaeffer examines both in the larger contexts of Tibetan literature, history and aesthetics, tracing the development of the figure of Saraha and his esoteric poetry in Tibetan narratives, ritual cycles, visions, iconography, and polemical debate. He reveals Saraha's famous anthology, The Treasury of Doha, to be a rich, creative and fluid communal tradition that had an organic life in Tibet, rather than a static composition with origins lost in an Indian past. This wonderful blend of the social analysis, aesthetics, and translation is an important work for Tibetan, Buddhist, and Tantric studies.