Economics of Art and Culture: Contributions to Economic Analysis, cartea 260
Autor Victor A. Ginsburgh Editat de V. A. Ginsburghen Limba Engleză Hardback – 17 dec 2003
Choices necessarily meant that many fields in which active research is alive were not dealt with, in particular, the contemporary functioning of art markets, artists' labor markets, museums and their management, aesthetic choices and tastes, the meaning of quality in the arts, etc.
In this volume, the papers given in the six sessions are reshuffled and grouped into three parts: the cultural industries, historical aspects, and policy issues including the management heritage.
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Specificații
ISBN-13: 9780444509956
ISBN-10: 044450995X
Pagini: 260
Dimensiuni: 156 x 234 x 16 mm
Greutate: 0.54 kg
Ediția:New.
Editura: Emerald Group Publishing Limited
Seria Contributions to Economic Analysis
ISBN-10: 044450995X
Pagini: 260
Dimensiuni: 156 x 234 x 16 mm
Greutate: 0.54 kg
Ediția:New.
Editura: Emerald Group Publishing Limited
Seria Contributions to Economic Analysis
Cuprins
1. Motion picture directors: luck, talent and rewards (A. De Vany).
2. Independent film finance, Pre-sale agreements, and the distribution of film earnings (F.W. Rusco, W.D. Walls).
3. Are they all crazy or just risk averse? Some movie puzzles and possible solutions (S.A. Ravid).
4. Measuring the cultural discount in the price of exported U.S. television programs (S. McFadyen, C. Hoskins, A. Finn).
5. Attitudes toward advertising and price competition in the press industry (J.J. Gabszewicz, D. Laussel, N. Sonnac).
6. Art dealers in Holland (J.M. Montias).
7. Auctioning paintings in late seventeenth-century London: rules, segmentation and prices in an emergent market (N. De Marchi).
8. Music as a commodity: creating a market in eighteenth-century London (R. McGuinnes).
9. The test of time: does 20th century American art survive? (W. Landes).
10. The credibility of cultural economists' advice to governments (A. Peacock).
11. Quantifying quality and other problems (T. Mason).
12. Who owns cultural goods? The case of built heritage (F. Benhamou).
13. The relationship between regional and national policies in the arts (R. Rizzo).
14. Making a list: information as a tool of historic preservation (J.M. Schuster).
2. Independent film finance, Pre-sale agreements, and the distribution of film earnings (F.W. Rusco, W.D. Walls).
3. Are they all crazy or just risk averse? Some movie puzzles and possible solutions (S.A. Ravid).
4. Measuring the cultural discount in the price of exported U.S. television programs (S. McFadyen, C. Hoskins, A. Finn).
5. Attitudes toward advertising and price competition in the press industry (J.J. Gabszewicz, D. Laussel, N. Sonnac).
6. Art dealers in Holland (J.M. Montias).
7. Auctioning paintings in late seventeenth-century London: rules, segmentation and prices in an emergent market (N. De Marchi).
8. Music as a commodity: creating a market in eighteenth-century London (R. McGuinnes).
9. The test of time: does 20th century American art survive? (W. Landes).
10. The credibility of cultural economists' advice to governments (A. Peacock).
11. Quantifying quality and other problems (T. Mason).
12. Who owns cultural goods? The case of built heritage (F. Benhamou).
13. The relationship between regional and national policies in the arts (R. Rizzo).
14. Making a list: information as a tool of historic preservation (J.M. Schuster).