Cantitate/Preț
Produs

Dreams and Dead Ends: The American Gangster Film

Autor Jack Shadoian
en Limba Engleză Paperback – 23 iul 2003
The second edition of this classic study provides a reintroduction to some of the major films and theoretical considerations of film noir and gangster films in twentieth-century America. Ranging from Little Caesar (1930) to Things to Do in Denver When You're Dead (1995), Shadoian guides the reader through twenty classic movies of the genre. His approach is to use brief introductions to introduce distinct eras of the gangster films in each of seven chapters. Moving chronologically, he offers plot synopses and close readings of such definitive examples as Bonnie and Clyde, The Public Enemy, D.O.A. and The Godfather, each accompanied by photographs and author's critiques. Compenendia of facts on each film are also provided. This updated version looks a newer films as well as how the genre has moved into the new century. Appendices look at the movie Criss Cross as an epitome of the genre while others offer different lists of gangster films, including the author's top fourteen alltime, fifty post-Godfather films worth seeing, and fifty vintage films.
Citește tot Restrânge

Preț: 32646 lei

Preț vechi: 35774 lei
-9% Nou

Puncte Express: 490

Preț estimativ în valută:
6252 6766$ 5212£

Carte tipărită la comandă

Livrare economică 28 noiembrie-04 decembrie

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9780195142921
ISBN-10: 0195142926
Pagini: 400
Ilustrații: numerous halftones
Dimensiuni: 236 x 160 x 19 mm
Greutate: 0.56 kg
Ediția:Second.
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States

Recenzii

Praise for the previous edition: Dreams and Dead Ends is quite a remarkable book. One would expect a formal, academic theorist to discuss the great and near-great American gangster movies in terms much duller than the films themselves. Not here, for Mr. Shadoian's essays are aggressive, readable, and often profound. He has a fine, firm grasp of photography, composition, editing, direction, acting, and screenwriting. His cultural and sociological observations are brilliant. He traces the development of gangster films from Little Caesar to Point Blank with sure-footed finesse, and ends up by admitting that, as the latest cycle has only just begun, predictions regarding its course would be presumptuous and foolish. Recommended.