Early Poems: Penguin Twentieth-Century Classics
Autor Edna St. Vincent Millay Editat de Holly Peppeen Limba Engleză Paperback – 30 noi 1998 – vârsta de la 18 ani
Millay's first three books of lyrics and sonnets are collected here: Renascence, Second April, and A Few Figs from Thistles. With a balanced and appreciative introduction and useful annotations, this volume presents some of the Pulitzer Prize-winning poet's best work in which she weaves intellect, emotion, and irony.
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (2) | 20.60 lei 3-5 săpt. | +3.55 lei 7-13 zile |
| Dover Publications – 30 noi 2008 | 20.60 lei 3-5 săpt. | +3.55 lei 7-13 zile |
| Penguin Books – 30 noi 1998 | 89.88 lei 6-8 săpt. |
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Specificații
ISBN-13: 9780141180540
ISBN-10: 0141180544
Pagini: 240
Dimensiuni: 128 x 197 x 12 mm
Greutate: 0.16 kg
Editura: Penguin Books
Seria Penguin Twentieth-Century Classics
ISBN-10: 0141180544
Pagini: 240
Dimensiuni: 128 x 197 x 12 mm
Greutate: 0.16 kg
Editura: Penguin Books
Seria Penguin Twentieth-Century Classics
Cuprins
Early Poems Acknowledgments
Introduction by Holly Peppe
Suggestions for Further Reading
A Note on the Text
Renascence and Other Poems
Renascence
Interim
The Suicide
God's World
Afternoon on a Hill
Sorrow
Tavern
Ashes of Life
The Little Ghost
Kin to Sorrow
Three Songs of Shattering
The Shroud
The Dream
Indifference
Witch-Wife
Blight
When the Year Grows Old
Thou are not lovelier than lilacs, - no
Time does not bring relief; you all have lied
Mindful of you the sodden earth in spring
Not in this chamber only at my birth
If I should learn, in some quite casual way
Bluebeard
A Few Figs from Thistles
First Fig
Second Fig
Recuerdo
Thursday
To the Not Impossible Him
Macdougal Street
The Singing-Woman from the Wood's Edge
She Is Overheard Singing
The Prisoner
The Unexplorer
Grown-up
The Penitent
Daphne
Portrait by a Neighbour
Midnight Oil
The Merry Maid
To Kathleen
To S. M.
The Philosopher
I do but ask that you be always fair
Love, though for this you riddle me with darts
I think I should have loved you presently
Oh, think not I am faithful to a vow
I shall forget you presently, my dear
Second April
Spring
City Trees
The Blue-Flag in the Bog
Journey
Eel-Grass
Elegy Before Death
The Bean-Stalk
Weeds
Passer Mortuus Est
Pastoral
Assault
Travel
Low-Tide
Song of a Second April
Rosemary
The Poet and His Book
Alms
Inland
To a Poet that Died Young
Wraith
Ebb
Elaine
Burial
Mariposa
The Little Hill
Doubt No More That Oberon
Lament
Exiled
The Death of Autumn
Ode to Silence
Memorial to D. C.
Wild Swans
We talk of taxes, and I call you friend
Into the golden vessel of great song
Not with libations, but with shouts and laughter
Only until this cigarette is ended
Once more into my arid days like dew
No rose that in a garden ever grew
When I too long have looked upon your face
And you as well must die, beloved dust
Let you not say of me when I am old
Oh, my beloved, have you thought of this
As to some lovely temple, tenantless
Cherish you then the hope I shall forget
Explanatory Notes
Index of Titles and First Lines
Introduction by Holly Peppe
Suggestions for Further Reading
A Note on the Text
Renascence and Other Poems
Renascence
Interim
The Suicide
God's World
Afternoon on a Hill
Sorrow
Tavern
Ashes of Life
The Little Ghost
Kin to Sorrow
Three Songs of Shattering
The Shroud
The Dream
Indifference
Witch-Wife
Blight
When the Year Grows Old
Thou are not lovelier than lilacs, - no
Time does not bring relief; you all have lied
Mindful of you the sodden earth in spring
Not in this chamber only at my birth
If I should learn, in some quite casual way
Bluebeard
A Few Figs from Thistles
First Fig
Second Fig
Recuerdo
Thursday
To the Not Impossible Him
Macdougal Street
The Singing-Woman from the Wood's Edge
She Is Overheard Singing
The Prisoner
The Unexplorer
Grown-up
The Penitent
Daphne
Portrait by a Neighbour
Midnight Oil
The Merry Maid
To Kathleen
To S. M.
The Philosopher
I do but ask that you be always fair
Love, though for this you riddle me with darts
I think I should have loved you presently
Oh, think not I am faithful to a vow
I shall forget you presently, my dear
Second April
Spring
City Trees
The Blue-Flag in the Bog
Journey
Eel-Grass
Elegy Before Death
The Bean-Stalk
Weeds
Passer Mortuus Est
Pastoral
Assault
Travel
Low-Tide
Song of a Second April
Rosemary
The Poet and His Book
Alms
Inland
To a Poet that Died Young
Wraith
Ebb
Elaine
Burial
Mariposa
The Little Hill
Doubt No More That Oberon
Lament
Exiled
The Death of Autumn
Ode to Silence
Memorial to D. C.
Wild Swans
We talk of taxes, and I call you friend
Into the golden vessel of great song
Not with libations, but with shouts and laughter
Only until this cigarette is ended
Once more into my arid days like dew
No rose that in a garden ever grew
When I too long have looked upon your face
And you as well must die, beloved dust
Let you not say of me when I am old
Oh, my beloved, have you thought of this
As to some lovely temple, tenantless
Cherish you then the hope I shall forget
Explanatory Notes
Index of Titles and First Lines
Notă biografică
Descriere
Descriere de la o altă ediție sau format:
In finely crafted lyrics and sonnets, Edna St. Vincent Millay gave voice to her generation's claim to personal freedom and earned a reputation as a sexually liberated free-thinker. But her subject matter varies widely - from meditations on nature, love, life, loss, death, and the reincarnation of the human soul to commentaries on politics and discrimination against women - and reveals poetic influences from the classical to the romantic. Comprising Millay's first three books - Renascence (1917), A Few Figs from Thistles (1920; revised 1922), and Second April (1921) - this fully annotated volume presents the auspicious beginning of her career. As popular today as when the poet herself enraptured audiences, Millay's work is at last being appreciated for its beauty and depth as well as its impact on the American literary tradition.
In finely crafted lyrics and sonnets, Edna St. Vincent Millay gave voice to her generation's claim to personal freedom and earned a reputation as a sexually liberated free-thinker. But her subject matter varies widely - from meditations on nature, love, life, loss, death, and the reincarnation of the human soul to commentaries on politics and discrimination against women - and reveals poetic influences from the classical to the romantic. Comprising Millay's first three books - Renascence (1917), A Few Figs from Thistles (1920; revised 1922), and Second April (1921) - this fully annotated volume presents the auspicious beginning of her career. As popular today as when the poet herself enraptured audiences, Millay's work is at last being appreciated for its beauty and depth as well as its impact on the American literary tradition.